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Between 1968 and 1970 CORFO prepared one of the most complete industrial strategy proposals for Chile 1970-80. This program was not implemented and the texts remained undisclosed. The present work of historical recovery transports us to the beginning of the 70s, convulsive times that marked a turn in the country's economy and in the work of CORFO, first with the government of Salvador Allende and, later, with the dictatorship. Today, when the country embraces the idea of giving a new impetus to Chile's industrial development, it is that we must put into perspective what was done then, and on that basis imagine a new stage with ambition. As CORFO's Executive Vice President, José Miguel Benavente, expressed it in 2022, "we want to move towards a new development model that is more inclusive and sustainable, territorially equitable and based no longer on the simple extraction and export of natural resources, but on more intensive in science, technology and innovation”
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This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material. Denne antologien presenterer teatervitenskapelig kunnskap utviklet ved Institutt for kunst- og medievitenskap ved Norges teknisk-naturvitenskapelige universitet. Artiklene er basert på kunstbasert forskning og praktisk-teoretisk undervisning ved instituttet. Teaterproduksjon er et sentralt kunst- og kunnskapsdannende arbeidsfelt for studenter og lærere i drama og teater. Arbeidet preges av et dynamisk forhold mellom kropp, tekst, visualitet og lyd, medienes metoder og teknikker og av relasjonen mellom fagforvaltere og studenter. Teaterproduksjon er en kompleks læringsarena; den er multimodal og den krysser mellom opplevelse, formidling, respons og refleksjon. Det er behov for et rikt utvalg strategier, metoder og teknikker. Antologien presenterer ti ulike innganger til teaterproduksjon. Laboratoriet med eksperimentelle metoder er ramme for artikler om scenografi, lyd, aktørens kropp og tekst. Produksjonsprosessen med den skapende og reflekterende studenten i sentrum er ramme for artikler om dramaturgi, tekstbehandling, produksjonsfaser og målgruppearbeid. Fagforvalterens rolle og funksjon i veiledning og vurdering tematiseres i to avsluttende artikler. De ti produksjonsestetiske inngangene drøftes med eksempler og bilde- og lydmateriale.
theatre --- education --- scenography --- production processes --- theatre production --- teater --- teaterutdanning --- teaterproduksjon
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Between 1968 and 1970 CORFO prepared one of the most complete industrial strategy proposals for Chile 1970-80. This program was not implemented and the texts remained undisclosed. The present work of historical recovery transports us to the beginning of the 70s, convulsive times that marked a turn in the country's economy and in the work of CORFO, first with the government of Salvador Allende and, later, with the dictatorship. Today, when the country embraces the idea of giving a new impetus to Chile's industrial development, it is that we must put into perspective what was done then, and on that basis imagine a new stage with ambition. As CORFO's Executive Vice President, José Miguel Benavente, expressed it in 2022, "we want to move towards a new development model that is more inclusive and sustainable, territorially equitable and based no longer on the simple extraction and export of natural resources, but on more intensive in science, technology and innovation”
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Between 1968 and 1970 CORFO prepared one of the most complete industrial strategy proposals for Chile 1970-80. This program was not implemented and the texts remained undisclosed. The present work of historical recovery transports us to the beginning of the 70s, convulsive times that marked a turn in the country's economy and in the work of CORFO, first with the government of Salvador Allende and, later, with the dictatorship. Today, when the country embraces the idea of giving a new impetus to Chile's industrial development, it is that we must put into perspective what was done then, and on that basis imagine a new stage with ambition. As CORFO's Executive Vice President, José Miguel Benavente, expressed it in 2022, "we want to move towards a new development model that is more inclusive and sustainable, territorially equitable and based no longer on the simple extraction and export of natural resources, but on more intensive in science, technology and innovation”
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Sensory evaluation methods are extensively used in the wine, beer and distilled spirits industries for product development and quality control, while consumer research methods also offer useful insights as the product is being developed. This book introduces sensory evaluation and consumer research methods and provides a detailed analysis of their applications to a variety of different alcoholic beverages.Chapters in part one look at the principles of sensory evaluation and how these can be applied to alcoholic beverages, covering topics such as shelf life evaluation and gas chromatogr
Alcoholic beverages --- Consumers --- Research. --- Consumer research --- Intoxicants --- Alcohol --- Beverages --- 663.52 --- 663.52 Alcohol production processes generally. Alcohol distilleries, refineries --- Alcohol production processes generally. Alcohol distilleries, refineries --- Research
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This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material. Denne antologien presenterer teatervitenskapelig kunnskap utviklet ved Institutt for kunst- og medievitenskap ved Norges teknisk-naturvitenskapelige universitet. Artiklene er basert på kunstbasert forskning og praktisk-teoretisk undervisning ved instituttet. Teaterproduksjon er et sentralt kunst- og kunnskapsdannende arbeidsfelt for studenter og lærere i drama og teater. Arbeidet preges av et dynamisk forhold mellom kropp, tekst, visualitet og lyd, medienes metoder og teknikker og av relasjonen mellom fagforvaltere og studenter. Teaterproduksjon er en kompleks læringsarena; den er multimodal og den krysser mellom opplevelse, formidling, respons og refleksjon. Det er behov for et rikt utvalg strategier, metoder og teknikker. Antologien presenterer ti ulike innganger til teaterproduksjon. Laboratoriet med eksperimentelle metoder er ramme for artikler om scenografi, lyd, aktørens kropp og tekst. Produksjonsprosessen med den skapende og reflekterende studenten i sentrum er ramme for artikler om dramaturgi, tekstbehandling, produksjonsfaser og målgruppearbeid. Fagforvalterens rolle og funksjon i veiledning og vurdering tematiseres i to avsluttende artikler. De ti produksjonsestetiske inngangene drøftes med eksempler og bilde- og lydmateriale.
