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Douglas Camp, Sokari ; Mntambo, Nandipha ; Siopis, Penny ; Sulter, Maud ; Odundo, Magdalena ; Dimma Poulsen, Etiyé ; Guebehi, Emile ; Cox, Renée ; Musa, Hassan ; Mutu, Wangechi ; Saar, Alison ; Sidibé, Malick ; Essamba, Angèle Etoundi ; Ingridmwangiroberthutter ; Campos-Pons, Maria Magdalena ; Scott, Joyce ; Walker, Kara Elizabeth ; Sheikh, Fazal ; Muholi, Zanele ; Searle, Berni ; Essaydi, Lalla ; Weems, Carrie Mae
Women, Black, in art --- Noires dans l'art --- Exhibitions --- Expositions
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In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.
Art noir. --- Art --- Art, Black. --- Art, Black. --- Art, Modern --- Art, Modern. --- Black people in art. --- Black people in art. --- Black people --- Black people --- Personnes noires dans l'art. --- Race identity. --- Race identity. --- 2000-2099.
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"'The Time is Always Now' assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence" -- page [4] of cover.
ART / General. --- Art and Design. --- Artistes noirs --- Artists, Black --- Artists, Black. --- Black people in art --- Black people in art. --- Black people --- Black people. --- Personnes noires dans l'art --- Personnes noires --- Portraits. --- Portraits
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'Reframing the Black Figure' showcases more than 20 Black figurative artists working in the UK and US today. This book introduces readers to the field of Black figuration by highlighting a selection of key works from the National Portrait Gallery exhibition, The Time is Always Now: Artists Reframe the Black Figure. It is illustrated with artworks and visual details, alongside short biographies for all featured artists.
Art and Design. --- Art noir --- Art, Black --- Artistes noirs --- Artists, Black --- Black people in art --- Corps humain dans l'art --- Human figure in art --- Personnes noires dans l'art --- Technique
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Quarante années de théories féministes anglo-américaines en histoire de l'art, des écrits de Lucy Lippard aux problématiques spécifiques aux artistes afro-américaines, aux développements postféministes et aux questions queer, en passant par les approches marxistes de la production artistique.
Feminism and art --- Art criticism --- Gender identity in art --- Women, Black, in art --- Critique d'art --- History --- History. --- Histoire --- Féminisme --- Histoire de l'art --- Femme --- 20e siècle --- USA --- Féminisme et art --- Identité sexuelle dans l'art --- Noires dans l'art --- Féminisme et art --- Identité sexuelle dans l'art --- États-Unis
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"Comment écrire un livre sur une notion problématique, la race, qui a forgé une idéologie de la domination ? Comment la réinvestir en l'articulant à un corpus d'objets spécifiques — les oeuvres d'art représentant des figures noires — qui furent à la fois fétichisés et neutralisés par le musée et le discours ? Et enfin, comment historiciser, tout en gardant à l'esprit leur force essentialisante : l'art, la race, l'Africain et les Lumières, catégories qui ne fonctionnent pas seulement dans la compréhension que l'on peut en avoir dans un temps donné — celui, grossièrement, du XVIIIe siècle — mais qui ont une valeur heuristique par-delà leurs usages initiaux ? Ce sont ces questions qui ont présidé à l'initiative de ce livre. Fondé sur une recherche de plus de dix ans sur les formes qu'ont prises les représentations des Noirs dans l'art français d'avant l'imaginaire abolitionniste, il couvre l'art et les cultures visuelles qui vont de la fin du XVIIe siècle, quand les colonies antillaises commencèrent à percer dans le champ artistique métropolitain, au premier tiers du XIXe siècle quand l'échec de la première abolition de l'esclavage (1802) durcit l'iconographie partisane en mettant la violence des vies dans les plantations à l'ordre du jour de la création artistique." [Source : 4e de couv.]
