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On a farmlike compound near New Hope, Pennsylvania, George Nakashima, his family, and fellow wood-workers create exquisite furniture from richly grained, rare timber. Tables, desks, chairs, and cabinets from this simple workshop grace the homes and mansions and executive boardrooms of people who prize such excellence. In this lavishly illustrated volume, George Nakashima allows us in intimate look at his artistry, his philosophy, his life. It is the portrait of an artisan who strives to find the ideal use for each plank in order to "create an object of utility to man and, if nature smiles, an object of lasting beauty." The author's search for the meaning of life took him as a young man to Paris, Tokyo, and Pondicherry, India. In India, he found the inner peace for which he had been searching and began to find ways to work with timber. He writes movingly about the grandeur of ancient trees and stunning figured woods and explains how he selects and prepares his materials. Above all, he impresses us with his devotion to discovering the inherent beauty of wood so that noble trees might have a second life as furniture. The Soul of a Tree looks at the world through the eyes of an artist and evokes the joy of living in harmony with nature.
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Veel jonge ontwerpers herontdekken de kracht van ambacht en willen hiervan gebruik maken, maar één van de vele problemen hiermee is dat deze jaren van ervaring en techniek niet doorgegeven kan worden van persoon tot persoon. Een lang en evenwichtig proces dat getuigt van geduld en passie is vereist om de vaardigheden van een echt ambachtslied te evenaren. Ook is er een groot tekort aan personen die over deze kennis beschikken, vele generaties ambachtslieden zijn verdwenen en niet alle ambachtslieden zijn in staat om deze kennis te delen en aan te leren aan de jonge generatie. Dan is er nog de vraag hoe onze huidige economie staat tegenover ambacht? Past deze manier van werken nog in onze huidige levensstijl en hoe gaan we er mee om? Op deze vragen probeer ik met deze scriptie een antwoord te bieden.
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Golconde is an astonishing architectural accomplishment. With technical finesse and extraordinary craft, it offers a living testament to the original modernist credo – architecture as the manifest union of technology, aesthetics, and social reform. Here exists an undiluted view of a wholly triumphant tropical Modernism, built during the tumultuous years of the second world war. Mira Nakashima, George Nakashima’s daughter, contributes with a new 800 word introduction essay for this new edition.
Architecture and climate --- Architecture --- Nakashima, George, --- Raymond, Antonin, --- Golconde (Building, Pondicherry, India). --- architecture [discipline] --- Modern Movement --- India --- 72.036 <5> --- 72.036 <5> Moderne bouwkunst. Architectuur van de 20e eeuw--Azië --- Moderne bouwkunst. Architectuur van de 20e eeuw--Azië --- Betonbouw ; geschiedenis --- Architectuur ; 20ste eeuw ; Antonin & Noémi Raymond --- Architectuur ; Indië ; 20ste eeuw --- 72.037(540) --- Architectuurgeschiedenis ; 1900 - 1950 ; India
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Midcentury modernism meets Japanese design in three revolutionary American buildings―the products of a unique, sustained, cross-cultural collaboration.In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. The curators of MoMA’s House in the Garden exhibition highlighted its synthesis of historic Japanese architecture with modern architecture: the clarity of the house’s post and beam structure, its flexibility of use and the close relationship of indoor and outdoor spaces.This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two allied sites located in New Hope, Bucks County, Pennsylvania: Raymond Farm (1939–41), a live-work residence built by Antonin and Noémi Raymond within the fabric of an existing 18th-century Quaker farmhouse; and Nakashima Studios, a complex of structures designed by George Nakashima over three decades (1947–77) to serve his furniture-making business and as his family’s home. Each site, in its own way, is the embodiment of the personal relationships and cross-cultural collaborations among this group of architects and designers.The Raymonds, along with Yoshimura, Nakashima and others, came to understand Japan’s changing environment through the act of building, through collaboration and travel. Together, they extended these lessons into the furniture and furnishings of modern living in both Japan and the United States.This volume documents an exhibition of objects and ephemera mounted at Shofuso. New York–based architectural photographer Elizabeth Felicella captures each site in a portfolio of newly commissioned images. Essays by Ken Tadashi Oshima and William Whitaker, illustrated with historical photographs, family snapshots and architectural drawings, further elucidate this important chapter in the history of modern architecture and design.
