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The Space Bedroom book, designed and edited by the artist contains a disparate array of images, from travel snapshots, a series of images following a furniture commission, and pictures from the exhibtion. The book creates a parallel space in which to view the images.
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"Roe Ethridge's practice is that of a restless maverick and his constantly evolving visual sensibility has spawned a myriad of copyists in what has become known as 'the new school of synthetic photography'. In this his latest artist book, Ethridge conflates a rich array of photographic tropes, combining personal documentary images made in western Palm Beach County, his mother's childhood home, with surreal collage works, and a series discarded from a Chanel fashion shoot. These are interwoven with what appears to be a carefully directed scene depicting a teeth-white Durango SUV sinking into and then being retrieved from a canal. The clash of visual styles, histories and meaning establish a flatline of dissonance underscored by the touchline admonition of the neon title - SACRIFICE YOUR BODY." --Publisher's description
Ethridge, Roe, --- fotografie --- eenentwintigste eeuw --- Verenigde Staten --- Ethridge Roe --- 77.071 ETHRIDGE --- Photography, Artistic --- Photographie --- Ethridge, Roe --- Ethridge, Roe, - 1969 --- -Ethridge, Roe --- -Ethridge, Roe,
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This book is at first encounter both seductive and elusive. The book itself, bound in natural cloth with a tipped-in photograph on the cover, is structured in three distinct and seemingly unrelated parts - the central one being black and white photographs of wild horses. These horses, I researched and discovered, were at one time domesticated but later abandoned on Cumberland Island off of Georgia's coast. Outtakes from a magazine shoot (from which many of Ethridge's fine art images derive), the feral animals are pictured intimately against palm trees, vinyl siding and on the beach. The photographs immediately imply a situation fraught with solitude yet occasionally reveal moments of glory. http://www.shanelavalette.com/journal/2010/02/15/review-farewell-horse-by-roe-ethridge/
Animal (thème) --- Nature morte --- Photographie --- Ethridge, Roe
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Rockaway, NY is a good example, I thought, of Impressionist photography, where the photographer selects images to reflect their impression of whatever. The problem for the viewer is that it can be very hard, sometimes, to decipher what the artist is trying to convey. I thought the fifty-five photos in the book very scattershot, they include: several portraits; two close-ups of a brick wall; assorted views of buildings in various parts of the world; Father Christmas; printed ephemera and packaging and other images totally unconnected to each other as far as I could see. Clearly all of these are intensely personal to Ethridge but for the rest of us: who knows. As well as a mixed-bag of bland photos I thought the book itself was incredibly basic. The cover is dull, there is no text inside except for the title page (repeating the cover type) and in imprint page at the back, no page numbers, captions, dates, intro or essay profiling Ethridge. The paper is average and the photos are printed in 175 screen rather than 200 to 250 that one would expect for an artistic book. All this for a very overpriced book. I have a very poor impression of Rockaway, NY. http://www.amazon.fr/Rockaway-NY-Roe-Etheridge/dp/3865214851 (1/12/10)
Photographie --- Ethridge, Roe --- fotografie --- documentaire fotografie --- Verenigde Staten --- eenentwintigste eeuw --- Rockaway --- Ethridge Roe --- 77.071 ETHRIDGE
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AMERICAN POLYCHRONIC presents the first comprehensive catalogue of Roe Ethridge’s work from 1999 to 2022, comprised of two interlocking threads of his celebrated photographic practice. Ethridge’s artistic and personal work is sequenced chronologically, interwoven with his commercial photography in chronological reverse, together forming a vibrant sequence of harmonies and dissonance, hits and B-sides. This long-form sequence moves fluidly between genres in the pursuit of a distinctive visual language — blending and playfully juxtaposing the realms of fine art, fashion imagery, and advertising with the everyday, personal, and generic. Ethridge explores how new visual experiences can be created through the reproduction and recombination of images, photographing and distorting the real as way of suggesting — or disrupting — the ideal.
Photography, Artistic --- Fashion photography --- kunst --- fotografie --- modefotografie --- mode --- stillevens --- stillevenfotografie --- reclamefotografie --- eenentwintigste eeuw --- Verenigde Staten --- Ethridge Roe --- 77.071 ETHRIDGE --- Photography, Fashion --- Advertising photography --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Ethridge, Roe, --- Ethridge, Roe
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Aitken, Doug --- Dion, Mark --- Ethridge, Roe --- Lucas, Sarah --- Orozco, Gabriel --- Parker, Erik --- Pilson, John --- Tiravanija, Rirkrit
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Le dernier livre de l’artiste américain Roe Ethridge tire son titre du Français « C’est pas du luxe », une phrase ironique qui fait allusion à la nature superflue du luxe tout en proclamant combien il est essentiel à l’existence. Ces paradoxes sont couramment tissés à travers l’œuvre d’Ethridge. Le Luxe englobe sa pratique de la dernière décennie, sans jamais glisser dans les gravitas moribonds d’une rétrospective. Plombant ses divers inventaires d’images, des images personnelles et des commandes de magazines à une archive de captures d’écran en ligne, le livre poursuit son exploration de la réalisation d’images qui désavoue le potentiel de création d’une œuvre finie. Ethridge paraphrase Eggleston quand il déclare qu’il est « en guerre avec les finis » à une époque où la photographie numérique est mise à rude épreuve vers l’idéalisation. Les conditions immaculées de la photographie sont minées dans la conception du livre et surfent sur l’aphorisme de Henri Matisse « l’exactitude n’est pas la vérité » (Matisse a intitulé deux de ses peintures Le Luxe). Composé en trois parties, Le Luxe contient une toile de fond inhabituelle, le quotidien de l’artiste, qui a travaillé de Novembre 2005 à Janvier 2010 sur une commande documentant un bâtiment dans le centre de Manhattan sur un site adjacent au World Trade Centre. Ce récit offre un équilibre difficile aux fissures entre analogique et numérique et à la sape constante d’Ethridge de ses propres certitudes.
Photography, Artistic --- 77.071 ETHRIDGE --- documentaire fotografie --- eenentwintigste eeuw --- Ethridge Roe --- fotografie --- kunst --- stadsfotografie --- Verenigde Staten --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Goldman, Sachs & Co. --- Goldman, Sachs & Co., New York --- Goldman, Sachs and Co. --- Goldman, Sachs and Company --- Goldman Sachs (Firm) --- Goldman Sachs Group --- Buildings --- Photographie --- Ethridge, Roe
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