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Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment discussion within the field of interdisciplinary music research developed currently at such important forums as the CIM and the ISMIR. The book consists of a collection of articles written by musicians and computer scientists, educators and mathematicians from all over the world. The main contemporary ideas in the field of music technologies are explored - estimating the process of automatic cognit...
Music and technology. --- Music --- Technology and music --- Technology --- Data processing.
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'Beyond Sound' is for anyone who wants to build a career in the exciting world of music technology. The book describes education programmes, gives practial guidance on career preparation, and offers plans for career paths. It includes interviews with professionals, giving readers a rare insider glimpse inside this industry.
Music --- Music and technology. --- Technology and music --- Technology --- Music as a profession --- Vocational guidance.
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Recent years have witnessed a true technological revolution with a global impact upon all areas of society, from entertainment to education. Technology, changing and evolving at increasing speed, undoubtedly shapes ways of seeing the world, something which requires profound reflection in terms of how reality is understood. It is undeniable that in this audiovisual world music plays a leading and prominent role. This is particularly notable when considering the importance of music in relation to the way it is featured on mobile devices and as manifested in terms of other communication technolog
Music and technology. --- Music --- Music and society --- Technology and music --- Technology --- Social aspects.
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Music --- Music entrepreneurship --- Music and technology --- Music trade --- Neoliberalism. --- Economic aspects --- Neoliberalism --- Neo-liberalism --- Liberalism --- Technology and music --- Technology --- Entrepreneurship
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Explores the rich relationship between technology, music and culture.
Ethnomusicology. --- Music --- Music and technology. --- Technology and music --- Technology --- Comparative musicology --- Ethnology --- Musicology --- Music and society --- Social aspects. --- History and criticism.
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The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and even investment in the whole nation, this golden era of the creative industries in the UK may not last. In my latest articles, I explore critical themes relevant for the UK Music industry and the UK creative sector as a whole. Current national policy expressions often omit to address these themes, which are necessary to safeguard our future creative resilience. In writing this article, much relevance will be drawn from making connections to recent public debates on what universities are for and what their role is within the creative economy. Attention is given to considering current governmental industry strategies critically and their relevance for the music industry, together with their sector responses.
Music and technology. --- Sound recordings --- Music --- Music trade. --- Production and direction. --- Performance. --- Cultural industries --- Music business --- Music industry --- Musical performance --- Performance of music --- Sound recordings direction --- Sound recordings production --- Technology --- Technology and music --- Direction
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Electronic music --- Music and technology. --- Music --- Musique électronique --- Musique et technologie --- Musique --- History and criticism. --- Philosophy and aesthetics. --- Histoire et critique --- Philosophie et esthétique --- Musique électronique --- Philosophie et esthétique --- Music and technology --- Technology and music --- History and criticism --- Philosophy and aesthetics --- Technology --- Musique électroacoustique. --- Musique et technologie. --- Anthropologie. --- Anthropologie
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The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.
Musique --- Musique et technologie --- Sound recording industry --- Music and technology. --- Industrie et commerce --- Aspect social --- Social aspects. --- muziek --- muziekindustrie --- nieuwe media --- cultuurfilosofie --- digitale muziek --- 78 --- Aspect social. --- Musique et technologie. --- Music and technology --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Technology and music --- Social aspects --- Music trade --- Technology
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This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.
Music --- Music and technology --- Music Philosophy --- Music, Dance, Drama & Film --- History --- Social aspects --- Music and technology. --- Technology and music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Technology --- Music. --- Communication. --- Media Studies. --- Cultural Studies. --- Communication, Primitive --- Mass communication --- Sociology --- Cultural studies.
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Enregistrements sonores--Industrie --- Geluidsopnamen--Industrie --- Musique et technologie --- Muziek en technologie --- Sound recording industry --- Music and technology --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Technology and music --- Music trade --- Technology --- 78.86.2 --- 78.85
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