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Art --- -Art, Modern --- -Modern art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Exhibitions --- Zentrum fur Kunst und Medientechnologie Karlsruhe --- -ZKM --- ZKM/Zentrum für Kunst und Medientechnologie Karlsruhe --- Center for Art and Media in Karlsruhe --- ZKM/Center for Art and Media in Karlsruhe --- Centre d'art et de technologie médiatique de Karlsruhe --- Center for Art and Media Karlsruhe --- ZKM Karlsruhe --- -Exhibitions --- Art, Modern --- Zentrum für Kunst und Medientechnologie Karlsruhe --- ZKM --- Exhibitions. --- Art, Primitive

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Zentrum für Kunst und Medientechnologie Karlsruhe / Heinrich Klotz ; mit Beitr. von Horst Bredekamp und Ursula Frohne --- kunst --- twintigste eeuw --- installaties --- nieuwe media --- technologie --- kunst en technologie --- musea --- video --- videokunst --- architectuur --- design --- schilderkunst --- beeldhouwkunst --- fotografie --- ZKM --- Zentrum für Kunst und Medientechnologie Karlsruhe --- 7.078 --- 791.5

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"The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation."--Publisher's website.

Art and globalization --- Art, Modern --- Globalization in art --- Exhibitions --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Araeen Rasheed --- Glissant Edouard --- globalisering --- 7.039 --- 7.01 --- Beeldende kunst ; 21ste eeuw ; geografische verschuivingen --- Globalisering --- Diversiteit ; emigratie en imigratie van kunstenaars --- Globale kunst --- Kosmopolitanisme --- Mondiale kunstontwikkelingen --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Art and globalization. --- Art et mondialisation --- Art --- Art, Modern. --- Biennials (Art fairs). --- Globalisierung. --- Globalization in art. --- Kunst. --- Kunstbetrieb. --- Moderne. --- Pluralismus. --- Expositions. --- Expositions --- 1900 - 2099. --- Entwicklungsländer. --- Schwellenländer. --- Art and globalization - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Globalization in art - Exhibitions

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new media art --- video art --- Art --- installations [visual works] --- art [fine art] --- interactive art --- computer art [visual works] --- Krause, Michael --- Gerwin, Thomas --- Johannsen, Kirsten --- Fujihata, Masaki --- Urbano, D', Alba --- Fietzek, Frank --- Geisler, Kirsten --- Sermon, Paul --- Dutilleux, Pierre --- Fleischmann, Monika --- Strauss, Wolfgang --- Tijen, van, Tjebbe --- Arndt, Olaf --- Seaman, Bill --- Scott, Jill --- Hershman, Lynn --- Cohen, Bruno --- Naimark, Michael --- Courchesne, Luc --- Onnen, Onno --- Vojtěchovsky, Milos --- Cruysen, van der, Walter --- Bohn, Christian-A. --- Lintermann, Bernd --- Shaw, Jeffrey --- Feingold, Ken --- Moonen, Rob --- Eicher, Margret --- Mignonneau, Laurent --- Sommerer, Christa --- Oudsten, Den, Frank --- anno 1900-1999 --- Karlsruhe --- Art and technology --- Computer art --- Art and electronics --- Art et technologie --- Art par ordinateur --- Art et électronique --- Art, Modern --- -Electronics in art --- kunst --- twintigste eeuw --- installaties --- nieuwe media --- technologie --- kunst en technologie --- ZKM --- Zentrum für Kunst und Medientechnologie Karlsruhe --- musea --- virtual reality --- virtuele realiteit --- Arndt Olaf --- Moonen Rob --- Cohen Bruno --- Courchesne Luc --- Eicher Margret --- Feingold Ken --- Fietzek Frank --- Fleischmann Monika --- Strauss Wolfgang --- Bohn Christian-A. --- Fujihata Masaki --- Gesiler Kirsten --- Gerwin Thomas --- Hegedus Agnes --- Hershman Lynn --- Johannsen Kirsten --- Naimark Michael --- Onnen Onno --- den Oudsten Frank --- Sala Annamaria --- Sala Marzio --- Scott Jill --- Seaman Bill --- Sermon Paul --- Shaw Jeffrey --- Sommerer Christa --- Mignonneau Laurent --- van Tijen Tjebbe --- Vojtechovsky Milos --- d'Urbano Alba --- 791.5 --- 7.038 --- 7.078 --- Modern art --- Electronics and art --- Electronics --- Art and electronics. --- Electronics in art. --- Art et électronique --- Electronics in art --- Bohn Christian-A --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- art [discipline] --- mass media

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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.

Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art