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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Manuscripts, Arabic. --- Illumination of books and manuscripts, Arab. --- Arabic manuscripts --- Arab illumination of books and manuscripts --- Illumination of books and manuscripts, Arabic --- Islamic illumination of books and manuscripts --- Illumination of books and manuscripts, Medieval --- Painting, Medieval --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts
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"The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form--Bloomsbury Publishing."
Islamic illumination of books and manuscripts --- Islamic miniature painting --- Miniature painting, Islamic --- Muslim miniature painting --- Miniature painting --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- History. --- History of art / art & design styles.
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This book traces the history of manuscript production in the Islamic West between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribi round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribi round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This leads to a reconstruction of the activity of Maghribi calligraphers, copyists, notaries and secretaries, creating a better understanding of the development of their practices. Using a blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources, the author paints a comprehensive and lively picture of Maghribi manuscript culture, from its beginnings under the Umayyads of Cordova until the heyday of the Almohad caliphate. He lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean.
Islamic civilization --- Islamic illumination of books and manuscripts. --- Civilización islámica --- Civilización musulmana --- Iluminación de libros y manuscritos --- Manuscripts. --- Manuscritos --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Civilization, Islamic --- Muslim civilization --- Civilization --- Civilization, Arab --- Islamic civilization. --- Manuscritos árabes --- Caligrafía árabe --- Iluminación --- Documentos árabes
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Islamic art objects --- Islamic illumination of books and manuscripts --- Art objects --- Illumination of books and manuscripts --- Private collections --- Exhibitions --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Art objects, Islamic --- Muslim art objects --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Bric-a-brac --- Objects, Art --- Objets d'art --- Art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques
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Festivals in art. --- Art, Ottoman. --- Illumination of books and manuscripts, Turkish. --- Islamic illumination of books and manuscripts --- Levni, --- Seyyit Vehbî, --- Ahmed --- Art, Ottoman --- Festivals in art --- Illumination of books and manuscripts, Turkish --- Turkish illumination of books and manuscripts --- Ottoman art --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Aḥmad --- Illumination of books and manuscripts --- Aḥmad al-Thālith, --- آحمد ثالث
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This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century,
Amīr Khusraw Dihlavī, approximately 1253-1325. Khamsah -- Illustrations. --- Illumination of books and manuscripts, Iranian. --- Islamic illumination of books and manuscripts -- Iran. --- Illumination of books and manuscripts, Iranian --- Islamic illumination of books and manuscripts --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Illumination of books and manuscripts, Persian --- Iranian illumination of books and manuscripts --- Persian illumination of books and manuscripts --- Amīr Khusraw Dihlavī,
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Illumination of books and manuscripts, Arab. --- Islamic illumination of books and manuscripts --- Illumination of books and manuscripts, Medieval --- Manuscripts, Arabic. --- Enluminure arabe --- Enluminure islamique --- Enluminure médiévale --- Manuscrits arabes --- Illumination of books and manuscripts, Islamic --- Enluminure médiévale --- Illumination of books and manuscripts, Arab --- Manuscripts, Arabic --- Arabic manuscripts --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Painting, Medieval --- Arab illumination of books and manuscripts --- Illumination of books and manuscripts, Arabic --- Illumination of books and manuscripts, Islamic - Arab countries. --- Illumination of books and manuscripts, Medieval - Arab countries. --- Manuscrits à peintures arabes --- Manuscrits à peintures islamiques --- Moyen âge
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091 =9 --- 091 <58> --- 091.31 --- Handschriftenkunde. Handschriftencatalogi--Oosterse talen --- Handschriftenkunde. Handschriftencatalogi--Centraal-Azië --- Verluchte handschriften --- Bookbinding --- Calligraphy --- Illumination of books and manuscripts --- Islamic bookbinding --- Islamic calligraphy --- Islamic illumination of books and manuscripts --- Islamic miniature painting --- Miniature painting --- 091.31 Verluchte handschriften --- 091 =9 Handschriftenkunde. Handschriftencatalogi--Oosterse talen --- Miniature paintings --- Miniature art --- Painting --- Miniature painting, Islamic --- Muslim miniature painting --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Calligraphy, Islamic --- Bookbinding, Islamic --- Muslim bookbinding --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Decorative arts --- Penmanship --- Writing --- Binding of books --- Print finishing processes --- Bibliopegy
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Painting, Iranian --- Peinture iranienne --- Robinson, Basil W. --- Illumination of books and manuscripts, Iranian --- Islamic illumination of books and manuscripts --- Islamic miniature painting --- Islamic painting --- Miniature painting, Iranian --- Iranian painting --- Iranian miniature painting --- Miniature painting, Persian --- Persian miniature painting --- Muslim painting --- Painting, Islamic --- Paintings, Islamic --- Painting --- Miniature painting, Islamic --- Muslim miniature painting --- Miniature painting --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Illumination of books and manuscripts, Persian --- Iranian illumination of books and manuscripts --- Persian illumination of books and manuscripts --- Robinson, B. W. --- Robinson, Basil William
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This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.
Islamic illumination of books and manuscripts --- Manuscripts, Malay --- Manuscrits malais. --- Magic in art --- Magie --- Magic in literature --- Divination --- Divination in literature --- Dans l'art. --- Dans la littérature. --- Magic, Malay --- Manuscripts, Malay. --- Islamic illumination of books and manuscripts. --- Magic, Malay. --- Malay manuscripts --- Malay magic --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- History. --- Malaysia. --- Federation of Malaysia --- Ma-lai-hsi-ya --- Malaisie --- Malaĭzii͡ --- Malesia --- Persekutuan Tanah Malaysia --- Malaya --- MalaiÌziiï¸ a︡ --- Malaysia --- Malaĭzii︠a︡ --- History --- Mala�izi�i�a --- Malaĭzii͡a
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