Art français --- Africains dans l'art. --- Noirs dans l'art. --- Noires dans l'art. --- Art et race. --- Conscience de race dans l'art. --- Racisme dans l'art. --- Thèmes, motifs. --- Racisme --- Colonialisme --- Rapports sociaux --- Sociology of minorities --- Iconography --- art [fine art] --- racial discrimination --- iconography --- anno 1700-1799 --- France --- Africa --- Art, French --- Africans in art --- Blacks in art --- Art and race --- Race awareness in art --- Racism in art --- Themes, motives. --- Noirs --- Africains --- Race --- Art --- Dans l'art --- Black people in art. --- art [discipline]
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"This exhibition offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608-1670). Largely known today as the subject of The Met's iconic portrait by Diego Velázquez, Pareja was enslaved in Velázquez's studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the role of enslaved artisanal labor and a multiracial society in the art and material culture of Spain's so-called "Golden Age." Representations of Spain's Black and Morisco populations in works by Francisco de Zurbarán, Bartolomé Esteban Murillo, and Velázquez join works that chart the ubiquity of enslaved labor across media, from sculpture to silver. The Met's portrait, executed by Velázquez in Rome in 1650, is contextualized by his other portraits from this period and the original document whereby Pareja was freed upon return to Madrid. The exhibition culminates in the first gathering of Pareja's rarely seen paintings, some of enormous scale, which engage with the canons of Western art while reverberating throughout the African diaspora. Harlem Renaissance collector and scholar Arturo Schomburg was vital to the recovery of Pareja's work and serves as a thread connecting seventeenth-century Spain with twentieth-century New York, providing a lens through which to view the multiple histories that have been written about Pareja."--
Painting --- slavery --- easel paintings [paintings by form] --- figures [representations] --- Spanish Renaissance-Baroque styles --- Pareja, Juan de --- anno 1600-1699 --- Artistes noirs --- Velázquez, Diego --- Influence. --- zwarten --- slavernij; lijfeigenen en slaven --- de Pareja, Juan --- Velázquez, Diego Rodriguez de Silva y --- Schomburg, Arturo --- 17de eeuw --- Spanje --- Painters, Black --- Artists, Black --- Painting, Spanish --- Slavery in art --- Black people in art --- Portrait painters --- Peintres noirs --- Peinture espagnole --- Personnes noires dans l'art --- Portraitistes --- Employees --- Pareja, Juan de, --- Velázquez, Diego, --- Influence --- 1600-1699 --- Christian art and symbolism --- Esclavage dans l'art --- Art et symbolisme chrétiens
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"A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists including Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--
Aesthetics, Black --- Arts, Black --- Arts and society --- 7.039 --- Dawoud Bey --- Roy DeCarava --- Oklahoma Grayson --- Kahlil Joseph --- Deana Lawson --- Simone Leigh --- Jenn Nkira --- Donald Rodney --- Luke Willis Thompson --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Black arts --- Negro arts --- Black aesthetics --- History --- Kunstgeschiedenis ; 2000 - 2050 --- Social aspects --- Aesthetics --- gender [sociological concept] --- #breakthecanon --- Art --- sculpture [visual works] --- photography [process] --- video art --- African diaspora --- Bey, Dawoud --- Leigh, Simone --- Thompson, Luke Willis --- Okpokwasili, Okwui --- Jafa, Arthur --- Joseph, Kahlil --- Nkiru, Jenn --- Artistes noirs --- Esthétique --- dekolonisatie --- Artists, Black --- Black people in art. --- Esthétique noire --- Arts noirs --- Arts et société --- Personnes noires dans l'art. --- Arts, Black. --- Arts and society. --- Aesthetics, Black. --- Artists, Black. --- Art and Design. --- Histoire --- 2000-2099. --- United States. --- Aesthetics. --- African American. --- African Americans. --- Art. --- Black or African American. --- Esthetics. --- Esthétique noire. --- Esthétique. --- Noirs américains.
