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ven if they are contradictory, the different senses give thickness and subtlety to the concept. The journey of a notion in time and space then also contributes to broadening our understanding of a cultural history between universality and identity within the artistic diversity that characterizes modern Europe.

The arts --- Painting & paintings --- Literacy --- art theory --- painting --- artistic lexicography --- artistic literature --- artistic practice --- artistic terminology --- Giorgio Vasari --- Giovanni Pietro Bellori --- Karel van Mander --- Paris

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kunst --- 7.034 --- 73.034 --- 75.034 --- België --- Nederland --- Rudolf II --- Praag --- Tsjechië --- fábrica de El Escorial --- Ecoriaal --- Spanje --- school van Fontainebleau --- Firenze --- Rome --- Italië --- maniërisme --- schilderkunst --- beeldhouwkunst --- zestiende eeuw --- Mannerist [Renaissance-Baroque style] --- painting [image-making] --- Painting --- anno 1500-1599 --- Guiseppe Arcimboldo --- Bronzino --- El Greco --- Domenico Beccafumi --- Benvenuto Cellini --- Giambologna (Jean de Boulogne) --- Jan Gossaert (Mabuse) --- Michelangelo --- Parmigianino --- Pontormo --- Giulio Romano --- Fiorentino Rosso --- Francesco Salviati --- Pellegrino Tibaldi --- Tintoretto --- Giorgio Vasari --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Schilderkunst ; Renaissance. Barok. Rococo --- Beeldhouwkunst ; Renaissance, Barok, Rococo

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[English version below]
Mit 43 Quellentexten von Leon Battista Alberti bis ins späte 19. Jahrhundert gibt der Band "Historienmalerei" einen umfassenden Überblick über die Theoriegeschichte dieser Gattung, welcher die führende Rolle in der Hierarchie der Bildaufgaben zugewiesen worden ist. Die Textsammlung bietet damit die Möglichkeit, bei der Deutung des einzelnen Kunstwerks und seiner historischen Stellung die kunsthistorische Debatten der unterschiedlichen Epochen zu berücksichtigen. Alle Quellentexte sind in der Originalsprache wiedergegeben sowie in deutscher Übersetzung. Die Analyse erfolgt dann in deutscher Sprache.

With 43 source texts, starting with Leon Battista Alberti and reaching out into the late 19th century, the volume "Historienmalerei" gives a comprehensive overview of the theoretical history of this genre, which has been assigned the leading role in the hierarchy of image tasks. The text collection thus offers the opportunity to take into account the art-historical debates of the different epochs when interpreting the individual artwork and its historical position. All source texts are presented in their original language and a german translation. Interpretations in German only.

Studium der Kunstgeschichte --- Gotthold Ephraim Lessing --- Cornelius Gurlittn Lodovico Dolce --- Leonardo da Vinci --- Georg Wilhelm Friedrich Hegel --- Johann Georg Sulzer --- Charles Blanc --- Giovan Pietro Bellori --- Denis Diderot --- Giorgio Vasari --- André Félibien --- study of art history --- Quellentexte --- Gabriele Paleotti --- Historiendarstellungen (biblisch und historisch) --- Wissenschaftsgeschichte --- Leon Battista Alberti --- Johann Wolfgang von Goethe --- Jonathan Richardson --- history of science --- Giovanni Paolo Lomazzo --- Samuel van Hoogstraten --- History painting (biblical and historical) --- source texts --- Johann Heinrich Meyer --- art theory --- Johann Joachim Winckelman --- Kunsttheorie --- Anthony Ashley Cooper Earl of Shaftesbury --- August Wilhelm Schlegel

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[English version below]
Mit 43 Quellentexten von Leon Battista Alberti bis ins späte 19. Jahrhundert gibt der Band "Historienmalerei" einen umfassenden Überblick über die Theoriegeschichte dieser Gattung, welcher die führende Rolle in der Hierarchie der Bildaufgaben zugewiesen worden ist. Die Textsammlung bietet damit die Möglichkeit, bei der Deutung des einzelnen Kunstwerks und seiner historischen Stellung die kunsthistorische Debatten der unterschiedlichen Epochen zu berücksichtigen. Alle Quellentexte sind in der Originalsprache wiedergegeben sowie in deutscher Übersetzung. Die Analyse erfolgt dann in deutscher Sprache.

