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Music and Technologies.
Authors: ---
ISBN: 1443865710 9781443865715 1322057044 9781322057040 1443842133 9781443842136 9781443842136 Year: 2013 Publisher: Newcastle upon Tyne Cambridge Scholars Publishing

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Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment discussion within the field of interdisciplinary music research developed currently at such important forums as the CIM and the ISMIR. The book consists of a collection of articles written by musicians and computer scientists, educators and mathematicians from all over the world. The main contemporary ideas in the field of music technologies are explored - estimating the process of automatic cognit...


Book
Beyond sound
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ISBN: 0199837686 0199996520 9780199996520 9780199837687 9780199837663 019983766X 9780199996537 0199996539 Year: 2013 Publisher: New York Oxford University Press

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'Beyond Sound' is for anyone who wants to build a career in the exciting world of music technology. The book describes education programmes, gives practial guidance on career preparation, and offers plans for career paths. It includes interviews with professionals, giving readers a rare insider glimpse inside this industry.


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Reinventing sound
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ISBN: 1443885630 9781443885638 9781443881050 1443881058 1443881058 Year: 2015 Publisher: Newcastle upon Tyne, UK

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Recent years have witnessed a true technological revolution with a global impact upon all areas of society, from entertainment to education. Technology, changing and evolving at increasing speed, undoubtedly shapes ways of seeing the world, something which requires profound reflection in terms of how reality is understood. It is undeniable that in this audiovisual world music plays a leading and prominent role. This is particularly notable when considering the importance of music in relation to the way it is featured on mobile devices and as manifested in terms of other communication technolog


Book
Composing capital : classical music in the neoliberal era
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ISBN: 9780226640235 9780226640068 Year: 2019 Publisher: Chicago ; London : copyright 2019 The University of Chicago Press,

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Music and technoculture
Authors: ---
ISBN: 0819574414 9780819574411 081956513X 9780819565136 0819565148 9780819565143 Year: 2003 Publisher: Middletown, Conn.

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Explores the rich relationship between technology, music and culture.


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Innovation in music : performance, production, technology, and business
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ISBN: 1351016695 1351016717 9781351016711 9781351016704 1351016709 9781351016681 1351016687 9781351016698 9781138498211 9781138498198 113849819X 1138498211 Year: 2019 Publisher: New York, New York ; London : Routledge,

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The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and even investment in the whole nation, this golden era of the creative industries in the UK may not last. In my latest articles, I explore critical themes relevant for the UK Music industry and the UK creative sector as a whole. Current national policy expressions often omit to address these themes, which are necessary to safeguard our future creative resilience. In writing this article, much relevance will be drawn from making connections to recent public debates on what universities are for and what their role is within the creative economy. Attention is given to considering current governmental industry strategies critically and their relevance for the music industry, together with their sector responses.

Strange sounds : music, technology & culture
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ISBN: 0415936837 0415936845 9780415936842 9780415936835 Year: 2001 Publisher: New York ; London : Routledge,


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The death and life of the music industry in the digital age
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ISBN: 9781623560010 9781780931609 Year: 2013 Publisher: New York : Bloomsbury Academic,

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The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.


Book
21st Century Perspectives on Music, Technology, and Culture : Listening Spaces
Authors: ---
ISBN: 1349698032 1137497599 1137497602 Year: 2016 Publisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan,

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This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.

Capturing sound : how technology has changed music
Authors: ---
ISBN: 0520243803 0520241967 Year: 2004 Publisher: Berkeley Los Angeles London University of California Press

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