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Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
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Als 1506 in Rom eine Statuengruppe entdeckt wurde, die einen Mann und zwei Knaben in der Umschlingung zweier Schlangen zeigte, fiel die Betitelung des Kunstwerks nicht schwer: Die Laokoonepisode war durch Vergil gut bekannt, die Existenz einer Statuengruppe dieses Themas durch den älteren Plinius bezeugt. Alsbald brach eine nur im kulturellen Kontext jener Jahre verständliche Erregung aus. Man pilgerte zum Fundort, kommentierte und bedichtete den Fund, um den viele Käufer konkurrierten, bis ihn Papst Julius II. für sich beanspruchte. Seit dem Juni 1506 bildet er eines der Prunkstücke der päpstlichen Kunstsammlungen.Der Tagungsband ist dem Laokoon-Thema in Literatur, bildender Kunst und Musik gewidmet. Ein Schwerpunkt liegt in der Stoffentfaltung und Wertung von Schuld und Verstrickung in den literarischen Gestaltungen der Antike (Arktinos; Sophokles, Vergil, Quintus Smyrnaeus, Dracontius), in Mittelalter und Renaissance (Trojaliteratur, Sadoleto) und in Berlioz' Oper Les Troyens. Ein zweites zentrales Themenfeld bilden Rang und (Wirkungs-)Geschichte der Statuengruppe - Schwerpunkte sind hier Ikonographie und Datierung, der Plinius-Kommentar, die Rezeption der Gruppe in medizinischen Handschriften, bei Primaticcio und bei Winckelmann.
Laocoön (Legendary character) --- Laocoön (Legendary character) in literature --- Agesander. --- Athenodorus. --- Polydorus. --- History of Reception. --- Laokoon Group. --- Laokoon. --- Virgil. --- Laocoon (Legendary character) --- Laocoon (Legendary character) in literature
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Laocoon (Legendary character) --- Sculpture, Greek --- Art. --- Expertising. --- -Laokoon (Legendary character) --- Legends --- Art --- Agesander --- Agēsandros --- Hagesandros --- Laocoön (Legendary character) --- Agesander. --- Museo Pio-Clementino (Vatican City) --- -Art --- Museo Pio-Clementino (Vatican City). --- Laocoön (Legendary character) --- Expertising --- Athenodorus. --- Polydorus. --- Pio-clementinisches Museum (Vatican City) --- Pio-Clementine Museum (Vatican City) --- Laocoon (Legendary character) - Art. --- Sculpture, Greek - Expertising.
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Sculpture --- Laocoön-groep --- Laocoön (Legendary character) --- Sculpture, Greek --- Laocoon (Personnage légendaire) --- Sculpture grecque --- Conservation and restoration --- Conservation et restauration --- Agesander. --- Laoco©œn (Legendary character) --- Sculpture, Hellenistic --- Art. --- Laocoön (Legendary character) --- Laocoon (Personnage légendaire) --- antieke beeldhouwkunst
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Laocoon (Legendary character) --- -704.9426 --- 733.5 --- Laokoon (Legendary character) --- Legends --- Art --- Arts Iconography Human figures Groups of figures --- Arts Sculpture Roman --- Agesander --- Agēsandros --- Hagesandros --- Laocoön (Legendary character) --- Art, Classical --- Laocoön (Legendary character) --- Sculpture, Hellenistic --- 704.9426 --- Hellenistic sculpture --- Sculpture, Greek --- Classical art --- Classical antiquities --- Themes, motives --- Influence --- Agesander. --- Athenodorus. --- Polydorus. --- Museo Pio-Clementino (Vatican City) --- Pio-clementinisches Museum (Vatican City) --- Pio-Clementine Museum (Vatican City) --- Rome --- History --- Themes, motives. --- Art. --- Influence.
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Laocoön-groep --- History of civilization --- mythology [literary genre] --- art theory --- Iconography --- Vaticaan-Museum (Rome) --- kunstgeschiedenis --- Laocoön --- kunstbeschouwing --- Titiaan --- Velázquez, Diego --- Picasso, Pablo --- Art criticism --- Laocoön (Legendary character) --- History. --- Art. --- Laocoön (Legendary character) --- History --- Agesander. --- Athenodorus. --- Polydorus. --- Vaticaan-Museum (Rome). --- kunstgeschiedenis. --- Laocoön. --- kunstbeschouwing. --- Titiaan. --- Velázquez, Diego Rodriguez de Silva y. --- Picasso, Pablo. --- Velázquez, Diego Rodriguez de Silva y --- geschiedenis. --- 15de eeuw. --- 16de eeuw. --- Duitsland.
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