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child rearing --- Garner Ted Armstrong --- punishing children --- parenting
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What ends do we expect and hope to serve in punishing criminal wrongdoers? Does the punishment of offenders do more harm than good for American society? In The Case against Punishment, Deirdre Golash addresses these and other questions about the value of punishment in contemporary society. Drawing on both empirical evidence and philosophical literature, this book argues that the harm done by punishing criminal offenders is ultimately morally unjustified. Asserting that punishment inflicts both intended and unintended harms on offenders, Golash suggests that crime can be reduced by addressing social problems correlated with high crime rates, such as income inequality and local social disorganization. Punishment may reduce crime, but in so doing, causes a comparable amount of harm to offenders. Instead, Golash suggests, we should address criminal acts through trial, conviction, and compensation to the victim, while also providing the criminal with the opportunity to reconcile with society through morally good action rather than punishment.
Punishment. --- Penalties (Criminal law) --- Penology --- Corrections --- Impunity --- Retribution --- This. --- argues. --- book. --- criminal. --- done. --- harm. --- morally. --- offenders. --- punishing. --- that. --- ultimately. --- unjustified.
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Crime. --- Criminalité, Lutte contre la. --- Criminalité. --- Criminals. --- Criminels. --- Punishment (Psychology). --- Punishment. --- Punition (Psychologie). --- Punition. --- Retribution. --- crimes (events). --- criminals. --- punishing.
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"Picturing Punishment examines representations of criminal bodies as they moved in, out, and through publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, especially inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge. Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society."--
Art --- Art, Dutch --- Crime --- Crime. --- Criminals --- Dead in art. --- Justice in art. --- Prosecution in art. --- Punishment in art. --- Punishment --- Punishment. --- Themes, motives --- Themes, motives. --- History --- Death --- 1600-1699. --- Netherlands. --- Dead in art --- Justice in art --- Prosecution in art --- Punishment in art --- History of the law --- Criminology. Victimology --- Iconography --- History of the Netherlands --- punishing --- dead [people] --- visual culture --- criminals --- anno 1600-1699 --- Torture --- Exécution --- Mort --- Criminalité --- XVIIe s. -- 1601-1700 --- Pays-Bas
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This book documents a unique collaboration between the artist Louise Bourgeois (1911-2010) and the architect Peter Zumthor (born 1943). The 'Steilneset Memorial', opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a government-sponsored initiative which aims to attract visitors to remote but exceptionally beautiful locations), the 'Steilneset Memorial' started out as a modest monument to honor the victims of the witchcraft trials, to be built on the site where the burnings originally took place. But the project, which would be Bourgeois' last major work, grew in the hands of Zumthor and Bourgeois into two distinct, haunting structures.
Memorials --- Installations (Art) --- Witchcraft --- Trials (Witchcraft) --- 725.94 --- 72.07 --- 7.07 --- Bourgeois, Louise 1911-2010 (°Parijs, Frankrijk) --- Zumthor, Peter °1943 (°Bazel, Zwitserland) --- Paviljoenen ; Noorwegen ; Steilneset Memorial --- 72.039 --- Commemorations --- Historic sites --- Memorialization --- Monuments --- Black art (Witchcraft) --- Sorcery --- Occultism --- Wicca --- Installation art --- Art, Modern --- Environment (Art) --- History --- Openbare gebouwen ; monumenten, gedenktekens, fonteinen --- Architecten. Stedenbouwkundigen A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Bourgeois, Louise, --- Zumthor, Peter. --- Architecture --- Sculpture --- sculpture [visual works] --- punishing --- witchcraft --- monuments --- commemorations [events] --- burning --- witches --- architecture [object genre] --- heksenvervolging --- Bourgeois, Louise --- Zumthor, Peter --- dood
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History of civilization --- anno 1600-1699 --- punishing --- hairstyles --- law [discipline] --- Body, Human --- -Human figure in art --- Renaissance --- Thema's in de kunst ; Renaissance ; het menselijk lichaam --- 7.041 --- onder red. van Arie-Jan Gelderblom en Harald Hendrickx --- kunst --- vijftiende eeuw --- zestiende eeuw --- anatomie --- lichamelijkheid --- renaissance --- perspectief --- strafrecht --- anatomisch onderwijs --- lichaamshaar --- van Overbeke Aernout --- barok --- Italië --- Nederland --- 7.034 --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Social aspects --- -Iconografie ; de mens, portretten --- History --- Human body --- Human figure in art. --- Renaissance. --- human figures [visual works] --- anatomy --- Human figure in art --- Iconografie ; de mens, portretten
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"Picturing Punishment examines representations of criminal bodies as they moved in, out, and through publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, especially inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge. Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society."--
Art, Dutch --- Crime --- Crime. --- Criminals --- Dead in art. --- Justice in art. --- Prosecution in art. --- Punishment in art. --- Punishment --- Punishment. --- Themes, motives --- Themes, motives. --- History --- Death --- 1600-1699. --- Netherlands. --- History of the law --- Criminology. Victimology --- Iconography --- History of the Netherlands --- punishing --- dead [people] --- visual culture --- criminals --- anno 1600-1699 --- Art --- Torture --- Exécution --- Mort --- Criminalité --- XVIIe s. -- 1601-1700 --- Pays-Bas --- Dead in art --- Justice in art --- Prosecution in art --- Punishment in art --- Penalties (Criminal law) --- Penology --- Corrections --- Impunity --- Retribution --- Crime and criminals --- Delinquents --- Offenders --- Persons --- Criminal justice, Administration of --- Criminology --- City crime --- Crimes --- Delinquency --- Felonies --- Misdemeanors --- Urban crime --- Social problems --- Criminal law --- Transgression (Ethics) --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Social aspects --- Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Koninkrijk der Nederlanden --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederland --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Royaume des Pays-Bas --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden --- 1600-1699 --- Dutch Republic. --- Renaissance. --- afterlife. --- art and crime. --- art history. --- criminals. --- deviance. --- early modern. --- execution rituals. --- gallows. --- history of crime. --- material culture. --- public spectacles. --- punishment.
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