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Arab painting
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ISBN: 1282601407 9786612601408 9004236619 9047422376 9789047422372 9781282601406 9789004157224 9004157220 9004186301 Year: 2007 Publisher: Leiden Boston

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Abstract

Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.


Book
Encounters with the Ottoman miniature : contemporary readings of an imperial art
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ISBN: 0755607996 0857725998 0857739433 9780857725998 1780763913 9781780763910 1780763913 9780755607990 9780857739438 Year: 2015 Publisher: London ; New York : I.B. Tauris,

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"The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form--Bloomsbury Publishing."


Book
The manuscript tradition of the Islamic West : Maghribī round scripts and the Andalusī identity
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ISBN: 1474499600 1474499619 1474499589 Year: 2022 Publisher: Edinburgh : Edinburgh University Press,

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This book traces the history of manuscript production in the Islamic West between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribi round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribi round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This leads to a reconstruction of the activity of Maghribi calligraphers, copyists, notaries and secretaries, creating a better understanding of the development of their practices. Using a blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources, the author paints a comprehensive and lively picture of Maghribi manuscript culture, from its beginnings under the Umayyads of Cordova until the heyday of the Almohad caliphate. He lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean.


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Islamische Kunst aus privaten Sammlungen in Deutschland : Jubiläumsausstellung der Gesellschaft vom 8. Mai bis 15. Oktober. 2000 im Bayerischen Armeemuseum Ingolstadt
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ISBN: 3925801278 Year: 2000 Publisher: München : Editio Maris,

Perspectives on Persian painting
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ISBN: 1136854118 1136854185 1315028867 9781136854118 9781315028866 0700714677 9780700714674 9781136854187 9781136854255 9781138978331 Year: 2003 Publisher: London New York

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This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century,


Book
The arts of the book in Central Asia 14th-16th centuries
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ISBN: 0906026024 9231016776 Year: 1979 Publisher: London Paris Serindia Unesco


Book
Magic and divination in Malay illustrated manuscripts
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ISBN: 9789004301641 9789004301726 9004301720 900430164X Year: 2016 Publisher: Leiden Boston

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This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.

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