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Performativity in the gallery : staging interactive encounters
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ISBN: 9783034309660 303430966X Year: 2014 Publisher: Oxford Lang

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This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces.The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. --


Book
The exhibitionist : journal on exhibition making, the first six years
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ISBN: 9781942884125 1942884125 Year: 2017 Publisher: [New York, NY?] : The Exhibitionist ,

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Periodical
Kunstforum international
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ISSN: 01773674 Year: 1973 Publisher: Ruppichteroth: Kunstforum,

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Usages et utopies : l'exposition dans l'avant-garde russe prérévolutionnaire (1900-1916)
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ISSN: 1958962X ISBN: 9782840666875 2840666871 Year: 2015 Publisher: [Dijon]: Presses du réel,

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« L'art des avant-gardes historiques ne réside pas tout entier dans les oeuvres seules ; les manifestes et autres écrits d'artistes donnent la mesure - ou la démesure - de leurs projets. Mais il faut aussi considérer la portée de la monstration des oeuvres, l'effet de l'exposition en acte. Ce livre prend le pari de penser les oeuvres à même leurs présentations inaugurales pour comprendre la dimension publique et active de l'art moderne - et de l'avant-garde russe en particulier. Il étudie pour la première fois de manière systématique un ensemble d'expositions de groupe de 1900 à 1916, organisées, imaginées et expérimentées par Sergueï Diaghilev, Mikhaïl Larionov, Kazimir Malevitch ou Vladimir Tatline, dans lesquelles l'exposition prend part aux oeuvres, et inversement. L'examen très concret des conditions de présentation physiques (organisation spatiale, effets d'accrochage), temporelles (durée, précarité, récurrence) et publiques (usage de la photographie, rapport aux médias de masse, au commerce de l'art) permet d'approcher de près les utopies qui sont au coeur de l'art d'avant-garde : agir sur l'expérience sensorielle et temporelle des spectateurs, faire de l'espace public un paramètre et un prolongement de l'oeuvre. À ces utopies, l'exposition offre une institution précaire. La traduction de textes-source en fin de volume rend accessible aux lecteurs francophones un aperçu des débats que l'exposition suscitait dans la Russie prérévolutionnaire. »--


Book
Ballgasse 6 : Galerie Pakesch und die Kunstszene der 80er (Ausstellung Wien, Wien Museum, 24.09.2015 - 14.02.2016)
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ISBN: 9783863358327 3863358325 Year: 2015 Publisher: Köln Wien : Verlag der Buchhandlung Walther König Wien Museum,

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The publication centres on the gallery in Vienna in which a new generation of young artists, such as Herbert Brandl, Otto Zitko, and Josef Danner, had their first exhibitions. John Baldessari, Ilya Kabakov, Mike Kelley, Martin Kippenberger, or Sol Lewitt also exhibited in the gallery up until 1993. The book presents all of the avant-garde gallery's activities in photos, documents, and correspondences. Exhibition: Wien Museum, Vienna, Austria (24.09.2015-14.02.2016).


Book
Theater, garden, bestiary : a materialist history of exhibitions
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ISBN: 3956794559 9783956794551 Year: 2019 Publisher: Berlin Sternberg Press

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Huyghe, Pierre ; Chambaud, Etienne

Harald Szeemann : with by through because towards despite : catalogue of all exhibitions 1957-2005
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ISBN: 9783211836323 3211836322 3211693033 Year: 2007 Publisher: Springer Vienna

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"This catalogue of all Harald Szeemann's exhibitions is a compendium of materials and sources relating to the work of the most celebrated independent organiser of exhibitions in the latter part of the 20th century"--Page 7.

