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This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History.
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The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today's world.
Motion picture industry. --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- film industry --- globalisation
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A revolutionary reconceptualization of capital and perception during the twentieth century.
Motion pictures --- Philosophy. --- Motion picture industry. --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries
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African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence.
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries
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Encourages a deep reading of a selection of essential Spanish films.
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History.
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Hundreds of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action-adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. Through close analysis of fifteen critically acclaimed films, Christopher Ames reveals how the idea of Hollywood is constructed and constructs itself.
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In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's "many origins."
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History.
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Movies expected to perform well can flop, whilst independent movies with low budgets can be wildly successful. In this superb new book, De Vany casts his expert eye over all aspects of the business and presents some intriguing conclusions.
Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Economic aspects
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This volume charts the development of the arts and technical aspects of Hong Kong cinema, from the earliest handicraft to the present computer-generated effects.
Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History.
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This work reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labour by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism.
Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Employees. --- History
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