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The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. 'Islamic Glass in the Making' advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth centuries and to separate the norm from the exception. It proposes compositional discriminants to distinguish regional production groups, and provides insights into the organisation of the glass industry and commerce during the early Islamic period. The interdisciplinary approach leads to a holistic understanding of the development of Islamic glass; assemblages from the early Islamic period in Mesopotamia, Central Asia, Egypt, Greater Syria and Iberia are evaluated, and placed in the larger geopolitical context. In doing so, this book fills a gap in the present literature and advances a large-scale approach to the history of Islamic glass.
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The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. 'Islamic Glass in the Making' advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth centuries and to separate the norm from the exception. It proposes compositional discriminants to distinguish regional production groups, and provides insights into the organisation of the glass industry and commerce during the early Islamic period. The interdisciplinary approach leads to a holistic understanding of the development of Islamic glass; assemblages from the early Islamic period in Mesopotamia, Central Asia, Egypt, Greater Syria and Iberia are evaluated, and placed in the larger geopolitical context. In doing so, this book fills a gap in the present literature and advances a large-scale approach to the history of Islamic glass.
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The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. 'Islamic Glass in the Making' advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth centuries and to separate the norm from the exception. It proposes compositional discriminants to distinguish regional production groups, and provides insights into the organisation of the glass industry and commerce during the early Islamic period. The interdisciplinary approach leads to a holistic understanding of the development of Islamic glass; assemblages from the early Islamic period in Mesopotamia, Central Asia, Egypt, Greater Syria and Iberia are evaluated, and placed in the larger geopolitical context. In doing so, this book fills a gap in the present literature and advances a large-scale approach to the history of Islamic glass.
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The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. 'Islamic Glass in the Making' advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth centuries and to separate the norm from the exception. It proposes compositional discriminants to distinguish regional production groups, and provides insights into the organisation of the glass industry and commerce during the early Islamic period. The interdisciplinary approach leads to a holistic understanding of the development of Islamic glass; assemblages from the early Islamic period in Mesopotamia, Central Asia, Egypt, Greater Syria and Iberia are evaluated, and placed in the larger geopolitical context. In doing so, this book fills a gap in the present literature and advances a large-scale approach to the history of Islamic glass.
Islamic glassware --- Glassware, Islamic --- Muslim glassware --- Glassware --- History --- Islamic glassware. --- Archeologie --- Onderzoek
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Glassware, Medieval --- Islamic glassware --- Glassware, Islamic --- Muslim glassware --- Glassware
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The book investigates the contribution of glass finds to understanding the nature of the transition from Byzantine to Islamic rule in Syria-Palestine, by analysing numerous glass assemblages from Jerusalem and its environs. This original synthesis explores the nature of numerous types of glass objects, and their distinct distribution in various types of sites. Furthermore, the identification of trends of continuity and change in the fabrics, technologies, typologies and styles of the glass finds throughout this turbulent period, illuminates the nature of the processes undergone by the various communities in the Jerusalem area.The monograph comprises a newly established, comprehensive, up-to-date typo-chronology, based on hundreds of glass wares of the Byzantine and Early Islamic periods from scores of excavations, in and around Jerusalem and in neighbouring regions. Additionally, a holistic study of lighting devices, glass lamps and windowpanes, includes a novel assessment of Christian, Muslim and Jewish written sources regarding lighting in religious buildings in Jerusalem in the relevant periods.
Excavations (Archaeology) --- Glassware, Byzantine --- Islamic glassware --- Byzantine Empire --- Jerusalem --- History --- Antiquities. --- Archaeology and history
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Glass weights --- Islamic glassware --- Jettons --- Seals (Numismatics) --- Weights and measures --- Michera, Josef,
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Excavations (Archaeology) --- Islamic glassware --- City of London (England). --- London (England) --- Antiquities.
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Exhibitions --- Glassware --- Islamic glassware --- Glassware, Islamic --- Muslim glassware --- Islamic influences --- Glass --- House furnishings --- Table setting and decoration
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Islamic glass and its craftsmanship in the Medieval period are known almost exclusively from Middle Eastern literature. The study of the structures of the workshop and the very rich glass assemblage from Sabra al-Mansuriya (Kairouan), the Fatimid capital founded in 947/948 and destroyed in 1057, proves that Ifriqiya followed the technological evolutions of glass craftsmanship. An examination of the furnaces and the various artefacts discovered highlights the double vocation of a palatial factory: to produce glass and glazed ceramics. From this particular workshop, installed in the wing of a palace, we found everyday glassware as well as more luxurious types, some with very specific forms, others reproducing models known throughout the Islamic world. These productions are local and imported - distinguished through morphological and chemical analyzes - and form the basis of a first typology of glass used in Ifriqiya from the 10th to 11th century. Architectural glass, partly made on site, is also abundant. The crown-glass of different colours, used whole or in small fragments, adorned the openwork panel walls with various carvings. The windows and their glass offered a rich polychrome and a complex decorative syntax, reflecting significant technical mastery and the desire to display economic and political power.
Glassware, Medieval --- Glassware --- History. --- Glass --- House furnishings --- Table setting and decoration --- Archaeology, Medieval --- Excavations (Archaeology) --- Islamic glassware
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