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kunst --- Nederland --- verzamelingen --- collecties --- tentoonstellingen --- musea --- museologie --- Centraal Museum Utrecht --- Museum techniques. --- Art museums --- Educational aspects. --- Social aspects. --- Philosophy. --- museology --- Museology --- art museums [institutions] --- 069.6 --- Kunsttheorie ; de idee van het museum --- Museologie ; organisatie en management van musea --- publiekswerking
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This book offers a diverse, rigorous, and experimental analysis of what is commonly known as education, mediation, or interpretation within museum institutions. It takes the visitor not as a passive receiver of predefined content, but as a member of a constituent body, one who facilitates, provokes, and inspires. The publication situates these practices within the socio-political context and the physical and organisational structure, and attempts to understand this change in an integral, interdisciplinary manner. It addresses such issues as ownership and power dynamics, collective pedagogy, co-curation, crowdsourcing, digital cultivation, activating archives, and more.
Museums --- 069.6 --- 069.62 --- Museumorganisatie ; participatie van publiek, kunstenaars en museummedewerkers --- Educational aspects --- Museologie ; organisatie en management van musea --- Museologie ; betrekkingen met het publiek --- Education --- musea --- 7 --- collaboration --- visitors --- museology --- audiences --- art appreciation --- Museology --- aesthetics --- Educational aspects.
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"The New Curator: Exhibiting Architecture and Design examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead of exhibiting finished works or artefacts, the rise of 'performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of 'custodian' or 'expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers a highly innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies, and cultural theory"--
Design --- Creation (Literary, artistic, etc.) --- Architecture --- Curatorship --- 069.4 --- 069.6 --- Tentoonstellen ; architectuurtentoonstellingen --- Museologie ; cureren van tentoonstellingen --- Tentoonstellingen ; cureren ; presenteren --- Curating --- Curatorial practice --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Museologie ; organisatie en management van musea --- Curatorship. --- Exhibitions. --- Exhibitions
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museology --- Museology --- Business policy --- museum administration --- musea --- #SMV:Nederland --- #SMV:museum --- #SMV:beleid --- 069.01 --- Musea ; management --- 069.6 --- Museologie --- Museologie ; organisatie en management van musea --- Sociale agogiek --- planning en beleid --- planning en beleid. --- 069.01 Museologie --- museumkunde --- Planning en beleid.
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This bestseller publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofmann, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten, and Harald Szeemann are thus gathered in this volume. The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.
tentoonstellingen
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curatoren
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d'Harnoncourt Anne
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Hofman Werner
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Leering Jean
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Meyer Franz
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Siegelaub Seth
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Zanini Walter
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Cladders Johannes
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Lippard Lucy
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Hopps Walter
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Hultén Pontus
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Szeemann Harald
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sixties
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seventies
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069
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7.01
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069.6
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Museologie cureren van tentoonstellingen
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Obrist, Hans Ulrich interviews met curatoren
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Curatoren geschiedenis 20ste eeuw
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Tentoonstellingen baanbrekende 20ste eeuw
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Tentoonstellingsmakers 2de helft 20ste eeuw
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Hopps, Walter
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Hultén, Pontus
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Cladders, Johannes
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Leering, Jean
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Szeemann, Harald
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Meyer, Franz
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Siegelaub, Seth
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Hofmann, Werner
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Zanini, Walter
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D'Harnoncourt, Anne
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Lippard, Lucy
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Kunst theorie, filosofie, esthetica
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Museologie organisatie en management van musea
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Museologie ; cureren van tentoonstellingen
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Obrist, Hans Ulrich ; interviews met curatoren
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Curatoren ; geschiedenis ; 20ste eeuw
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Tentoonstellingen ; baanbrekende ; 20ste eeuw
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Tentoonstellingsmakers ; 2de helft 20ste eeuw
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Kunst ; theorie, filosofie, esthetica
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Museologie ; organisatie en management van musea
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Exposition
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Manifestation artistique
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Musée
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Scénographie
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Muséologie
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Art contemporain
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Art museum curators
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Art museums.
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Kurator
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
Museology --- Art --- exhibition curators --- Art museums --- Museums --- 7.01 --- 069.6 --- Museologie ; cureren van tentoonstellingen --- Tentoonstellingen ; cureren ; presenteren --- Kunsttheorie ; over kunsttentoonstellingen ; curatoren --- Obrist, Hans Ulrich --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Curatorship --- Kunst ; theorie, filosofie, esthetica --- Museologie ; organisatie en management van musea --- Galleries and museums --- Museum curating --- Museum curatorial practice --- Museum curatorship
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