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Clint Eastwood and issues of American masculinity
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ISBN: 9780823230136 Year: 2009 Publisher: New York Fordham University Press

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Shadows of doubt
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ISBN: 0814336914 9780814336915 9780814334577 0814334571 Year: 2011 Publisher: Detroit Wayne State University Press

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Men's cinema : masculinity and mise-en-scène in Hollywood
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ISBN: 0748676198 0748676171 9780748676170 9780748676194 9780748676156 0748676155 9780748676163 0748676163 Year: 2013 Publisher: Edinburgh, [England] : Edinburgh University Press,

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Cinema is not only an intellectual or cerebral experience, especially when we are talking about popular movies. This is a book about one aspect of how cinema makes us feel as well as think. Although all these aspects are intertwined, Men's Cinema is about identification as well as analysis, about mise-en-scene alongside representation and narrative . It reflects on how we as spectators are invited to understand, desire or identify with Hollywood's vision of men and masculinity via mise-en-scene , from the classical era to the present day. It shows how Hollywood has built up and refined the 'la


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Masculinity in British cinema, 1990-2010
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ISBN: 9781399527798 9781474414142 Year: 2023 Publisher: Edinburgh : Edinburgh University Press,

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From the new man to the metrosexual, British society from the 1990s to the 2000s was pre-occupied with questions about masculinity, and more specifically with the idea that it was somehow 'in crisis.' The first book-length study of British cinematic representations of masculinity in this period, this fascinating study offers a feminist analysis of key tropes in this era, including the New Lad, fatherhood and masculine violence. Positioning these representations within the specific context of British manifestations of postfeminism and neoliberalism, the book explores the shifting representations of masculinity in popular British cinema and offers a detailed analysis of important recent developments in gender culture.

Masculinities and Hong Kong cinema
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ISBN: 9882202225 1282704958 9786612704956 9789882202221 9781282704954 6612704950 9789622097377 9622097375 9622097383 9789622097384 Year: 2005 Publisher: Hong Kong London Hong Kong University Press Eurospan [distributor]

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This collection of exciting essays explores how the representations and the ideologies of masculinities can be productively studied in the context of Hong Kong cinema. It has two objectives: first, to investigate the multiple meanings and manifestations of masculinities in Hong Kong cinema that compliment and contradict each other. Second, to analyze the social and cultural environments that make these representations possible and problematic. "Masculinities and Hong Kong Cinema" presents a comprehensive picture of how Hong Kong mainstream cinematic masculinities are produced within their own socio-cultural discourses, and how these masculinities are distributed, received, and transformed within the setting of the market place.The volume is divided into three interrelated parts: the local cinematic tradition; the transnational context and reverberations; and the larger production, reception, and mediation environments. These three perspectives will reveal the dynamics and tensions between the local and the transnational, between production and reception, and between text and context, in the gendered manifestations of Hong Kong cinema.


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Masculinity in Vietnam War narratives : a critical study of fiction, films and nonfiction writings
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ISBN: 9780786445387 Year: 2009 Publisher: Jefferson, NC London McFarland

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Melodrama, masculinity and international art cinema
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ISBN: 9781839984075 9781839984082 1839984074 1839984082 1839984090 9781839984099 Year: 2023 Publisher: London : Anthem Press,

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This publication offers a detailed study of how some of the most illustrious auteurs in the history of art cinema have made use of melodrama to represent masculine subjectivity on the screen.

Where the Boys Are
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ISBN: 0814336663 9780814336663 0814331149 9780814331149 0814331157 9780814331156 Year: 2005 Publisher: Detroit Wayne State University Press

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Of treason, God and testicles
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ISBN: 1443894133 9781443894135 9781443889186 1443889180 9781443889186 Year: 2016 Publisher: Newcastle upon Tyne, UK

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Gender in general, and masculinity in particular, might not be the first associations the mind produces when presented with the subject matter of the Cold War. More likely contenders would be the arms race or the ideological dichotomy of Communism versus Capitalism. However, recent research has established beyond a doubt that the politics and diplomacy of the superpower conflict were not only strongly influenced by beliefs about gender, but simultaneously also generated them. In fact, in a social climate where gender conformity was considered as crucial as ideological conformity, the conflict

Cinemachismo: Masculinities and Sexuality in Mexican Film
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ISBN: 0292794703 0292712960 Year: 2006 Publisher: University of Texas Press

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After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.

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