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Landscapes and buildings haunted by their layered histories are the protagonists in British artist Zarina Bhimji's photographs and large-scale film installations, with India and East Africa the repeat locations for her foray into the archaeology of place. Sound and picture combine to transform image into metaphor; politics into poetry. This volume presents the first overview of Bhimji's work, from early installation pieces such as She Loved to Breathe: Pure Silence (1987), to her critically acclaimed film Out of Blue (2002), first shown at documenta XI, and her much anticipated latest work Yellow Patch (2011). Published on the occasion of a major survey exhibition spanning 25 years of Bhimji's career, this volume includes an essay by art historian and writer TJ Demos in which he analyses what he calls Bhimji's "Cinema of Affect", as well as an in-depth conversation between the artist and the exhibition's curators Achim Borchardt-Hume and Kathleen Bühler.

Bhimji, Zarina --- Bhimji, Zarina

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Bhimji, Zarina

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Art --- psychology --- art theory --- philosophy of art --- trauma (kunst) --- Breitz, Candice --- Julien, Isaac --- Salcedo, Doris --- Bhimji, Zarina --- Brown, Trisha --- Doherty, Willie --- Jaar, Alfredo

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In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a kind of “reverse migration”—a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly.

77.03 --- 77.04 --- kunst --- eenentwintigste eeuw --- kolonialisme --- postkolonialisme --- kunst en politiek --- kunst en economie --- film --- fotografie --- Augustijnen Sven --- Meessen Vincent --- Bhimji Zarina --- Martens Renzo --- Hugo Pieter --- globalisering --- neoliberalisme --- 7.01 --- 7.039 --- Documentaire fotografie --- Artistieke fotografie. Foto's naar het onderwerp --- Postcolonialism and the arts. --- Postcolonialism --- Documentary films --- Documentary photography --- Africa --- Colonial influence. --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- 77.03 Documentaire fotografie --- Postcolonialisme et arts. --- Postcolonialisme et arts --- Postcolonialisme --- Documentaires --- Photographie documentaire --- Afrique --- Influence coloniale --- Art --- art [fine art] --- colonization --- colonies --- globalization --- Martens, Renzo --- Meessen, Vincent --- Hugo, Pieter --- Bhimji, Zarina --- Augustijnen, Sven --- art [discipline] --- dekolonisatie

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documentary photography --- Photography --- Africa --- 77.038(6) --- Fotografie ; Afrika ; 1940-1996 --- Tentoonstellingscatalogi ; New York ; Guggenheim Museum --- Fotografie ; 1950 - 2000 ; Afrika --- Exhibitions --- Foto's. --- Photography, Artistic --- Photography, Artistic. --- Photography. --- Bhimji, Zarina, --- Ennadre, Touhami, --- Fosso, Samuel, --- Gasteli, Jellel, --- Goldblatt, David, --- Keita, Seydou, --- Magubane, Peter, --- Mofokeng, Santu, --- Sidibé, Malick, --- Udé, Iké, --- Africa. --- Photographers --- Photographers. --- Fotografie. --- Photographie. --- Geschichte 1940-1996. --- Ausstellung. --- New York (NY, 1996). --- History --- 1900-1999. --- Afrika.