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Internationales Standardwerk der Filmgeschichtsschreibung. Von ausgewählten Filmen und ihren Regisseuren bis zum "Autorenfilm" berichtet der Band über alle wichtigen filmgeschichtlichen Epochen. Vorgestellt werden auch die charakteristischen Genres, Ideen, Motive, die politische Dimension des Films und die Rolle des Publikums. Eine Chronik erschließt die Daten zum deutschen Film, eine Bibliografie nennt weiterführende Literatur. Mit zahlreichen Abbildungen von über einhundert Jahren deutscher Filmgeschichte.
791.43 <43> --- 791.43 <09> --- Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Filmgeschiedenis. Filmhistorie --- History --- History and criticism --- History. --- -Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- -791.43 <09> Filmgeschiedenis. Filmhistorie --- Cinema --- Motion pictures - Germany - History --- CINEMA ALLEMAND --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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791.43 <43> --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Motion pictures --- History --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Film --- Los Angeles --- -#SBIB:309H523 --- Motion pictures --- #SBIB:309H523 --- 791.43 <43> --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Philosophy --- Social aspects --- Audiovisuele communicatie: verhaalanalyse --- Philosophy. --- Social aspects. --- Los Angeles [California]
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791.43 <43> --- 791.43 <09> --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- Filmgeschiedenis. Filmhistorie --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- 1900-2099. --- Film. --- Motion pictures --- Motion pictures. --- History --- Deutschland. --- Germany. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Film --- Germany --- 791.43 <43> --- Motion picture industry --- -#SBIB:309H1313 --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- History --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- UFA --- -History --- History. --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- #SBIB:309H1313
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The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur, Günter Grass’s Im Krebsgang, Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen, the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur, the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang.
History of civilization --- History of Germany and Austria --- anno 1900-1999 --- 830 "19" --- 791.43 <43> --- 82.04 --- Duitse literatuur--20e eeuw. Periode 1900-1999 --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Literaire thema's --- German literature --- Germans in literature. --- Germans in motion pictures. --- Motion pictures --- Suffering in literature. --- Suffering in motion pictures. --- War in literature. --- World War, 1939-1945 --- History and criticism. --- History. --- Motion pictures and the war. --- Germans in literature --- Germans in motion pictures --- Suffering in literature --- Suffering in motion pictures --- War in literature --- Germanic Literature --- Languages & Literatures --- Motion pictures and the war --- History and criticism --- History --- 82.04 Literaire thema's --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- 830 "19" Duitse literatuur--20e eeuw. Periode 1900-1999 --- World War, 1939-1945, in motion pictures --- Guerre mondiale (1939-1945) --- Littérature et guerre --- Art et guerre --- SOUFFRANCE DANS LA LITTERATURE --- FILMS DE GUERRE --- ALLEMANDS DANS LA LITTERATURE --- Allemagne --- 1945-....
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