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I filosofi e la musica
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ISBN: 8815237240 9788815237248 Year: 2012 Publisher: Bologna: Il Mulino,

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Philosophischer Gedanke und musikalischer Klang : zum Wechselverhältnis von Musik und Philosophie
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ISBN: 3593363429 Year: 1999 Publisher: Frankfurt am Main : Campus,

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"Was du nicht hören kannst, Musik" : zum Verhältnis von Musik und Philosophie im 20. Jahrhundert.
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ISBN: 3487110113 Year: 1999 Publisher: Hildesheim Olms

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Dodekafonie en fenomenologie : gebruik en misbruik van de filosofie bij R. Leibowitz en E. Ansermet
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Year: 2000 Publisher: Leuven s.n.

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Apparitions : new perspectives on Adorno and twentieth-century music
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ISBN: 0815335717 Year: 2006 Publisher: New York ; London Routledge

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Le parler de la musique : la musique, le langage, la culture et l'Histoire
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ISBN: 9782913764644 9782913764651 Year: 2017 Publisher: Paris Éditions L'improviste

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Philosophie de la musique : vers un opéra social (1835)
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ISBN: 9782911087348 Year: 2001 Publisher: Paris Van Dieren

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Sémantique et pragmatique de la musique : une approche cognitive basée sur le travail de Philippe Schlenker et sur les oeuvres de Franz Liszt
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Year: 2021 Publisher: Bruxelles Université libre de Bruxelles, Faculté de Lettres, Traduction & Communication

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A Philosophy of Cover Songs.
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ISBN: 9781800644243 1800644248 Year: 2022 Publisher: Cambridge : Open Book Publishers,

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Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method.


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Kapitoly Z Filosofie Nové Hudby.
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ISBN: 8024655284 9788024655284 9788024642161 Year: 2023 Publisher: Prague : Karolinum Press,

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Josef Fulka's 'Kapitoly z filosofie nové hudby' explores the interplay between music, philosophy, literature, and film throughout the 20th century. The book focuses on the philosophical reflections on the abolition of the tonal system in music and the blurring of lines between musical sounds and natural noises, as seen in concrete music. Fulka examines the works of influential thinkers like Claude Lévi-Strauss, Theodor W. Adorno, Michel Foucault, and artists like Marcel Proust and Thomas Mann. The author delves into significant changes in musical language, such as the shift from tonality to atonality introduced by Arnold Schönberg, and the subsequent development of serialism. Through these discussions, Fulka addresses philosophical concerns related to the evolution and revolution in music, the role of composer freedom, and the nature of music itself. This scholarly work is intended for readers interested in the philosophical dimensions of 20th-century music.

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