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"Witness of Phenomenon articulates a fresh examination of the German Group Zero--Heinz Mack, Otto Piene, and Günter Uecker--and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe--Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. N.B. Please ensure that any images originally supplied in colour are supplied in greyscale for print deliverables (print and POD PDFs) and colour for all others (including eBook and XML)"--Bloomsbury Publishing.
Art, European --- Zero (Group of artists) --- Themes, motives. --- Nouvelle tendance (Exhibition) --- Art européen --- Thèmes, motifs. --- Gruppe Zero.
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An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.
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An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.
Information theory in aesthetics --- Art and technology --- Art and society --- History --- Nouvelle tendance (Exhibition) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Technology and art --- Technology --- Aesthetics --- Cybernetics --- Perception --- Psychology --- Social aspects --- Neue Tendenz (Exhibition) --- New tendencies (Exhibition) --- Nieuwe tendenzen (Exhibition) --- Nouva tendenza (Exhibition) --- Nove tendencije (Exhibition) --- Nueva tendencia (Exhibition) --- Art and society - Europe - History - 20th century --- Art and technology - Europe - History - 20th century --- Information theory in aesthetics.
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"This is a source book chronologically documenting the exhibitions, symposia, and publications of the New Tendencies from 1961 to 1978. It features letters, minutes of meetings, essays that appeared in catalogs and the magazine Bit international, transcriptions of audio recordings, photographs of exhibitions, conferences, and works, a timeline, statistics that show which artists participated when in the New Tendencies exhibitions, a bibliography, and biographical notes"--P. 12.
7.038 --- Computerkunst ; Yougoslavië ; Zagreb ; 1961-1973 --- BIT International (tijdschrift) --- New Tendencies ; Nove Tendencije --- Concrete Art ; Konkrete Kunst ; Europa ; 20ste eeuw --- Constructivisme --- Op Art ; Optical Art --- Digitale grafische vormgeving ; computergrafiek --- Digitale kunsten ; vrije --- Kunstgalerijen ; Zagreb ; Galererija Suvremene Umjetnosi --- Visual research ; visueel onderzoek --- Computer art --- Arts --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts, Occidental --- Arts, Western --- Art, Computer --- Computer craft --- Digital art --- Kunstgeschiedenis ; 1950 - 2000 --- Experimental methods --- History --- Exhibitions --- Nouvelle tendance (Exhibition) --- Neue Tendenz (Exhibition) --- New tendencies (Exhibition) --- Nieuwe tendenzen (Exhibition) --- Nouva tendenza (Exhibition) --- Nove tendencije (Exhibition) --- Nueva tendencia (Exhibition) --- Bit (Zagreb, Croatia) --- Aesthetics --- Humanities --- New media art --- Art, Modern --- Avant-garde (Aesthetics) --- Technology in art --- Art, Primitive --- Arts, Primitive
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