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This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces.The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. --
Theatrical science --- Performance art. --- Performance --- Interaktive Kunst. --- Kunstausstellung. --- Kunstgalerie. --- Interactive art. --- Art museums. --- Performancekonst.
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Art museums --- Art --- Art museum curators. --- Museums --- Museum exhibits. --- Museum techniques. --- Museumskunde. --- Kunstausstellung. --- Kunstvermittlung. --- Kurator --- Curatorship --- History. --- Exhibition techniques. --- Curatorship.
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Art --- art [fine art] --- kunst --- Art, Modern --- Periodicals. --- Périodiques --- Rubriek serials: kunst en cultuur --- Periodicals --- Beeldende kunsten. --- Mediakunst. --- Kunst --- Kunstausstellung --- Périodiques --- art [discipline]
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« L'art des avant-gardes historiques ne réside pas tout entier dans les oeuvres seules ; les manifestes et autres écrits d'artistes donnent la mesure - ou la démesure - de leurs projets. Mais il faut aussi considérer la portée de la monstration des oeuvres, l'effet de l'exposition en acte. Ce livre prend le pari de penser les oeuvres à même leurs présentations inaugurales pour comprendre la dimension publique et active de l'art moderne - et de l'avant-garde russe en particulier. Il étudie pour la première fois de manière systématique un ensemble d'expositions de groupe de 1900 à 1916, organisées, imaginées et expérimentées par Sergueï Diaghilev, Mikhaïl Larionov, Kazimir Malevitch ou Vladimir Tatline, dans lesquelles l'exposition prend part aux oeuvres, et inversement. L'examen très concret des conditions de présentation physiques (organisation spatiale, effets d'accrochage), temporelles (durée, précarité, récurrence) et publiques (usage de la photographie, rapport aux médias de masse, au commerce de l'art) permet d'approcher de près les utopies qui sont au coeur de l'art d'avant-garde : agir sur l'expérience sensorielle et temporelle des spectateurs, faire de l'espace public un paramètre et un prolongement de l'oeuvre. À ces utopies, l'exposition offre une institution précaire. La traduction de textes-source en fin de volume rend accessible aux lecteurs francophones un aperçu des débats que l'exposition suscitait dans la Russie prérévolutionnaire. »--
Exhibitions --- Art, Russian --- Expositions --- Art russe --- History --- Histoire --- Avant-garde (Aesthetics) / Russia / History / 20th century --- Exhibitions / Russia / History / 20th century --- Art, Russian / 20th century --- Kunstausstellung --- Kunst --- Geschichte 1900-1916 --- Russland --- Russland. --- Kunst. --- Avant-garde --- Primitivisme --- Exposition --- Utopie --- Diaghilev, Serge --- Larionov, Mikhaïl Fiodorovitch --- Malevitch, Kasimir --- Tatline, Vladimir Evgrafovitch --- Russie --- Kunstausstellung.
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The publication centres on the gallery in Vienna in which a new generation of young artists, such as Herbert Brandl, Otto Zitko, and Josef Danner, had their first exhibitions. John Baldessari, Ilya Kabakov, Mike Kelley, Martin Kippenberger, or Sol Lewitt also exhibited in the gallery up until 1993. The book presents all of the avant-garde gallery's activities in photos, documents, and correspondences. Exhibition: Wien Museum, Vienna, Austria (24.09.2015-14.02.2016).
hedendaagse kunst --- 1980 - 1990 --- 20ste eeuw --- Wenen --- Exhibition catalogs. --- Kunst. --- Kunstausstellung. --- Kunstbetrieb. --- Modernism (Art) --- Modernism (Art). --- Galerie Peter Pakesch --- Exhibitions --- History --- 1900-1999. --- Austria --- Wien. --- hedendaagse kunst. --- 1980 - 1990. --- 20ste eeuw. --- Wenen.
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Huyghe, Pierre ; Chambaud, Etienne
Art --- Ausstellung. --- Exhibitions --- Kunst. --- Kunstausstellung. --- Museum exhibits --- Natural history --- Philosophie. --- Social aspects --- History. --- History --- Social aspects. --- Museology --- History as a science --- historiography --- installations [exhibitions] --- philosophy of art --- interdisciplinair onderzoek
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"This catalogue of all Harald Szeemann's exhibitions is a compendium of materials and sources relating to the work of the most celebrated independent organiser of exhibitions in the latter part of the 20th century"--Page 7.