Architecture --- Architecture, Japanese --- Architecture, Modern --- Influence --- Nakashima, George, --- Raymond, Antonin, --- Raymond, Noémi P. --- Yoshimura, Junzō, --- Architecture, Domestic --- Architecture domestique --- History --- Histoire --- Yoshimura, Junzō, --- Yoshimura, Junzo --- Raymond, Antonin --- 72.032.12 --- 72.036 --- 747 --- 728 --- Japan --- Japanse architectuur --- 20ste eeuw (architectuur) --- Modernisme (architectuur) --- Interieurarchitectuur --- Woningen (architectuur) --- Woonhuizen (architectuur) --- Huizen (architectuur) --- Woningbouw (architectuur) --- J6578 --- Japan: Art and antiquities -- architecture -- domestic and residential architecture
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Art, American --- Art --- Catalogs --- National Museum of American Art (U.S.) --- Smithsonian Institution. --- NMAA --- United States. --- N.M.A.A. --- National Collection of Fine Arts (U.S.) --- Smithsonian American Art Museum --- Catalogs. --- art [fine art] --- Cole, Thomas --- Church, Frederic Edwin --- Greenough, Horatio --- Powers, Hiram --- Crawford, Thomas --- Manship, Paul --- Guglielmi, O. Louis --- Ryder, Albert Pinkham --- Kent, Rockwell --- Soyer, Raphael --- Truitt, Anne --- Voulkos, Peter --- Fellig, Arthur --- Remington, Frédéric --- Paik, Nam June --- Kuniyoshi, Yasuo --- Albers, Anni --- Teraoka, Masami --- Tanner, Henry Ossawa --- Eggleston, William --- Catlett, Elizabeth --- Pepper, Beverly --- Roszak, Theodore J. --- Stankiewicz, Richard --- Adams, Kenneth M. --- Adams, Mary --- Hopper, Edward --- Archuleta, Felipe Benito --- Arneson, Robert --- Awa Tshireh --- Bannister, Edward Mitchell --- Beaux, Cecilia --- Besharo, Peter Charlie --- Bicknell, Albian Harris --- Bierstadt, Albert --- Biggers, John --- Bischoff, Elmer --- Blakelock, Ralph Albert --- Bojórquez, Chaz --- Bridgman, Frederich Arthur --- Brooks, Romaine --- Brown, Henry Kirke --- Brown, Roger --- Burchfield, Charles --- Sargent, John Singer --- Cadmus, Paul --- Callahan, Harry --- Carpenter, Miles --- Castle, Wendell --- Cederquist, John --- Colman, Samuel --- Conner, Lois --- Cook, Howard Norton --- Cottingham, Robert --- Criss, Francis H. --- Crite, Allan Rohan --- Cropsey, Jasper Francis --- Curry, John Steuart --- Daingerfield, Elliott --- Davis, Gene --- Vore, De, Richard --- DeCarava, Roy --- Hartley, Marsden --- Dewing, Maria Oakey --- Dial, Thornton --- Dionisio, Humberto --- Dominick, Irving --- Dreisbach, Fritz --- Drewes, Werner --- Edmondson, William --- Evans, Minnie --- Segal, George --- Feitelson, Lorser --- Finster, Howard --- Fuente, Larry --- Gilliam, Sam --- Gornik, April --- Greene, Gertrude --- Gropper, William --- Grossmann, Sid --- Halverson, Karen --- Hampton, James --- Hartigan, Grace --- Hawkins, William L. --- Hennings, Ernst Martin --- Henri, Robert --- Hernández, Ester --- Herrera, Velino Shije --- Higgins, Victor --- Holmes, William Henry --- Holty, Carl Robert --- Hosmer, Harriet --- Huntington, Daniel --- Hurwitz, Michael --- Ives, Chauncey Bradley --- Jackson, Daniel --- Jaffee, Jay --- Jimenez, Luis [jr.] --- Johnson, Lester --- Johnson, William H. --- Jones, Frank --- Jones, Loïs Mailou --- Jones, S.L. --- Jonson, Raymond --- Kainen, Jacob --- Tiffany, Louis C. --- Kirk, Frank Cohen --- Klett, Mark --- Kloss, Gene --- Farge, La, John --- Laughlin, Clarence John --- Lazzell, Blanche --- Lee-Smith, Hughie --- Legrady, George --- Leigh, William Robinson --- Lepkoff, Rebecca --- Levinthal, David --- Lewis, Edmonia --- Whistler, James Abbott McNeill --- Littleton, Harvey K. --- Long, McKendree Robbins --- López, George --- Lundeberg, Helen --- MacMonnies, Frederick William --- Maldonado, Alexander A. --- Maloof, Sam --- Marsh, Reginald --- Martin, Homer Dodge --- Martinez, Emanuel --- Martinez, Maria --- Matulka, Jan --- Mawdsley, Richard --- Mayer, Frank Blackwell --- Mazur, Michael --- McQueen, John --- Meatyard, Ralph --- Mehring, Howard --- Metzker, Ray --- Mitchell, Bruce --- Moran, Mary Nimmo --- Morgan, Sister Gertrude --- Moroles, Jesús Bautista --- Nakashima, George --- Nilsson, Gladys --- Wesselmann, Tom --- Ortega, José Benito --- Osgood, Jere --- Paley, Albert --- Park, David --- Pearce, Charles Sprague --- Penn, Irving --- Pereira, Irene Rice --- Pettrich, Ferdinand --- Pfahl, John --- Prendergast, Maurice --- Ramírez, Martín --- Rankaitis, Susan --- Roloff, John --- Romero, Frank --- Roybal, Josefa --- Savitsky, Jack --- Säyen, Henry Lyman --- Schira, Cynthia --- Serl, Jon --- Sharp, JoJoseph Henry --- Sharrer, Honoré --- Sheets, Millard --- Shimomura, Roger --- Shinn, Everett --- Siskind, Aaron --- Smith, Jacob Getlar --- Soyer, Moses --- Spencer, Lily Martin --- Stettner, Louis --- Story, William Wetmore --- Sullivan, Patrick J. --- Tait, Agnes --- Tawney, Lenore --- Taylor, Bill --- Thayer, Abbott Handerson --- Thomas, Alma --- Tolson, Edgar --- Tooker, George --- Treviño, Jesse --- Trousset, Leon --- Twachtman, John Henry --- Ufer, Walter --- Vedder, Elihu --- Weinman, Adolph Alexander --- Weir, Julian Alden --- Whittredge, Thomas Worthington --- Wiles, Irving Ramsay --- Willeto, Charlie --- Yoakum, Joseph --- Yoshida, Ray --- Zorach, William --- Guston, Philippe --- Kline, Franz --- Abbott, Berenice --- Hofmann, Hans --- Louis, Morris --- Martínez, Julián --- Noguchi, Isamu --- Wood, Beatrice --- Christenberry, William --- Rauschenberg, Robert --- Inness, George --- Motherwell, Robert --- Bochner, Mel --- Close, Chuck --- Diebenkorn, Richard --- Fischl, Eric --- Kelly, Ellsworth --- Kruger, Barbara --- Nutt, Jim --- Rivers, Larry --- Stout, Renée --- Wiley, William --- Wyeth, Andrew --- Saint-Gaudens, Augustus --- Homer, Winslow --- Still, Clyfford --- Frankenthaler, Helen --- Davis, Stuart --- Steir, Pat --- Brown, Frederick --- Burson, Nancy --- Chase, William Merrit --- Crawford, Ralston --- Dewing, Thomas Wilmer --- Eakins, Thomas --- Golub, Leon Albert --- Hassam, Childe --- Indiana, Robert --- Johnson, Eastman --- Krasner, Lee --- Lawrence, Jacob --- Lozowick, Louis --- Moran, Thomas --- Noland, Kenneth --- Oliveira, Nathan --- Weber, Max --- Woodman, Betty --- Benton, Thomas Hart --- Levitt, Helen --- Couse, Eanger Irving --- Hunt, Bryan --- Bearden, Romare --- Man Ray --- Kooning, de, Willem --- Cornell, Joseph --- National Museum of American Art and National Portrait Gallery [Washington, D.C.] --- anno 1800-1899 --- anno 1900-1999 --- United States --- Bicknell, Albion Harris --- Burchfield, Charles E. --- art [discipline] --- Bridgman, Frederick Arthur --- United States of America --- Whistler, James McNeill
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