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Old French literature --- Thematology --- French poetry --- History and criticism --- -French literature --- -History and criticism --- French poetry - To 1500 - History and criticism
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Poetry --- Fiction --- Old French literature --- French poetry --- Epic poetry, French --- Civilization, Medieval, in literature --- History and criticism --- Civilization, Medieval, in literature. --- History and criticism. --- Epic literature [Romance ] --- French poetry - To 1500 - History and criticism --- Epic poetry, French - History and criticism
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Old French literature --- Parodies, French --- French poetry --- Songs, French --- Humorous songs --- Burlesque (Literature) --- History and criticism --- Texts --- Parodies, French. --- History and criticism. --- French poetry - To 1500 --- French poetry - To 1500 - History and criticism --- Songs, French - France - Texts --- Humorous songs - France
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The Old French fabliaux may be notorious for their bawdy content, but few aspects of these medieval comic narratives are as astonishing as their depiction of the parish priest, whose fiscal and sexual transgressions are on occasion so enormous that lay protagonists are driven to inflict graphic punishments ranging from public exposure and communal beating to castration and murder. In this study, Burrows draws on social psychological research into the cognitive and socio-motivational components of stereotyping to explore the forces underlying the creation and development of the fabliau priest. Through an assessment of the constituent elements of the figure against a background of a range of literary and historical sources, Burrows demonstrates that the literary figure is the product of the specific socio-historical context of contemporaneous changes in relationships between Church and laity in which anticlerical stereotyping, in a manner comparable to other instances of outgroup derogation, can be attributed to a quest for positive social identity and ingroup solidarity on the part of an inscribed lay audience.
Pretres dans la litterature --- Priesters in de literatuur --- Priests in literature --- Fabliaux --- French poetry --- Tales, Medieval --- History and criticism --- To 1500 --- Tales [Medieval ] --- Fabliaux - History and criticism --- French poetry - To 1500 - History and criticism --- Tales, Medieval - History and criticism
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This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
Fabliaux --- French poetry --- Humorous poetry, French --- Tales, Medieval --- History and criticism --- Literature, Medieval. --- Medieval Literature. --- Fabliaux - History and criticism --- French poetry - To 1500 - History and criticism --- Humorous poetry, French - History and criticism --- Tales, Medieval - History and criticism
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Cet ouvrage rassemble vingt-cinq articles de l’auteur portant sur la matière et les traditions de l’écriture épique du Moyen Âge français, pour mettre en valeur les évolutions et les transformations qui se dessinent, du XIIe à la fin du XIVe siècle, dans les rapports entre la chanson de geste et l’historiographie. Il interroge en particulier les interactions entre vérité poétique, fiction romanesque et vérité historique, interactions qui aboutissent à l’intégration de la matière épique carolingienne (la « matière de France ») à une écriture historique, en vers ou en prose, sensible aux prestiges et aux potentialités idéologiques d’une fiction que l’on s’efforce de faire passer pour de l’histoire authentique.Il envisage successivement divers aspects de la poétique des chansons de geste, de leur univers entre tradition et mutations, de la place de l’idéologie dans la création épique, pour se terminer avec les transformations que subissent leur matière et leur écriture dans des textes historiographiques comme la Chronique de Turpin, la Chronique rimée de Philippe Mousket, ou le Myreur des histors et la Geste de Liège de Jean d’Outremeuse.
Chansons de geste --- Epic poetry, French --- French poetry --- History and criticism --- Épopées médiévales --- Création littéraire --- Mélanges et hommages. --- Historiographie. --- Chansons de geste - History and criticism --- Epic poetry, French - History and criticism --- French poetry - To 1500 - History and criticism
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Labyrinthe de mots ou figure du cercle, le rondeau continue de poser des questions sur sa forme, simple ou complexe, sur ses origines et sur son évolution dans le temps long. Chanson, rondel de carole, rondel, caractérisé par un refrain de plusieurs vers au Moyen Age, le rondeau devient texte à refrain de quelques mots ou rentrement au XVe siècle. C'est cette dernière forme que le XVIIe siècle, amateur d'archaïsme, reprendra, souvent comme pièce de circonstances. Au XIXe siècle, historiens, théoriciens et poètes décident de distinguer nettement rondeau et rondel tandis que les éditeurs de poésie médiévale se divisent sur la longueur de reprise d'un refrain abrégé en etc. Ce débat n'a pas été tranché jusqu'à présent, et s'il ne l'est pas de façon définitive et de manière uniforme dans ce volume, c'est qu'entre texte et musique le rondeau a longtemps été, plutôt qu'une forme fixe, une forme en liberté surveillée.
Rondeaux (littérature). --- Rondeaux (littérature) --- Rondeaus --- French poetry --- History and criticism --- Octosyllable --- French language --- History --- Versification --- Poetry --- French literature --- anno 1200-1499 --- anno 1500-1599 --- French poetry - To 1500 - History and criticism --- French poetry - 16th century - History and criticism
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