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Innovative textile-based artwork exploded across the Canadian Prairies in the second half of the twentieth century. Melding craft traditions with modern and modernist movements in art and theory, a diverse body of creators opened a beautiful new chapter in textile art. Prairie Interlace brings together some of the most important scholars of art and craft in Canada to examine the work of forty-eight artists working with textiles from the 1960s to 2000. Recapturing and recording lost histories, this book explores both artists working with textiles and centres of textile study and production, paying special attention to the contexts in which artworks were produced. Indigenous scholars, experts in textile techniques, and experts in Prairie textile history provide fascinating insight into an artistic movement which, until now, has been largely overlooked. Featuring over one hundred and fifty beautiful full-colour images of textile works, many of which have never before been photographed for print, Prairie Interlace provides an opportunity to discover a fascinating movement which has not received the attention it deserves and invites further investigation of this rich period in Canadian art history. Developed from the travelling exhibition of the same name, Prairie Interlace is a collaboration between Nickle Galleries, University of Calgary in Calgary, AB and the MacKenzie Art Gallery, Regina, SK.
Weaving. --- Textile artists --- Textile crafts --- History --- alberta. --- art history. --- art. --- canada. --- canadian. --- contemporary weaving. --- craft theory. --- craft. --- design history. --- design. --- feminist art history. --- fibre art. --- indigenous studies. --- manitoba. --- metis studies. --- modern art. --- postmodern art. --- prairie. --- regionalism. --- saskatchewan. --- textile art. --- textiles. --- weaving.
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This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
Sociology of the family. Sociology of sexuality --- Painting --- Graphic arts --- patronage --- women [female humans] --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- Flanders --- Women artists --- Women art patrons --- Art --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art patrons --- Women benefactors --- Artists, Women --- Women as artists --- Artists --- History. --- women artists, feminist art history, Netherlandish art, Dutch art. --- patronage. --- women [female humans]. --- beeldende kunst. --- 71.31 sexes and their interrelations. --- 20.30 history of art: general. --- 20.10 art and society: general. --- Women art patrons. --- Women artists. --- Frau. --- Künstlerin. --- Kunst. --- Mäzenin. --- History --- 1500-1799. --- Netherlands. --- Niederlande. --- Femmes artistes --- Femmes mécènes --- Art, Primitive --- vrouwelijke kunstenaars --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer --- van Hemessen, Catharina --- Amalia van Solms-Braunfels (prinses van Oranje) --- Hollandine, Louise --- Verhulst, Mayken --- Diericx, Volcxken --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- vrouwelijke kunstenaars. --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer. --- van Hemessen, Catharina. --- Amalia van Solms-Braunfels (prinses van Oranje). --- Hollandine, Louise. --- Verhulst, Mayken. --- Diericx, Volcxken. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden. --- vrouwelijke kunstenaar --- vrouwengeschiedenis
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