With 43 source texts, starting with Leon Battista Alberti and reaching out into the late 19th century, the volume "Historienmalerei" gives a comprehensive overview of the theoretical history of this genre, which has been assigned the leading role in the hierarchy of image tasks. The text collection thus offers the opportunity to take into account the art-historical debates of the different epochs when interpreting the individual artwork and its historical position. All source texts are presented in their original language and a german translation. Interpretations in German only.

Studium der Kunstgeschichte --- Gotthold Ephraim Lessing --- Cornelius Gurlittn Lodovico Dolce --- Leonardo da Vinci --- Georg Wilhelm Friedrich Hegel --- Johann Georg Sulzer --- Charles Blanc --- Giovan Pietro Bellori --- Denis Diderot --- Giorgio Vasari --- André Félibien --- study of art history --- Quellentexte --- Gabriele Paleotti --- Historiendarstellungen (biblisch und historisch) --- Wissenschaftsgeschichte --- Leon Battista Alberti --- Johann Wolfgang von Goethe --- Jonathan Richardson --- history of science --- Giovanni Paolo Lomazzo --- Samuel van Hoogstraten --- History painting (biblical and historical) --- source texts --- Johann Heinrich Meyer --- art theory --- Johann Joachim Winckelman --- Kunsttheorie --- Anthony Ashley Cooper Earl of Shaftesbury --- August Wilhelm Schlegel

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The first comprehensive account of how and why architects learned to communicate through color. Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public.Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice.Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

Color in art. --- Architectural drawing --- History. --- Architecture --- Drawing --- Graphic arts --- architectural drawings [visual works] --- prints [visual works] --- color [perceived attribute] --- anno 1500-1799 --- Europe --- Couleur dans l'art --- Dessin d'architecture --- Histoire --- ARCHITECTURE / History / Renaissance. --- Colors in art --- Art --- Monochrome art --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Mechanical drawing --- History --- 72.017 --- 72.02 --- Europa --- Kleur (architectuur) --- Architectuurtekeningen --- Architectuurtekenen --- Couleur (art). --- Dessins et plans. --- Couleur (art) --- Accademia di San Luca. --- Agostino Veneziano. --- Amiens. --- Andrea Palladio. --- Arbitrariness. --- Architectural Design. --- Architectural drawing. --- Architectural historian. --- Architectural painting. --- Architectural style. --- Architectural theory. --- Archive. --- Avery Architectural and Fine Arts Library. --- Boarding school. --- Canaletto. --- Carlo Maderno. --- Cartography. --- Checker shadow illusion. --- Civil engineer. --- Color engraving. --- Color of water. --- Color wash. --- Country of origin. --- Croome Court. --- Ditchley. --- Drafter. --- Drawing. --- Ealing. --- Earned income tax credit. --- Engraving. --- Explanation. --- Facsimile. --- Francesco Algarotti. --- Francesco Borromini. --- Francesco da Volterra. --- Funding. --- General Idea. --- Geographer. --- Gerard de Lairesse. --- Giorgio Vasari. --- Giotto. --- Gouache. --- Guideline. --- Henry IV of France. --- Hybrid image. --- Immigration policy. --- Infrastructure. --- Inigo Jones. --- Jacques-Germain Soufflot. --- Jagodina. --- James Wyatt. --- Jean-Baptiste Le Prince. --- La Chaise-Dieu. --- Le Mans Cathedral. --- Lighting. --- Masonry. --- National Gallery of Art. --- National Policy. --- Nicholas Hawksmoor. --- North Africa. --- Of Education. --- Officer and Laughing Girl. --- Orthographic projection. --- Palace. --- Parchment. --- Paul Sandby. --- Pierre Crozat. --- Pilaster. --- Pink and Blue (Renoir). --- Populuxe. --- Print culture. --- Proportion (architecture). --- Racialization. --- Refugee. --- Renaissance architecture. --- Result. --- Rood screen. --- Rosin. --- Royal Institute of British Architects. --- Santa Maria Antiqua. --- Social capital. --- Sociology. --- Spanish Army. --- Stippling. --- Strasbourg Cathedral. --- Suburb. --- Tempio Malatestiano. --- Trajectory. --- Trapping. --- Treatise. --- Triumphal arch. --- Ugo da Carpi. --- Vellum. --- Welfare state. --- William L. Clements Library. --- Woodcut. --- Woodworking. --- Workplace. --- Writing. --- Yale Center for British Art. --- Color in art