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Film --- Motion pictures and globalization --- Motion pictures and transnationalism --- Transnationalism and motion pictures --- Transnationalism --- Globalization and motion pictures --- Globalization

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"With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema and media studies. Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely add to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema and media that opens up analysis to new categories and concepts, whilst crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "Commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons. World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels"--

Mass communications --- Film --- Literature --- Literature and transnationalism --- Motion pictures and transnationalism --- Mass media and globalization --- Transnationalism and motion pictures --- Transnationalism --- Transnationalism and literature --- Globalization and mass media --- Globalization

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The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to

Motion pictures and transnationalism --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Transnationalism and motion pictures --- Transnationalism --- History and criticism. --- History and criticism

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As the two billion YouTube views for "Gangnam Style" would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation's film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world's most vibrant national cinemas, but also a provocative call to reimagine the very concepts of "national cinemas" and "film genre." Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host's reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

Motion pictures and globalization. --- Motion pictures and transnationalism. --- Culture in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Transnationalism and motion pictures --- Transnationalism --- Globalization and motion pictures --- Globalization --- History --- History and criticism

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This book brings together scholars from Europe, Latin America and the United States in a shared effort to assess the critical potential of the transnational paradigm for Spanish and Latin American cinema. After an introductory part, including a state of the art discussion of some 50 publications, the book presents a set of strategically chosen case-studies, grouped into three categories: transnational modes of production, transnational directors, and transnational modes of narration. Written by some of the leading scholars in Hispanic film studies, the book includes contributions on individual directors and producers (e.g. Almodóvar, Buñuel and González Iñárritu), as well as on genres (road movie), interstitial subjectivities (children, queer and diasporic personalities) and festivals (e.g. BAFICI). Este libro, que es el fruto de la colaboración de académicos de Europa, América Latina y Estados Unidos, debate y detalla la fecundidad crítica del paradigma transnacional en los cines español y latinoamericano. Después de una parte teórica que ofrece un estado de la cuestión basado en más de 50 publicaciones, analiza casos emblemáticos por diversas razones, distribuidos en tres categorías: modos de producción transnacionales, directores transnacionales, narraciones transnacionales. Escritos por destacados especialistas del cine hispánico, los estudios se centran en importantes directores y productores (Almodóvar, Buñuel, González Iñárritu, et cetera), en géneros (como la road movie), en subjetividades específicas (niños, personalidades queer o marcadas por el exilio) y en festivales (entre otros, el BAFICI).

Motion pictures and transnationalism --- Motion pictures --- Transnationalism and motion pictures --- Transnationalism --- History. --- PERFORMING ARTS --- Motion pictures. --- Motion pictures and transnationalism. --- Film. --- Transnationalisierung --- History --- Reference. --- Latin America. --- Spain. --- Hispanoamerika. --- Spanien. --- Cinéma --- Cinéma et transnationalisme --- Histoire --- Sociology of culture --- Film --- Spain