7.01 --- Tentoonstellingsmakers ; 20ste eeuw ; Harald Szeemann --- Curatoren --- Tentoonstellingen ; organisators --- Szeemann, Harald 1933-2005 (°Bern, Zwitserland) --- Collège de Pataphysique --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- tentoonstellingen --- Szeemann Harald --- 7.038/039 --- Kunst ; theorie, filosofie, esthetica --- Szeemann, Harald --- Szeemann, Harald. --- Kunstausstellung --- Switzerland. --- Art museum curators --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Employees --- Szeemann, Haral --- 7.075 --- Kunstmanagers, producers, promotors ; curatoren
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Arts and crafts movement --- -Decoration and ornament --- -Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Aesthetic movement (Art) --- Exhibitions --- Victorian style --- -Exhibitions --- Decoration and ornament --- Exhibitions. --- London International Exhibition --- Art, Decorative --- Victorian style&delete& --- Exposición Universal de 1862 --- London Exhibition of 1862 --- Allgemeine Industrie- und Kunstausstellung --- Great London Exposition --- International of 1862 --- London World Exposition 1862 --- International Exhibition of Industry and Art --- Decoration and ornament, Primitive
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Salon des Refusés, Paris, 1863 -- The first Impressionist Exhibition, Paris, 1874 -- The first Salon des Indépendants, Paris, 1884 -- Salon d'Automne, Paris, 1905 -- The first Brücke Exhibition, Desden-Löbtau, 1906 -- Manet and the Post-Impressionists, London, 1910 -- The first Blaue Reiter Exhibition, Munich, 1911 -- Les Peintres Futuristes Italiens, Paris, 1912 -- Salon de la Section d'Or, Paris, 1912 -- The first German Autumn Salon, Berlin, 1913 -- The Armony Show, New York, 1913 -- 0.10: The last Futurist Exhibition of Pictures, Petrograd, 1915 -- The first International Dada Fair, Berlin, 1920 -- The first Russian Art Exhibition. Berlin, 1922 -- Film und Foto, Stuttgart, 1929 -- Cubism and abstract art, New York, 1936 -- Degenerate Art, Munich, 1937 -- Exposition Internationale du Surréalisme, Paris, 1938 -- First Papers of Surrealism, New York, 1942 -- Art of This Century, New York, 1951 -- Ninth Street Show, New York, 1951 -- The first Gutai Art Exhibition, Tokyo, 1955 -- The is Tomorrow, London, 1956 -- The New American Painting, New York, 1959.
Art --- anno 1800-1999 --- tentoonstellingen --- kunstgeschiedenis --- impressionisme --- Die Brücke (1905-1913) --- Der Blaue Reiter --- futurisme --- Armory Show (1913) --- dadaïsme --- avant-garde --- surrealisme --- entartete Kunst --- kubisme --- abstracte kunst --- Manet, Edouard --- 1863 - 1959 --- 19de eeuw --- 20ste eeuw --- Art, Modern --- Exhibitions --- 7.037 --- 7.036 --- Tentoonstellingen ; kunsttentoonstellingen ; van kunsthistorische betekenis --- Internationale groepstentoonstellingen ; 1863-1959 --- Salons des refusés --- Salon des indépendants --- Die Brücke --- Manet Edouard --- postimpressionisme --- Blaue Reiter --- Salon de la Section d'Or --- Erster Deutscher Herbstsalon --- Armory Show --- 0.10 --- Erste Russische Kunstausstellung --- Film und Foto --- abstractie --- Entartete Kunst --- Exposition internationale du surréalisme --- Art of this century --- Ninth Street Show --- Gutai --- This is tomorrow --- New American painting --- negentiende eeuw --- twintigste eeuw --- 069 --- 7 --- Kunstgeschiedenis ; 1900 - 1950 --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- Arte moderna. --- Bienais de arte. --- Exposições de arte (história) --- Kunstausstellung --- Exposições de arte (história). --- Kunstausstellung. --- MAD-faculty 14 --- kunsttentoonstellingen --- musea --- Der Blaue Reiter (1911-1914) --- abstracte, niet-figuratieve kunst --- Manet, Édouard --- Art, Modern - 19th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 19th century - Exhibitions - Sources --- Art, Modern - 20th century - Exhibitions - Sources --- tentoonstellingen. --- kunstgeschiedenis. --- impressionisme. --- Die Brücke. --- Der Blaue Reiter (1911-1914). --- futurisme. --- Armory Show (1913). --- dadaïsme. --- avant-garde. --- surrealisme. --- entartete Kunst. --- kubisme. --- abstracte kunst. --- Manet, Édouard. --- 1863 - 1959. --- 19de eeuw. --- 20ste eeuw. --- Die Brücke (1905-1913). --- Sint-Niklaaskerk (Gent). --- De Bruycker, Jules.
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sculpting --- National Socialism --- censorship --- Political systems --- painting [image-making] --- Art --- anno 1930-1939 --- Germany --- entartete Kunst --- nazisme --- modernisme --- geschiedenis --- tentoonstelling München (1937) --- nationaal-socialisme --- Barlach, Ernst --- Nolde, Emil --- 1937 --- 20ste eeuw --- Duitsland --- Oostenrijk --- Neue Galerie --- Entartete Kunst --- National socialism and art --- Art, Modern. --- Entartete Kunst. --- National socialism and art. --- Drittes Reich. --- Kunstpolitik. --- Grosse Deutsche Kunstausstellung --- 1900 - 1999. --- Deutschland. --- 1900-1999. --- entartete Kunst. --- nazisme. --- modernisme. --- geschiedenis. --- tentoonstelling München (1937). --- nationaal-socialisme. --- Barlach, Ernst. --- Nolde, Emil. --- 1937. --- 20ste eeuw. --- Duitsland. --- Oostenrijk. --- kunst en politiek --- Hérain, Jean Joseph Marie.
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