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"Explores the 17th-century consolidation of Japanese painting style by the Kanō artistic house, based on knowledge brought back from China by the monk-painter Sesshü and intertwined with native Japanese practices. Presents key factors in establishing the orthodoxy of the Kanō painters and their role in defining Japanese painting."--Publisher's description.
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Kanō School --- Painting, Japanese --- Screen painting, Japanese
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Copying the Master and Stealing His Secrets examines the transmission of painting traditions in Japan from one generation to the next. The contributors emphasize the relationship between inborn abilities and those skills taught in the course of learning how to paint. They focus their discussion on a group of painting masters loosely associated with the prestigious Kano painting atelier, Japan's de facto painting academy throughout the Tokugawa period (1615-1868) and into the early modern era. By delving into why, how, and what these painters transmitted to students through their teaching, readers gain insight into artistic and aesthetic sensibilities active in Japanese painting and a fuller appreciation of extant paintings within their cultural and historical contexts.
Painting --- Painting, Japanese --- Kanō School. --- Study and teaching --- History. --- Kanō School --- History
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Kanō School --- Painting, Japanese --- Painting --- Study and teaching --- History
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Kano School --- Koninklijke Academie voor Teken- en Schilderkunst [Kortrijk] --- anno 1500-1599 --- Japan
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Painting, Japanese --- Painting --- Private collections --- Fishbein, T. Richard, --- Bender, Estelle --- Art collections --- Exhibitions --- Japanese printmaking styles --- Edo [language] --- Japanese [culture or style] --- Heian --- Kano School --- Tosa School
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The Kano lineage of painters--the most important in Japan--was established in the late 15th century by Kano Masanobu (1434-1530) and continued for more than 400 years, until the early 20th century. Originally limited to successive generations of the Kano family, it soon developed into a school of professional artists. This is the first and most comprehensive book published outside of Japan to address the Kano painters. Lavishly illustrated, this important volume focuses on the large-scale screens and sliding doors that were designed for the residences of powerful rulers, together with smaller works such as scrolls, albums, and fans. These works-for sites including shogunate residences, Zen temples, teahouses, and homes of wealthy merchants-demonstrate the range of styles that Kano artists employed to suit the tastes of their varied patrons. Essays by leading scholars address the wide range of Kano motifs and styles and also consider the particular influence of Kano Tan'yu (1602-1684). A dictionary of Kano artists' seals and signatures, a type of resource published here for the first time, provides an important reference, as does an appendix of images from the most significant album by Tan'yu. Exhibition: Philadelphia Museum of Art, USA (14.2.-10.5.2015).
Kanō School --- Painting, Japanese --- Seals (Numismatics) --- Japanese painting --- Nihonga --- History. --- J6230 --- J6015.11 --- Japan: Art and antiquities -- painting and drawing -- Chinese schools --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in North America -- United States --- History
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