Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Intermediality

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"--

Motion pictures --- Historicism --- Intermediality

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Le présent volume se demande en quoi le discours scientifique est spécifique en tant que fait et pratique intermédiatiques, et en quoi le principe intermédial participe de cette spécificité. À l'examen des entrelacs entre sciences et intermédialité, il est envisagé une redéfinition des énonciations scientifiques en tant que processus intermédiatiques. Les articles contenus dans ce volume postulent une révision des théories et approches scienti ques en général et des sciences sociales en particulier. Ils posent le discours scienti que comme institutionnellement original, ouvert, métadiscursif, interdisciplinaire, relevant de l'heuristique et de l'herméneutique que la perspective intermédiale sert justement à mieux appréhender

Intermediality --- Science - Language --- Science

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dadaism and music --- Intermediality

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material - in form and in content - and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.

Intermediality. --- Narration (Rhetoric) --- Literature, Modern