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It has been said that all cinema is a special effect. In this examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience." "Students of film will find Cubitt's analysis of noncanonical films like Sam Peckinpah's Pat Garrett and Billy the Kid as enlightening as his fresh takes on such classics as Renoir's Rules of the Game.
Film --- Sean Cubitt --- vroege film --- fantastische film --- decor --- Renoir Jean --- film --- filmtheorie --- filmgeschiedenis --- receptie-esthetica --- twintigste eeuw --- speciale effecten --- tijd --- ruimte --- beweging --- stille film --- digitale film --- geluid --- filmmuziek --- animatie --- Eisenstein Sergei --- Hollywood --- 791.41 --- 791.43 --- Cinematography --- Motion pictures --- Cinéma --- Cinéma, histoire --- Philosophie --- Special effects --- Philosophy --- Effets spéciaux --- Special effects (Cinematography) --- Trick cinematography --- Special effects. --- Philosophy. --- Cinematography - Special effects --- Motion pictures - Philosophy --- Cinéma - Effets spéciaux --- Cinéma - Philosophie
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Film --- Literature --- 791.43-231 --- 82:791.43 --- Fantasy films --- -Fantasy literature --- -Literature, Modern --- -#SBIB:309H515 --- #SBIB:309H1326 --- film --- magisch realisme --- surrealisme --- rampenfilms --- 791.41 --- 791.43 --- Dürrenmatt Friedrich --- duivels --- droom --- horrorfilms --- fantastische film --- literatuurtheorie --- film en literatuur --- literatuur --- Modern literature --- Arts, Modern --- Fantastic literature --- Fantastic films --- Motion pictures --- Horrorfilms. Griezelfilms --- Literatuur en film --- History --- -Congresses --- History and criticism --- Literatuurwetenschap, literatuursociologie --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 82:791.43 Literatuur en film --- 791.43-231 Horrorfilms. Griezelfilms --- Fantasy literature --- Literature, Modern --- #SBIB:309H515 --- History and criticism&delete& --- Congresses
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American literature --- Caribbean Area --- 791.43.03 --- Fantasy films --- -#SBIB:309H1326 --- fantastische film --- sciencefictionfilm --- Alien --- Scott Ridley --- An American Werewolf in London --- The Black Hole --- Nelson Gary --- Landis John --- The Empire Strikes Back --- Kershner Irvin --- The Elephant Man --- Lynch David --- Escape from New York --- Carpenter John --- Excalibur --- Boorman John --- Die Fälschung --- Schlöndorff Volker --- Flash Gordon --- Hodges Michael --- Heavy Metal --- Potterton Gerald --- Lili Marleen --- Fassbinder Rainer Werner --- Outside In --- Dwoskin Stephen --- Raiders of the Lost Ark --- Spielberg Steven --- Scanners --- Cronenberg David --- The Shining --- Kubrick Stanley --- Stalker --- Star Wars --- Lucas George --- Star --- Luk De Vos, Mark Holthof --- Fantastic films --- Filmstijlen --- 791.43.03 Filmstijlen --- sciencefiction --- Tarkovski Andrej --- #SBIB:309H1326 --- 791.41 --- 791.43 --- film --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Film --- Amerikaanse letterkunde --- Caraïbisch gebied --- Caribbean area --- Films
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