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Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle.
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Decadence is seldom looked at in the context of colonialism, and yet its heyday in the 1880s and 1890s is directly contemporary with the expansion of France's modern colonial empire. Ever a slippery signifier, Decadence figures alternately as pro-colonial, anticolonial and apolitical. This edited volume gives a sense of the sheer range and diversity of intersections between colonialism and Decadence, from anticolonial anarchist writers to colonial discourse, from nineteenth-century women writers to our contemporary, Michel Houellebecq. Different chapters explore these intersections in the cultural imagination of dance, the novel, travel writing, historiographical theory, and literary networks. Decadence is often seen as an essentially metropolitan, urban movement, but this study identifies key spaces elsewhere, from fin-de-siècle Saigon to India in the heyday of French colonialism, from Byzantium to ancient Persia. Although the colonies were held up by some as an antidote to the threat of French decline, other writings reveal anxiety that the antidote might itself be a form of poison. Colonial contact might exacerbate degeneration, whether through cultural mixing or through the violence of colonial aggression itself. A profound anxiety about French identity and France's so-called mission civilisatrice is played out through the imagery, the style and the pose of Decadence.
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Degeneration. --- Decadence in literature. --- Decadence --- Eugenics --- Heredity, Human --- Sociology --- Vice
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Mit dem Untergang des II. Kaiserreichs vollzieht sich in Frankreich nicht nur ein politischer sondern auch ein diskursgeschichtlicher Wandel, in dessen Folge ein Dispositiv der Erkrankung und des Niederganges durch solche Formationen überschrieben wird, die nunmehr Heil statt Unheil setzen. Der negative Vitalismus der Dekadenz weicht einer Regenerationsbewegung, die sich jedoch nicht in einem einzigen politischen Diskurs beruhigen kann, sondern sich um jene mit dem Verlust des Souveräns entstandene Leerstelle herum zu vervielfältigen scheint. Steht die Dekadenz im Zeichen einer gleichermaßen fetischisierten wie perhorreszierten Weiblichkeit, so kreist die mit der Niederlage von Sedan aufkommende Regenerationsdynamik um eine Vaterfunktion, die in der Republik, so scheint es, eben gerade noch keine symbolische Entsprechung finden kann. Die vakante Vaterposition wird damit offen für immer neue, imaginäre Besetzungen, die bei aller Heterogenität als Gemeinsamkeit die Verschränkung von Männlichkeit und Heil teilen.
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This book examines the broad archive of texts that Oscar Wilde read from quite early in his literary career through to the release of Dorian Gray, making the case for a transnational network of literary forms that influenced Wilde's unique and hybrid prose. Arguing that prevailing scholarly discourse on Dorian's aesthetic and decadent contexts has unintentionally obscured an even richer array of cultural movements from which Wilde drew inspiration, O'Toole makes a significant case for a more dynamic reading of the novel. A bold reimagining of the literary history of Decadence through a close examination of the transnational contexts of Oscar Wilde's classic novel The Picture of Dorian Gray. Building upon a large body of archival and critical work on Oscar Wilde's only novel, Dorian Unbound offers a new account of the importance of transnational contexts in the forging of Wilde's imagination and the wider genealogy of literary Decadence. Sean O'Toole argues that the attention critics have rightly paid to Wilde's backgrounds in Victorian Aestheticism and French Decadence has had the unintended effect of obscuring a much broader network of transnational contexts. Attention to these contexts allows us to reconsider how we read The Picture of Dorian Gray, what we believe we know about Wilde, and how we understand literary Decadence as both a persistent, highly mobile cultural mode and a precursor to global modernism. In developing a transnational framework for reading Dorian Gray, O'Toole recovers a subterranean network of nineteenth-century cultural movements. At the same time, he joins several active and vital conversations about what it might mean to expand the geographical reach of Victorian studies and to trace the globalization of literature over a longer period of time. Dorian Unbound includes chapters on the Irish Gothic, German historical romance, US magic-picture tradition, and experimental English epigrams, as well as a detailed history and a new close reading of the novel, in an effort to understand Wilde's contribution to a more dynamic idea of Decadence than has been previously known. From its rigorous account of the broad archive of texts that Wilde read and the array of cultural movements from which he drew inspiration in writing Dorian Gray to the novel's afterlives and global resonances, O'Toole paints a richer picture of the author and his famously allusive prose. This book makes a compelling case for a comparative reading of the novel in a global context. It will appeal to historians and admirers of Wilde's career as well as to scholars of nineteenth-century literature, queer and narrative theory, Irish studies, and art history.
Decadence in literature. --- Decadence (Literary movement) --- Aestheticism (Literature) --- Wilde, Oscar,
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