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Exploring the art and life of this important American artist whose work bridged the gaps between abstraction, feminism, and Blackness, Howardena Pindell: Reclaiming Abstraction is a fascinating examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s--a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways. Sarah Louise Cowan not only asserts Pindell's rightful place within the canon but also recenters dominant historical narratives to reveal the profound and overlooked roles that Black women artists have played in shaping modernist abstraction. Pindell's career acts as a springboard for a broader study of how artists have responded during periods of heightened social activism and used abstraction to convey political urgency. With works that drew on Ghanaian textiles, administrative labor, cosmetics, and postminimalism, Pindell deployed abstraction in deeply personal ways that resonated with collective African diasporic and women's practices. In her groundbreaking analysis, Cowan argues that such work advanced Black feminist modernisms, diverse creative practices that unsettle racist and sexist logics.
African American women artists --- Mixed media (Art) --- Art, Modern --- Art, Abstract --- African American aesthetics --- Black people in art --- Women, Black --- Black people --- Feminism in art --- Femmes artistes noires américaines --- Technique mixte (Art) --- Art --- Esthétique noire américaine --- Personnes noires dans l'art --- Femmes noires --- Personnes noires --- Féminisme dans l'art --- ART / American / African American & Black. --- Women, Black --- Mixed media (Art) --- Feminism in art --- Black people --- Black people in art --- Art, Modern --- African American aesthetics --- African American women artists --- Art, Abstract --- Criticism and interpretation. --- History and criticism --- History and criticism --- History and criticism --- History and criticism --- Race identity --- Critique et interprétation. --- Histoire et critique --- Histoire et critique --- Histoire et critique --- Identité ethnique --- Race identity --- Pindell, Howardena, --- Pindell, Howardena, --- Criticism and interpretation. --- 2000-2099 --- United States
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"This major new study of Black figurative art and self-representation from Africa and the African diaspora features more than 200 paintings by 161 artists. These carefully selected works explore the many ways in which artists have imagined, positioned, remembered and asserted African and diasporic experiences from the early 20th century to now. In particular, they demonstrate how painters have contributed to the ongoing discussions around pan-Africanism, civil rights, African liberation and independence, the Anti-Apartheid and Black Consciousness movements, Black Lives Matter and, more recently, Afropolitanism. A series of thematic sections--on subjects such as sensuality, spirituality and emancipation--is interspersed with specially commissioned stories and poems by leading writers Ken Bugul, Maaza Mengiste, Bill Kouélany and Robin Coste Lewis. These percipient reflections on the Black experience work with the paintings to deepen the debate about Black subjectivity." -- back cover.
