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Popular music --- History and criticism --- Popular music - History and criticism
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The first book to bring together music and fashion and situate both within the context of popular culture.
Music and fashion. --- Popular culture. --- Popular music -- History and criticism.
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Music and society --- Popular music - History and criticism.
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Popular music --- Music --- History and criticism --- Philosophy and aesthetics --- Popular music - History and criticism --- Music - Philosophy and aesthetics
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"The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology."--Publisher's description.
Music --- Sociology of culture --- Popular music --- Music theory --- History and criticism --- Music theory. --- Sound recording industry. --- Popular music. --- History and criticism. --- Popular music - History and criticism
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popmuziek --- muziekinitiatie --- Music --- muziekonderwijs --- School music --- Popular music --- Instruction and study --- History and criticism --- School music - Instruction and study --- Popular music - History and criticism
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Music --- Subculture --- Musique --- History and criticism --- Social aspects --- Histoire et critique --- Aspect social --- Musicians --- Popular music --- Psychology --- Musicians - Psychology --- Music - Social aspects --- Popular music - History and criticism
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During the 1950s and early 1960s musical exotica produced by performers such as Les Baxter, Martin Denny, and Arthur Lyman enjoyed international success. The advent of rock music in the mid-1960s, however, led to the form's demise. A new generation recently has discovered this music and its styles in an ultra-chic nightclub culture that has appeared in urban areas of North America, Europe, Australia, and Japan. Many of the original recordings have been re-released, drawing the original performers out of retirement. Contributors to Widening the Horizon trace the rise and characteristics of this music and explore its role in cross-cultural communication. Leading popular music scholars examine exotica in terms of key performers and the implications of the production of both Oriental and Occidental exoticisms in the West and elsewhere. Chapters discuss Korla Pandit, Yma Sumac, tropical cool, soy sauce music, and Yanni, as well as many others.
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