Salon to biennial : exhibitions that made art history
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ISBN: 9780714844053 0714844055 Year: 2008 Publisher: London: Phaidon,

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Salon des Refusés, Paris, 1863 -- The first Impressionist Exhibition, Paris, 1874 -- The first Salon des Indépendants, Paris, 1884 -- Salon d'Automne, Paris, 1905 -- The first Brücke Exhibition, Desden-Löbtau, 1906 -- Manet and the Post-Impressionists, London, 1910 -- The first Blaue Reiter Exhibition, Munich, 1911 -- Les Peintres Futuristes Italiens, Paris, 1912 -- Salon de la Section d'Or, Paris, 1912 -- The first German Autumn Salon, Berlin, 1913 -- The Armony Show, New York, 1913 -- 0.10: The last Futurist Exhibition of Pictures, Petrograd, 1915 -- The first International Dada Fair, Berlin, 1920 -- The first Russian Art Exhibition. Berlin, 1922 -- Film und Foto, Stuttgart, 1929 -- Cubism and abstract art, New York, 1936 -- Degenerate Art, Munich, 1937 -- Exposition Internationale du Surréalisme, Paris, 1938 -- First Papers of Surrealism, New York, 1942 -- Art of This Century, New York, 1951 -- Ninth Street Show, New York, 1951 -- The first Gutai Art Exhibition, Tokyo, 1955 -- The is Tomorrow, London, 1956 -- The New American Painting, New York, 1959.

Keywords

Art --- anno 1800-1999 --- tentoonstellingen --- kunstgeschiedenis --- impressionisme --- Die Brücke (1905-1913) --- Der Blaue Reiter --- futurisme --- Armory Show (1913) --- dadaïsme --- avant-garde --- surrealisme --- entartete Kunst --- kubisme --- abstracte kunst --- Manet, Edouard --- 1863 - 1959 --- 19de eeuw --- 20ste eeuw --- Art, Modern --- Exhibitions --- 7.037 --- 7.036 --- Tentoonstellingen ; kunsttentoonstellingen ; van kunsthistorische betekenis --- Internationale groepstentoonstellingen ; 1863-1959 --- Salons des refusés --- Salon des indépendants --- Die Brücke --- Manet Edouard --- postimpressionisme --- Blaue Reiter --- Salon de la Section d'Or --- Erster Deutscher Herbstsalon --- Armory Show --- 0.10 --- Erste Russische Kunstausstellung --- Film und Foto --- abstractie --- Entartete Kunst --- Exposition internationale du surréalisme --- Art of this century --- Ninth Street Show --- Gutai --- This is tomorrow --- New American painting --- negentiende eeuw --- twintigste eeuw --- 069 --- 7 --- Kunstgeschiedenis ; 1900 - 1950 --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- Arte moderna. --- Bienais de arte. --- Exposições de arte (história) --- Kunstausstellung --- Exposições de arte (história). --- Kunstausstellung. --- MAD-faculty 14 --- kunsttentoonstellingen --- musea --- Der Blaue Reiter (1911-1914) --- abstracte, niet-figuratieve kunst --- Manet, Édouard --- Art, Modern - 19th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 19th century - Exhibitions - Sources --- Art, Modern - 20th century - Exhibitions - Sources --- tentoonstellingen. --- kunstgeschiedenis. --- impressionisme. --- Die Brücke. --- Der Blaue Reiter (1911-1914). --- futurisme. --- Armory Show (1913). --- dadaïsme. --- avant-garde. --- surrealisme. --- entartete Kunst. --- kubisme. --- abstracte kunst. --- Manet, Édouard. --- 1863 - 1959. --- 19de eeuw. --- 20ste eeuw. --- Die Brücke (1905-1913). --- Sint-Niklaaskerk (Gent). --- De Bruycker, Jules.


Book
Degenerate Art : The Attack on Modern Art in Nazi Germany, 1937 (exhibition New York, Neue Galerie,13.03 - 30.06.2014)
Authors: --- --- ---
ISBN: 9783791353678 3791353675 Year: 2014 Publisher: New York City Munich : Neue Galerie (New York) Prestel,

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