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Philosophy and psychology of culture --- Europe --- Japan --- J1000 --- J4129 --- Japan: Philosophy --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization

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J4120 --- J4129 --- Japan: Sociology and anthropology -- social psychology and social-cultural phemomena --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Sociology and anthropology -- social psychology and social-cultural phenomena

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The present volume is the product of a joint effort made by scholars from across China (including Hong Kong), Japan and Europe. The book gathers sixteen papers devoted to literary and cultural criticism from a comparative point of view. A perspective prominent in this volume is imagology, an approach first developed by Daniel-Henry Pageaux, and which focuses on specific images in literary and other texts. The study of the image of the “foreign” in national literary traditions, for instance, belongs to the traditional purview of comparative literature. Pageaux did more than uphold this tradition. He practically reinvented it using new theoretical concepts and perspectives (in particular, semiotics and reception aesthetics). On this basis, he was able to develop a theory and a methodology that are both usable and in tune with contemporary concerns. The present book covers a wide range of topics in the study of images of Westerners in Chinese and Japanese literature. Individual contributions deal with issues such as the genesis of the Chinese term Foreign Devil, the occurrence of Westerners in modern Chinese and Japanese literature, and the Chinese and Japanese reception of indiviual western authors and artists such as, amongst others, Oscar Wilde, Vincent Van Gogh, and Madame Roland. Some papers examine individual authors such as Lu Xun and Takeyama Michio. Others examine historical periods or literary movements. The approaches followed range from historical investigations of linguistic practices to detailed literary analyses... Back cover.

82.091 --- J5509 --- S16/0195 --- Vergelijkende literatuurstudie --- Japan: Literature -- theory, methodology and philosophy --- China: Literature and theatrical art--Thematic studies --- 82.091 Vergelijkende literatuurstudie --- J4129 --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization

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Foreign trade policy --- Japan --- J4811.01 --- J4540.01 --- J4129 --- Japan: International politics and law -- international relations, policy and security -- the West --- Japan: Economy and industry -- commerce and trade -- international trade, economic relations and policy -- the West --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization

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On a longtemps cru que la modernité était la forme particulière prise par le développement historique de nos sociétés. Dans le cas du Japon, on pensait que, depuis la seconde moitié du XIXe siècle, il s'inspirait de la civilisation occidentale pour industrialiser le pays. Selon Pierre- François Souyri, l'histoire récente montre au contraire que la modernité telle que nous la concevions n'était que l'aspect particulier d'un phénomène mondial. Au Japon, la modernité a éclos sur le terreau de la pensée japonaise et chinoise au moins autant que sur des références venues d'Occident : dans les années 1880, la lutte pour la liberté et les droits du peuple et pour un régime constitutionnel s'inspire des classiques chinois plus que de la pensée rousseauiste ; celle contre la destruction de la nature par le système industriel puise ses références dans une cosmologie de l'harmonie entre la nature et l'homme ; le féminisme, qui émerge dès les années 1910, tire nombre de ses références dans le shintô ; et le premier socialisme s'inspire de formes de pensée largement confucéennes. Par ses remplois d'idéologies du passé, la modernisation japonaise oblige à relativiser le statut exemplaire de l'expérience occidentale. Cette modernisation a de fait fonctionné autant comme anti-occidentalisation que comme occidentalisation. Et, aussi bien, son rythme et les questionnements qu'elle suscite ont été identiques à ceux de l'Occident. Pierre-François Souyri peut dès lors poser ce souriant paradoxe : une grammaire commune de la modernité peut puiser à des racines différentes.

Japan --- History --- Japon --- Civilisation --- Influence occidentale --- Modernism (Aesthetics) --- J4129 --- J4000.70 --- J4144 --- Aesthetics --- History. --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Social history, history of civilization -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Sociology and anthropology -- cultural trends and movements -- modernism --- Intellectual life --- Civilization --- Western influences. --- Occidental influences --- Modernisme (Esthétique) --- Histoire --- Western influences --- Vie intellectuelle --- Modernisme (Esthétique) --- Japan - History