Zuid-Afrikaanse kunst ; traditie vs. vernieuwing --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Culturele migratie ; Afrikaanse kunstenaars buiten Afrika --- Zwarten ; mensen met een donkere huidskleur ; in de kunst --- Afrikaanse kunst ; 20ste en 21ste eeuw --- Afrikaanse diaspora --- Thema's in de schilderkunst ; 21ste eeuw ; menselijke figuur --- 75.041 --- Schilderkunst ; de mens, portretten --- kunst --- schilderkunst --- portret --- portretschilderkunst --- zwarte cultuur --- zwarte identiteit --- Afrika --- twintigste eeuw --- eenentwintigste eeuw --- 75.036/039 --- Afro-Amerikaanse kunst --- Abney Nina Chanel --- Adejumo Olusegun --- Adeniyi-Jones Tunji --- Akuyii Crosby Njideka --- . Alexandre Maxwell --- Alfonseca Tiffany --- Andrews Benny --- Anjel (Boris Anje) --- Annor Cornelius --- Appah Gideon --- Armitage Michael --- Arts Johnny --- Auxiliadora da Silva Maria --- Badji Malang --- Báez Firelei --- Bearden Romare --- Berhanu Tizta --- Bester Willie --- Bhengu Gerard --- Bigaud Wilson --- Biggers John Thomas --- Boafo Amoako --- Botchway Kwesi --- Brutus Marcus --- Burroughs Margaret Taylor --- Chambers Dominic --- Chérin Chéri --- Cherry Caitlin --- Chiurai Kudzanai --- Clarke Peter --- Cortor Eldzier --- Critchlow Somaya --- Delaney Beauford --- Deloumeaux Elladj Lincy --- Diané Aboubacar --- Douglas Aaron --- Ducasse Gervais Emmanuel --- Duval-Carrié Edouard --- El-Salahi Ibrahim --- Enwonwu Ben --- Erheriene-Essi Esiri --- Eugène Patrick --- Garcia Sherezade --- Glover Ablade --- Hassell Gherdal --- Hendricks Barkley L --- Himid Lubaina --- Huie Albert --- Hunter Clementine --- Hwami Kudzanai-Violet --- Jantjes Gavin --- Johnson William H --- Kamangwana Charles --- Kangudia --- Kébé Ibrahima --- Kotel Amon --- Labinjo Joy --- Lam Wifredo --- Lander YoYo --- Lasekan Akinola --- Lawrence Jacob --- Lombe Petson --- Longe Sahara --- Luzamba Zemba --- McCannon Dindga --- McKinney Danielle --- Maluka Mustafa --- Mangena Marvelous --- Mariño Armando --- Martins Arjan --- Martins No --- Mathenge Wangari --- Matioga Neo --- Mayne Raphael Adjetey Adjei --- Mbugua George --- Mbuno Kivuthi --- Mbutha Zachariah --- Mendive Manuel --- Meque Luis --- Mivekannin Roméo --- Mlengeya Sungi --- Mnguni Sphephelo --- Moké --- Mokgosi Meleko --- Motley Jr. Archibald J --- Mudariki Richard --- Mukasa Geoffrey --- Mulanga Cinthia Sifa --- Mungure Theresa --- Munroe Lavar --- Mwesiga Ian --- Namoda Cassi --- Ndlovu Eric --- Ng'ok Chemu --- Ngwenya Malangatana --- Njau Nicholous --- Nkosi Thenjiwe Niki --- Nsubuga Eria ('Sane') --- Ntoko Nestor Vuza --- Nzebo Boris --- Obá Antônio --- Obin Antoine --- Obin Philomé --- Obin Télémaque --- Odedina Abe --- Odutola Toyin Ojih --- Oduya Fred --- Ofili Chris --- Okoye Augustin --- Olujimi Kambui --- Oluwaseyi Eniwaye --- Onobrakpeya Bruce --- Onyango Richard --- Padeu Marc --- Palito Zéh --- Pap' Emma --- Parboosingh Karl --- Pemba George --- Phetogo Thebe --- Pierre Naudine --- Pierre-Louis Prosper --- Pippin Horace --- Pons Maria Magdalena Campos --- Prazeres Heitor dos --- Quaicoe Otis Kwame Kye --- Quarshi Jeremiah --- Saidi Robert --- Samba Chéri --- Sambo Kingsley --- Samson Cinga --- Sebidi Mmapula Mmakgabo Helen --- Sekoto Gerard --- Self Tschabalala --- Sherald Amy --- Shimoyama Devan --- Shula Monsengo --- Shyngle Alex --- Sibisi Sthembiso --- Soi Ancent --- Souffrant Olivier --- Souley Moustapha --- Sunstrum Pamela Phatsimo --- Takele Nirit --- Tanda Matunda --- Talor Henry --- Thoba Alfred --- Thomas Mickalene --- Thompson Bob --- Tingatinga Edward Said --- Tlabela Katlego --- Tobias Benedito José --- Tokoudagba Cyprien --- Tolliver Mose --- Tshabalala Zandile --- Viodé Didier --- Wadu Sane --- White Charles --- Wiley Kehinde --- Witikani Richard --- Yiadom-Boakye Lynette --- Yohannes Daniela --- Painting --- BIPOC --- African American --- anno 1900-1999 --- anno 2000-2099 --- Artistes noirs --- Artists, Black --- Artists, Black. --- Black people in art --- Black people in art. --- Malerei. --- Personnes noires dans l'art --- Schwarze --- Selbstdarstellung --- Geschichte 1900-2022. --- Afrika. --- Figure painting --- Peinture de figures humaines
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