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Art of the film : fantastic beasts and where to find them.
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ISBN: 0008204616 9780008204617 Year: 2016 Publisher: [Place of publication not identified] Harpercollins Publishers

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Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowling’s Fantastic Beasts and Where to Find Them.The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamander’s adventure in the wizarding world.Bursting with hundreds of production paintings, concept sketches, storyboards, and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this sumptuous volume presents a visual feast for readers, and welcomes fans of the Harry Potter films into the world of the Academy Award-nominated Fantastic Beasts and Where to Find Them.


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The aristocracy of Boston, who they are and what they were : being a history of the business and business men of Boston, for the last forty years
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Year: 1848 Publisher: Boston The author

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Book of successful fireplaces : how to build them.
Year: 1952 Publisher: Cleveland : Donley Brothers Co.,

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Spiritual terminology in the Latin translations of the Vita Antonii with reference to fourth and fifth century monastic literature
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Year: 1955 Publisher: Utrecht : Dekker en Van de Vegt,

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A Sober ansvver to a scandalous paper termed Three queries, and answers to them : privately spread abroad to amuse the people and disaffect them to the King and his late Christian declaration for liberty of conscience, by calling in question the legallity of it.
Year: 1688 Publisher: London : Printed and sold by Andrew Sowle ...,

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eebo-0062


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[Advertisement for free copy of Great crops of strawberries and how to grow them and information on Kellogg's Spare Time Profit Club], published by R.M. Kellogg Co
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Year: 1925 Publisher: R.M. Kellogg Co

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An essay on the present state of Ireland : showing the chief cause of, and the remedy for, the existing distresses in that country : dedicated to the Irish absentee landed proprietors, as proving that, although their absence is injurious to Ireland, it is not the primary cause of the sufferings endured by the Irish people
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Year: 1839 Publisher: London Ridgway

Abandoned
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ISBN: 081476441X 0814795692 9780814795699 9780814764411 9780814757253 0814757251 9780814757260 081475726X Year: 2008 Publisher: New York New York University Press

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Two interesting items:. The author's article in New York Archives. A letter regarding foundlings in The Riverdale Press. In the nineteenth century, foundlings-children abandoned by their desperately poor, typically unmarried mothers, usually shortly after birth-were commonplace in European society. There were asylums in every major city to house abandoned babies, and writers made them the heroes of their fiction, most notably Charles Dickens's Oliver Twist . In American cities before the Civil War the situation was different, with foundlings relegated to the poorhouse instead of institutions d


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Analysis and characterization of oils, fats and fat products.
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ISBN: 0470084820 Year: 1964 Publisher: London Interscience publ.


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Monster cinema
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ISBN: 0813588812 9780813588827 0813588820 9780813588810 9780813597652 9780813588803 Year: 2018 Publisher: New Brunswick, New Jersey

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Monster Cinema introduces readers to a vast menagerie of movie monsters. Some are gigantic, like King Kong or the kaiju in Pacific Rim, while others are microscopic. Some monsters appear uncannily human, from serial killers like Norman Bates to the pod people in Invasion of the Body Snatchers. And of course, other movie monsters like demons, ghosts, vampires, and witches emerge from long folklore traditions. Film expert Barry Keith Grant considers what each type of movie monster reveals about what it means to be human and how we regard the world. Armed with an encyclopedic knowledge of film history, Grant presents us with an eclectic array of monster movies, from Nosferatu to Get Out. As he discovers, although monster movies might claim to be about Them!, they are really about the capacity for horror that lurks within each of us.

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