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book (2)


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2020 (1)

2018 (1)

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Book
Living with strangers : bedsits and boarding houses in modern English life, literature and film
Authors: ---
ISBN: 9781350016521 Year: 2018 Publisher: London : Bloomsbury Academic,

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Abstract

Living with Strangers examines the history and cultural representation of bed-sitting rooms and boarding houses in England from the early twentieth century to the present. Providing a historical overview, the authors explore how these alternative domestic spaces came to provide shelter for a diverse demographic of working women and men, retired army officers, gay people, students, bohemians, writers, artists, performers, migrants and asylum seekers, as well as shady figures and criminals. Drawing on historical records, case studies, and examples from literature, art, and film, the book examines how the prevalence and significance of bedsits and boarding houses in novels, plays, detective stories, Ealing comedies, and contemporary fiction and film produced its own genre of narrative. The nine chapters are written by an international range of established and emerging scholars in the fields of literary studies, art and film history, political theory, queer studies and cultural studies. A lively, highly original study, Living with Strangers makes a significant contribution to the cross-disciplinary field of home studies and provides insight into a crucial aspect of British cultural history. It is essential reading for students and researchers in anthropology, history, literary studies, sociology, gender and sexuality studies, film studies and cultural studies.


Book
Film and domestic space : architectures, representations, dispositif
Authors: ---
ISBN: 9781474428927 1474428924 9781474428934 1474428940 Year: 2020 Publisher: Edinburgh : Edinburgh University Press,

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Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis and Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif.

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