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Book history --- Comparative religion --- mythology [literary genre] --- literair tafereel --- library Rubens --- artist library
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Book history --- bookstocks --- bibliofilie --- library Rubens --- artist library --- Rubens, Peter Paul
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Curato da Carlo Vecce, uno degli studiosi di Leonardo più apprezzati a livello internazionale, il volume ricostruisce, sulla base di un’attenta indagine sul complesso dei manoscritti vinciani, la consistenza della biblioteca che il maestro venne formando nel corso della sua lunga vita. Quest’opera fornisce anche indicazioni preziose sulle fasi di progressivo aumento dei volumi, a stampa e manoscritti, posseduti da Leonardo. Grazie anche alla fondamentale collaborazione di numerosi specialisti nelle discipline su cui Leonardo si soffermò, il volume mette a disposizione degli studiosi un imponente repertorio da cui attingere informazioni certe sulle fonti di ispirazione del “Genio Universale”. --Giunti editore
Book history --- private collections [object groupings] --- bookstocks --- libraries [object groupings] --- bibliofilie --- artist library --- Leonardo da Vinci
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Art --- book history --- artist library --- anno 1500-1599 --- anno 1600-1699
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Book history --- private collections [object groupings] --- bookstocks --- libraries [object groupings] --- bibliofilie --- artist library --- Leonardo da Vinci
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libraries [rooms] --- private collections [object groupings] --- bookstocks --- libraries [object groupings] --- bibliofilie --- library Rubens --- artist library --- Rubens, Peter Paul --- Rubens, Filips --- Rubens, Albert --- bibliotheken
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Book history
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books
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libraries [rooms]
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Art
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collecting
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Rubens, Peter Paul
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Plantin-Moretus Museum [Antwerp]
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017.2 <493> RUBENS, PETER PAUL
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027.1 <493 ANTWERPEN>
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#BIBC:ruil
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Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition.
History in art. --- Art and history. --- History and art --- History --- History in art --- Historical art --- Art and history --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Library. --- Knowledge and learning. --- 027.1 <492> --- 027.1 <492> Particuliere bibliotheken. Familiebibliotheken. Personenbibliotheken--Nederland --- Particuliere bibliotheken. Familiebibliotheken. Personenbibliotheken--Nederland --- Books and reading. --- Graphics industry --- Rembrandt --- Library --- Knowledge and learning --- Books and reading --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- bookstocks --- artist library --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Library --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Knowledge and learning --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Books and reading --- Rembrandt Harmenszoon van Rijn, - 1606-1669
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