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"In the late 1790s, British Prime Minister William Pitt created a crisis of representation when he pressured the British Parliament to relieve the Bank of England from its obligations to convert paper notes into coin. Paper quickly became associated with a form of limitless reproduction that threatened to dematerialize solid bodies and replace them with insubstantial shadows. Media Critique in the Age of Gillray centres on printed images and graphic satires which view paper as the foundation for the contemporary world. Through a focus on printed, visual imagery from practitioners such as James Gillray, William Blake, John Thomas Smith, and Henry Fuseli, the book addresses challenges posed by reproductive technologies to traditional concepts of subjective agency. Joseph Monteyne shows that the late eighteenth-century paper age's baseless fabric set the stage for contemporary digital media's weightless production. Engagingly written and abundantly illustrated, Media Critique in the Age of Gillray highlights the fact that graphic culture has been overlooked as an important sphere for the production of critical and self-reflective discourses around media transformations and the visual turn in British culture."--

English wit and humor, Pictorial --- Prints --- Prints, English --- History --- Social aspects --- 1700-1799 --- England. --- Angleterre --- England --- Moeurs et coutumes --- Caricatures et dessins humoristiques. --- Social life and customs --- Caricatures and cartoons. --- Henry Fuseli. --- James Gillray. --- John Thomas Smith. --- William Blake. --- ballad sellers. --- culture. --- dark media. --- defaced pictures. --- eighteenth-century London. --- graphic satire. --- mass media. --- paper. --- phantasmagoria. --- print culture.

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An authoritative, richly illustrated history of six centuries of global protest artThroughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics.Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes.From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.

Political art. --- Political posters --- Protest movements. --- ART / Art & Politics. --- Social movements --- Campaign posters --- Political collectibles --- Posters --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- History. --- Political sociology --- Graphic arts --- graphic design --- history [discipline] --- revolutions --- political art --- graphic arts --- Activism. --- Adolf Hitler. --- Adolf. --- Advertising campaign. --- Advertising. --- Alamy. --- Alberto Korda. --- Anti-war movement. --- Apartheid. --- Art movement. --- Ben Shahn. --- Black people. --- Campaign for Nuclear Disarmament. --- Caricature. --- Cartoon. --- Cartoonist. --- Charlie Hebdo. --- Che Guevara. --- Civil disobedience. --- Civilization. --- Combatant. --- Communism. --- Dada. --- Defamation. --- Designer. --- Dictatorship. --- Editorial cartoon. --- El Lissitzky. --- Emblem. --- Environmentalism. --- Feminism (international relations). --- Feminism. --- Film poster. --- George Grosz. --- Global warming. --- Guerrilla Girls. --- Gulf War. --- Harper's Weekly. --- Headline. --- Iconography. --- Illustration. --- Illustrator. --- James Gillray. --- Je suis Charlie. --- Jesus Barraza. --- John Heartfield. --- LGBT. --- Le Charivari. --- Manifesto. --- March on Washington for Jobs and Freedom. --- Modernism. --- Mushroom cloud. --- National Association for the Advancement of Colored People. --- Nazi Germany. --- Nazi Party. --- Nazism. --- Newspaper. --- Nicaragua. --- Nuclear disarmament. --- Nuclear warfare. --- Nuclear weapon. --- Pamphlet. --- Pass laws. --- Photomontage. --- Political satire. --- Politician. --- Postcard. --- Poster. --- Power politics. --- Princeton University Press. --- Protest. --- Publication. --- Publishing. --- Racial segregation. --- Racism. --- Riot police. --- Sacco and Vanzetti. --- Satire. --- See Red Women's Workshop. --- Sexism. --- Simplicissimus. --- Soviet Union. --- Spanish Civil War. --- Special Relationship. --- Suffrage. --- Suffragette. --- Tear gas. --- Technology. --- Terrorism. --- The Quarto Group. --- Their Lives. --- Thomas Nast. --- Thomas Rowlandson. --- To This Day. --- Trade union. --- Trafalgar Square. --- Trayvon Martin. --- Tristan Tzara. --- Typography. --- Unemployment. --- communication design