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Photography. --- Photography, Artistic. --- Photographie --- Photographie artistique --- Barthes, Roland. --- French photography --- Barthes, Roland --- Barthes, Roland,

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Photography, Artistic --- Lartigue, Jacques-Henri, --- Lartigue, Jacques-Henri --- French photography --- 1894 --- -Photography, Artistic --- 1894-

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Suite de récits familiaux, érotiques, "personnels", à travers lesquels l'auteur, critique de photo au "Monde" depuis 1977, explore les différents types de photographies: de la photo de voyage à la photo porno en passant par le Polaroïd et la photo divinatoire.

French literature --- Guibert, Hervé, --- French photography --- Guibert, Hervé --- 1955-1991 --- Guibert, Hervé. --- Photographie --- Photographes --- Photography --- Miscellanea --- Biographies --- Miscellanea. --- twintigste eeuw --- fotografie --- fotografietheorie --- Frankrijk --- 77.01 --- CDL --- Photography - Miscellanea --- Ecriture --- Esthétique --- Image --- Littérature

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En 1957, le grand photographe Brassaï, l'ami d'Henry Miller, n'a jamais rendu visite à l'Amérique ! Pressé, cette année-là, par le magazine Holiday, qui lui donne carte blanche afin de photographier New York et la Louisiane, Brassaï se décide enfin. S'essayant au petit format et à la couleur, il ramènera de ce séjour de deux mois des images rendant compte de la vie urbaine intense propre aux grandes villes américaines, si différentes de son Paris de prédilection. Fidèle à la sensualité de son regard, toujours fasciné par les femmes, jouant de son humour aux accents surréalistes, Brassaï réalise un reportage totalement inédit, que ce livre et l'exposition qui l'accompagne nous font découvrir pour la toute première fois, en un vrai bonheur visuel jubilatoire.

United States --- Photography, Artistic. --- Nineteen fifty-seven, A.D. --- French photography - United States - 20th century. --- Brassaï (1899-1984) --- New York (N.Y.) --- Louisiane (États-Unis) --- Social life and customs --- Et l'Amérique --- Photographies --- Brassaï, --- Travel --- 1945-1970

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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

French literature --- Motion pictures --- History and criticism. --- France --- In literature. --- In art. --- In motion pictures. --- jean fornasiero --- sonya stephens --- the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land --- french culture --- nicole starbuck --- jane southwood --- ben mccann --- annie ernaux's phototextual archives: ecrire la vie --- french literature --- the return of trauner: late style in 1970s and 1980s french film design --- french photography --- john west-sooby --- framing the eiffel tower: from postcards to postmodernism --- colonial vision --- french voyager-artists --- aboriginal subjects and the british colony at port jackson --- an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia --- framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur --- Édouard Manet --- Paris