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Although the format of the rehearsal is used across a number of disciplines--film and theater as well as fine arts--it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures--sometimes joyful, sometimes troublesome but structurally productive--into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making) and products (the making-of) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.
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Although the format of the rehearsal is used across a number of disciplines--film and theater as well as fine arts--it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures--sometimes joyful, sometimes troublesome but structurally productive--into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making) and products (the making-of) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.
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Die Buchreihe Linguistik - Impulse & Tendenzen (LIT) ist ein attraktives Forum für hochwertige Arbeiten zur Sprachwissenschaft - insbesondere zur germanistischen Linguistik. Sie sucht aktuelle Tendenzen aufzunehmen und widerzuspiegeln, gleichzeitig aber wegweisende Impulse für das Fach und seine weitere Entwicklung zu geben. Im Fokus steht die synchrone Sprachwissenschaft mit all ihren Facetten. By taking a conversation-analytical approach, this study uses mobile eye tracking and audiovisual recordings of theater rehearsals to examine how people who are interacting with each other simultaneously coordinate relevant activities. Of special significance is the structural compatibility of the modes of participation in the co-relevant activities, as different methods of coordination are used depending on the degree of (in-)compatibility.
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Die Buchreihe Linguistik - Impulse & Tendenzen (LIT) ist ein attraktives Forum für hochwertige Arbeiten zur Sprachwissenschaft - insbesondere zur germanistischen Linguistik. Sie sucht aktuelle Tendenzen aufzunehmen und widerzuspiegeln, gleichzeitig aber wegweisende Impulse für das Fach und seine weitere Entwicklung zu geben. Im Fokus steht die synchrone Sprachwissenschaft mit all ihren Facetten. By taking a conversation-analytical approach, this study uses mobile eye tracking and audiovisual recordings of theater rehearsals to examine how people who are interacting with each other simultaneously coordinate relevant activities. Of special significance is the structural compatibility of the modes of participation in the co-relevant activities, as different methods of coordination are used depending on the degree of (in-)compatibility.
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Theater rehearsals. --- Theater --- Theaterprobe. --- Production and direction. --- Hildesheim <2009>.
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Künstlerische Produktionsprozesse sind durchzogen von Praktiken, Handlungen und Verfahren, die man als Ãœbungen bezeichnen kann. Der Band Ãœben üben untersucht die Praxis des Ãœbens auf Probebühnen, in Ateliers, Werkstätten und Ãœbezellen, auf dem Papier, im Kopf und zwischen Körpern im Raum. Ãœbungen zielen auf Selbstbildungsprozesse, durch die das Subjekt ein Verhältnis zu sich selbst und anderen konstituiert. Ãœbungen operieren auf der Schwelle von Disziplin und Ãœberschreitung und haben eine soziale Dimension; sie finden in spezifischen Institutionen statt, deren Normen sie fortschreiben. Zugleich scheinen sie im Widerspruch zur allseitigen Forderung nach Kreativität, Originalität und Individualität zu stehen. Die Untersuchung konkreter Ãœbungsszenarien macht implizite Normen und Ansprüche kenntlich. Erschlossen wird ein transdisziplinäres Forschungsfeld der Theater- und Tanzwissenschaft, der Kulturvermittlung, der Musikpädagogik und der Philosophie.
Entertainers --- Picture books. --- Juvenile fiction. --- Theater rehearsals. --- Performing arts.
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Theatrical science --- anno 1900-1999 --- Theater rehearsals. --- Répétitions (Théâtre) --- Répétitions (Théâtre)
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Directing --- Drama --- American literature: authors --- anno 1900-1999 --- American drama --- Dramatists, American --- Theater rehearsals --- History and criticism. --- Technique. --- History and criticism --- American drama - 20th century - History and criticism. --- Dramatists, American - 20th century - Biography. --- Theater rehearsals - United States. --- Drama - Technique.
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Attention is often given to the performance of a text, but not to the shaping process behind that performance. This is the first history of the subject, from the sixteenth century to the eighteenth. It examines the nature and changing content of rehearsal, drawing on a mass of autobiographical, textual, and journalistic sources. - ;Attention is often given to the performance of a text, but not to the shaping process behind that performance. The question of rehearsal is seldom confronted directly, though important textual moments - like revision - are often attributed to it. Whatismore, up unti
Acting --- anno 1500-1799 --- England --- English drama --- Theater rehearsals --- History and criticism. --- History. --- Shakespeare, William, --- Stage history.
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