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the world's religions --- history of religion --- religious symbols --- new religious movements --- fundamentalism --- Islam --- Christianity --- Hinduism

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Gods --- Goddesses --- Dieux --- Déesses --- Dictionaries --- Dictionnaires anglais --- Dictionnaires --- deities --- creator gods --- faith --- gods and goddesses --- dictionary --- worship --- religious symbols --- religious reference in art and literature

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controversy --- religious symbols on public land --- public space --- religion --- public life --- the Christian past --- the Establishment Clause --- war memorial crosses --- patriotism --- Christianity --- radical secularism --- religious freedom --- activism --- the Court --- religious displays on public land

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"Deux ensembles de peintures murales du XVe siècle, aussi exceptionnels que méconnus, sont ici au cœur d'une passionnante enquête pluridisciplinaire : ceux de la chapelle Saint-Hubert du château de Ponthoz et ceux de l'église Saint-Lambert de Bois (commune de Clavier, Wallonie, Belgique). Une équipe de spécialistes s'est plongée dans les décors peints de ces deux hameaux et a interrogé tous leurs aspects. Mieux connaître le lieu et l'édifice, analyser les phénomènes d'altération des peintures murales, comprendre le rôle des commanditaires, identifier les images peintes et apprécier la facture du peintre sont au cœur des propos. Les observations et analyses chimiques menées in situ, l'exploitation d'une riche documentation totalement inédite et les comparaisons iconographiques et stylistiques ont livré de nombreuses réponses réunies dans cette double monographie. Les indices convergent pour attribuer désormais à la même main d'artiste ou, tout au moins, au même atelier ces œuvres monumentales peintes vers 1460. Leurs prestigieux instigateurs sont le chanoine Wautier de Corswarem et le seigneur de Bois, soucieux de la mise en place de programmes savants qu'ils confient à un peintre de talent. Le choix des matériaux, la maîtrise technique, les thèmes iconographiques et la connexion vers d'autres milieux artistiques, notamment les manuscrits enluminés, sont autant d'aspects qui s'imbriquent, s'enrichissent mutuellement et qui attestent de liens interactifs entre l'artiste et les concepteurs. D'une même main' combine résultats scientifiques et pistes de réflexion pour offrir une toute nouvelle vision de la production picturale du XVe siècle liégeois."--Page 4 of cover.

Mural painting and decoration, Belgian --- Christian art and symbolism --- History --- Conservation and restoration --- Peinture et décoration murales -- Belgique -- Liège (Principauté) -- 15e siècle --- Mural painting and decoration --- Peinture et décoration murales --- Art et symbolisme chrétiens --- Conservation et restauration --- Peinture et décoration murales --- Art et symbolisme chrétiens --- Peinture et décoration murales -- Belgique -- Liège (Principauté) -- 15e siècle --- Iconography --- mural paintings [visual works] --- history [discipline] --- iconography --- attribution --- faux finishing --- multidisciplinarity --- Christelijke kunst --- beeldanalyse --- religious symbols --- anno 1400-1499 --- Liege

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"From cross necklaces to fashion designs inspired by nuns' habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory--something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion--such as ritual practice, miraculous events, and theological concepts--with modern culture, revealing a new dimension to the personal experience of religion."--

Fashion --- Popular culture --- Christianity and culture --- Religious aspects --- Christianity. --- Miscellanea. --- USA --- United States. --- United States --- Church history. --- Catholicism. --- Christmas. --- Cristobal Balenciaga. --- Dolce and Gabbana. --- Eve. --- Fontana sisters. --- Gabrielle Coco Chanel. --- Gianni Versace. --- God. --- Jesus. --- Kansai Yamamoto. --- Karla Spetic. --- Madonna. --- Moral Majority. --- Rei Kawakubo. --- Rudi Gernreich. --- Virgin Mary. --- Walter Holmes. --- advertisements. --- aestheticized. --- angels. --- cross jewelry. --- culture wars. --- designer. --- enchantment. --- fashion magazines. --- fashionable religion. --- iconoclastic controversy. --- individualism. --- jewelry. --- liberal Protestantism. --- magic. --- miracles. --- monks. --- nuns. --- pilgrimage. --- popular culture. --- priests. --- religious nones. --- religious symbols. --- runway shows. --- spirituality. --- visualization.