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Museology --- Art --- art [discipline] --- museology --- philosophy of art --- Carlson, Ann --- Finlay, Karen --- Lowe, Rick --- Strom, Mary Ellen --- Ukeles, Mierle Laderman --- Cornerstone Theater Company --- GALA Committee

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Mierle Laderman Ukeles’s Manifesto for Maintenance Art 1969! Proposal for an Exhibition “CARE” (1969) was a major intervention in feminist performance practices and public art. The proposal argued for an intimate relationship between creative production in the public sphere and domestic labor—a relationship whose intricacies Ukeles has been unraveling ever since. In 1977, she became the unsalaried Artist-in-Residence for the New York City Department of Sanitation, a position that enables her to introduce radical public art into an urban municipal infrastructure.

Through archival research, this monographic publication focuses on Ukeles’s work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi. Over the past four decades, Ukeles has pioneered how we perceive and ultimately engage in maintenance activities. The work ballets derive from her engagement in civic operations in order to reveal how they work though monumental coordination and cooperation. Mierle Laderman Ukeles: Seven Work Ballets is the first monograph on Ukeles’s seminal practice, and is as much an artist’s book as an art-historical publication.

Art --- maintenance --- pollution --- public art --- performance art --- recycling --- refuse --- convoys --- snowplows --- barges [flat-bottomed watercraft] --- towboats --- street sweepers --- labor --- interactive art --- bulldozers --- trucks --- Ukeles, Mierle Laderman

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"The work of Mierle Laderman Ukeles bridges feminism, environmentalism, and participatory art practice. This first comprehensive book on the influential artist explores her legendary tenure as artist-in-residence at New York City's Department of Sanitation, which paved the way for similar "embedded artists" in government and community organizations. Essays, interviews, and striking illustrations offer important perspectives on an artist who has transformed our ideas about the feminist, urban, ecological, and resilient aspects of artistic experience. Whether it's her groundbreaking "Manifesto for Maintenance Art 1969!," which decries the separation, especially for women, between art on the one hand and caring for family, city, and planet on the other; or "The Social Mirror," in which she covered a New York City Department of Sanitation truck entirely in mirrored glass-Ukeles's body of work includes public art installations, exhibitions, and performances around the world, frequently created in collaboration with sanitation and municipal workers, museum visitors, and the public"--

performance art --- cleaning --- ecology --- community art --- feminism --- earthworks [sculpture] --- art [fine art] --- ecological art --- sculpture [visual works] --- urban environments --- public spaces --- maintenance --- communal living --- Ukeles, Mierle Laderman --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ukeles, Mierle --- Ukeles, Mierle Laderman, --- Exhibitions --- Performances ; 2e helft 20ste eeuw ; M. Laderman Ukeles --- Kunst en feminisme ; Verenigde Staten --- Actionisme --- Actions --- Environmental art --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Vrouwelijke kunstenaars --- Kunst en maatschappij --- Maintenance Art ; kunst en dagelijks werk ; kunst en leven --- Laderman Ukeles, Mierle °1939 (°Denver, Colorado, Verenigde Staten) --- Laderman Ukeles, Mierle --- writings [documents] --- artists' statements --- art [discipline] --- kunst in de openbare ruimte --- leefmilieu

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Iconography --- Architecture --- architecture [discipline] --- space [composition concept] --- Ullman, Micha --- Aronson, Shlomo --- Barr, Joram --- Ben-Dov, Yoav --- Engler, Mira --- Fabian, Fredi --- Geva, Avital --- Guggenheim, David --- Horowitz, Iris --- Kaplan, Mordechai --- Minuchin, Morian --- Norman, Nils --- Or-Ner, Dov --- Plesner, Ulrik --- Preiss, Liat --- Rechter, Amnon --- Rota Sishoka, Erez --- Ukeles, Mierle Laderman --- Vaadia, Gil --- Webster, Meg --- Weinstein, Gal --- Weinstein, Shai --- Cai Guo Qiang --- Acconci, Vito --- Dion, Mark --- Gerdes, Ludger --- Tumarkin, Igael --- Weinberger, Lois

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Art --- sculpture [visual works] --- outdoor sculpture --- earthworks [sculpture] --- installations [visual works] --- architecture [discipline] --- photography [process] --- ecology --- public art --- woods [plant communities] --- motion pictures [visual works] --- mixed media --- Nature --- cities --- seas --- public spaces --- graphic arts --- biological material --- fauna --- flora [plants] --- philosophy of art --- kunstmanifest --- kunstsociologie --- toekomst (kunst) --- kunst en wetenschap --- landscapes [representations] --- Starling, Simon --- Baumgarten, Lothar --- Almarcegui, Lara --- Saraceno, Tomás --- Gallaccio, Anya --- Philippe Rahm architects --- Haacke, Hans --- Fowler, Luke --- Greenfort, Tue --- Håkansson, Henrik --- Hilbertz, Wolf --- Smithson, Robert --- Heather and Ivan Morison --- Beuys, Joseph --- Ukeles, Mierle Laderman --- Fuller, Richard Buckminster --- Dion, Mark --- Denes, Agnes --- Harrison, Helen Mayer --- Harrison, Newton --- A12 --- Ant Farm --- CLUI --- Diller Scofidio + Renfro [New York, N.Y.] --- EXYZT --- R&Sie(n)