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Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowling’s Fantastic Beasts and Where to Find Them.The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamander’s adventure in the wizarding world.Bursting with hundreds of production paintings, concept sketches, storyboards, and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this sumptuous volume presents a visual feast for readers, and welcomes fans of the Harry Potter films into the world of the Academy Award-nominated Fantastic Beasts and Where to Find Them.
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Boston (Mass.) -- Biography --- Boston (Mass.) -- Genealogy --- One who knows them.
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Fireplaces. --- Cleveland, Ohio, The Donley Brothers. --- How to build them.
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#GOSA:XIII.Them.M. --- 271.05 --- Ontstaan van het monnikenwezen. Oudste monachisme.
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eebo-0062
Church and state --- Three queries and answers to them. --- Great Britain --- History
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Customer clubs --- Great crops of strawberries and how to grow them --- Planting --- R.M. Kellogg Co --- Strawberries --- Michigan --- Three Rivers
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Two interesting items:. The author's article in New York Archives. A letter regarding foundlings in The Riverdale Press. In the nineteenth century, foundlings-children abandoned by their desperately poor, typically unmarried mothers, usually shortly after birth-were commonplace in European society. There were asylums in every major city to house abandoned babies, and writers made them the heroes of their fiction, most notably Charles Dickens's Oliver Twist . In American cities before the Civil War the situation was different, with foundlings relegated to the poorhouse instead of institutions d
Abandoned children --- Children, Abandoned --- Exposed children --- Homeless children --- History --- abandoned. --- asylums. --- children. --- foundlings. --- heartbreaking. --- interacted. --- lived. --- people. --- story. --- them. --- they. --- true. --- urban. --- with.
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Academic collection --- 577.115 --- 665.1 --- Lipids. Lipoids. Fats. Fat-like substances --- Generalities on oils, fats, waxes and products derived from them --- Oils and fats --- Agrotechnology and Food Sciences. Food Sciences --- Analysis. --- Food Chemistry --- Food Chemistry. --- 665.1 Generalities on oils, fats, waxes and products derived from them --- 577.115 Lipids. Lipoids. Fats. Fat-like substances --- Oil analysis --- Analysis
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Monster Cinema introduces readers to a vast menagerie of movie monsters. Some are gigantic, like King Kong or the kaiju in Pacific Rim, while others are microscopic. Some monsters appear uncannily human, from serial killers like Norman Bates to the pod people in Invasion of the Body Snatchers. And of course, other movie monsters like demons, ghosts, vampires, and witches emerge from long folklore traditions. Film expert Barry Keith Grant considers what each type of movie monster reveals about what it means to be human and how we regard the world. Armed with an encyclopedic knowledge of film history, Grant presents us with an eclectic array of monster movies, from Nosferatu to Get Out. As he discovers, although monster movies might claim to be about Them!, they are really about the capacity for horror that lurks within each of us.
Monsters in motion pictures. --- PERFORMING ARTS / Film & Video / Direction & Production. --- Motion pictures --- Get Out. --- Invasion of the Body Snatchers. --- King Kong. --- Norman Bates. --- Nosferatu. --- Pacific Rim. --- Them!, them, invasion, horror. --- cinema. --- demons. --- film. --- ghosts. --- human. --- kaiju. --- monster. --- natural. --- popular culture. --- serial killers. --- supernatural. --- vampires. --- witches. --- Motion Pictures --- Performing Arts --- Performing arts
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