Theory of art --- Theatre studies --- Theatre: individual actors & directors --- theatre --- education --- scenography --- production processes --- theatre production --- teater --- teaterutdanning --- teaterproduksjon
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This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material. Denne antologien presenterer teatervitenskapelig kunnskap utviklet ved Institutt for kunst- og medievitenskap ved Norges teknisk-naturvitenskapelige universitet. Artiklene er basert på kunstbasert forskning og praktisk-teoretisk undervisning ved instituttet. Teaterproduksjon er et sentralt kunst- og kunnskapsdannende arbeidsfelt for studenter og lærere i drama og teater. Arbeidet preges av et dynamisk forhold mellom kropp, tekst, visualitet og lyd, medienes metoder og teknikker og av relasjonen mellom fagforvaltere og studenter. Teaterproduksjon er en kompleks læringsarena; den er multimodal og den krysser mellom opplevelse, formidling, respons og refleksjon. Det er behov for et rikt utvalg strategier, metoder og teknikker. Antologien presenterer ti ulike innganger til teaterproduksjon. Laboratoriet med eksperimentelle metoder er ramme for artikler om scenografi, lyd, aktørens kropp og tekst. Produksjonsprosessen med den skapende og reflekterende studenten i sentrum er ramme for artikler om dramaturgi, tekstbehandling, produksjonsfaser og målgruppearbeid. Fagforvalterens rolle og funksjon i veiledning og vurdering tematiseres i to avsluttende artikler. De ti produksjonsestetiske inngangene drøftes med eksempler og bilde- og lydmateriale.
Theory of art --- Theatre studies --- Theatre: individual actors & directors --- theatre --- education --- scenography --- production processes --- theatre production --- teater --- teaterutdanning --- teaterproduksjon
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MEMS technology is increasingly penetrating into our lives and improving our quality of life. In parallel to this, advances in nanotechnology and nanomaterials have been catalyzing the rise of NEMS. Consisting of nine chapters reviewing state-of-the-art technologies and their future trends, this book focuses on the latest development of devices and fabrication processes in the field of these extremely miniaturized electromechanical systems. The book offers new knowledge and insight into design, fabrication, and packaging, as well as solutions in these aspects for targeted applications, aiming to support scientists, engineers and academic trainees who are engaged in relevant research. In the chapters, practical issues and advances are discussed for flexible microdevices, bioMEMS, intelligent implants, optical MEMS, nanomachined structures and NEMS, and others. Most of the chapters also focus on novel fabrication/packaging processes, including silicon bulk micromachining, laser micromachining, nanolithography, and packaging for implantable microelectronics enabled by nanomaterials.
Optical physics. --- Manufacturing processes. --- Industrial processing --- Manufacture --- Process engineering (Manufactures) --- Processes, Manufacturing --- Processing, Industrial --- Production processes --- Industrial arts --- Production engineering --- Machine-tools --- Materials --- Electricity, electromagnetism & magnetism
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Collection of selected, peer reviewed papers from the 2014 3 rd International Conference on Mechanical Design and Power Engineering (ICMDPE 2014), October 19, 2014, Jeju Island, Korea. The 109 papers are grouped as follows: Chapter 1: Designing and Researching of Machines and Equipments for Manufacture; Chapter 2: Theory and Practice of Computational Mechanics; Chapter 3: Mechatronics, Robotics and Control; Chapter 4: Advanced Materials Engineering and Processing Technologies; Chapter 5: Biomedical Engineering and Environmental Science; Chapter 6: Methods and Systems of Measurement, Testing an
Manufacturing processes --- Data processing. --- History. --- Technological innovations. --- Industrial processing --- Manufacture --- Process engineering (Manufactures) --- Processes, Manufacturing --- Processing, Industrial --- Production processes --- Industrial arts --- Production engineering --- Machine-tools --- Materials
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Composite materials --- Manufacturing processes --- Industrial processing --- Manufacture --- Process engineering (Manufactures) --- Processes, Manufacturing --- Processing, Industrial --- Production processes --- Industrial arts --- Production engineering --- Machine-tools --- Materials --- Mechanical properties
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