Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Situating the history of genealogy in the ambit of manuscript studies, this volume explores how handwriting practices influenced the development of genealogies. It shows how lineages used handwritten documents in constructing and presenting their identity both to the outside world and to themselves. Genealogical handwriting is practiced in many manuscript cultures; this volume is the first to juxtapose studies from a wide variety of such cultures, ranging from East Asia, to West and Central Asia, to Europe. As the present contributions discuss in depth, tracing one’s lineage usually required taking note of personal histories, biographies and relationships; the chapters explore the many different reasons that compelled both individuals and institutions to do just this, and highlight the various contexts in which genealogy-writing occurred. Taking a material-oriented approach to handwriting practices in the study of genealogies can reveal the challenges implicated in producing such written artefacts, highlighting the enormous effort required in cultivating lineage-related knowledge. Seen from the view of manuscript studies, genealogies emerge as invaluable, yet also highly fragile forms of cultural capital.

LITERARY CRITICISM / General. --- East Asia. --- diagramm. --- family history. --- family-tree. --- generations.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Romane sind im Schreibakt oftmals schwer überschaubare Gebilde. Ästhetische Romanentwürfe (Skizzen, Diagramme, Schemata etc.) dienen den Entwerfenden als visuelle Hilfsmittel und geschützte Spielräume, um komplexe narrative Gefüge auf einen Blick sichtbar und handhabbar zu machen. Kevin Kuhn wirft erstmalig ein breites Schlaglicht auf ästhetische Romanentwürfe als entscheidende Gegenstände des Schreibens. Grundlegend fragt die Studie nach ihren Funktionen und wie sie von Seiten einer gegenstandsorientierten Literaturwissenschaft methodisch beschrieben werden können. Hierbei öffnet sich der Blick auf die Materialität, Schriftbildlichkeit und Handhabung dieser Gegenstände und gibt faszinierende Einblicke in Kreativ- und Wissensbildungsprozesse. Anhand von Heinrich Böll und Sylvia Plath wird beleuchtet, wie derartige Entwürfe im Grenzbereich von Bild und Schrift den dynamischen Aufbau einer Romanbühne und das Aufeinanderstoßen der Figuren ermöglichen.

Schreibprozessforschung --- Schreibforschung --- Produktionsprozesse --- Schriftkörperlichkeit --- Schriftbildlichkeit --- Diagramm --- Schreibwerkstatt --- Schreibspuren --- Kreativität --- Sylvia Plath --- Heinrich Böll --- Novel outline --- writing process --- aesthetics --- diagram --- novel draft

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

After its golden age in the last decades of the 20th century, diagramming is still an experimental practice today, but it focuses on the synthesis of complexity and on new disciplinary territories on the edge between humanities, art, architecture, urban planning and landscape. This manual presents experimental diagrams through sensing, analysing and transforming space. The contributions critically delineate diagrammatic behaviours in architectural history, present the design practices of offices such as AZPML and MVRDV, take the medium to its extreme consequences, and outline future trajectories.

Architecture --- Dessin d'architecture --- 72.02 --- 69(035) --- Visuele communicatie --- Architectuur; presentatietechnieken --- Architectuur ; techniek, werkmethoden, behoud --- Bouwwezen. Constructie ; handboeken --- (Produktform)Hardback --- Architektur --- Architekturzeichnung --- Diagramm --- (VLB-WN)1584: Hardcover, Softcover / Kunst/Architektur --- Bauentwurf --- Architekturtheorie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical paintings, the diagrammatic mode was one of a number of pictorial modes available to artists, patrons, and planners, with a unique ability to present complex content to viewers. While monumental diagrams may have sparked some of the experiences usually associated with diagrams in manuscripts, acting as machines for thought, scaffolds for memory, or tools for the visualization of complex concepts, their reception was also shaped by their presence in public spaces, their scale and aura as richly decorated works of monumental visual art, and their insertion into larger pictorial programs. Closely examining the visual and communicative strategies of these paintings expands the horizon of trecento art history beyond narrative and devotional painting, and shifts our understanding of all of the arts of the trecento, calling attention to issues of scale, visual rhetoric, pictorial ingenuity, and reception.

Diagramm --- Freskomalerei. --- Buchmalerei. --- Temperamalerei. --- Renaissance --- Peinture --- Enluminure --- Peinture et décoration murales --- Peinture d'icônes --- Geschichte 1300-1400 --- Italien. --- Italie --- Renaissance painting --- Late Middle Ages (c. 1300-1500) --- Italian Peninsula (c. 500-1500)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The eight comprehensive chapters in Data Flow 2 expand the definition of contemporary information graphics. Wide-ranging examples introduce new techniques and forms of expression. In addition to the inspiring visuals, interviews with the New York Times's Steve Duenes, Infosthetic's Andrew Vande Moere, Visualcomplexity's Manuel Lima, Art+Com's Joachim Sauter, and passionate cartographer Menno-Jan Kraak as well as text features by Johannes Schardt provide insight into the challenges of creating effective work."--Cover.

scientific illustrations [images] --- grafische communicatie --- Advertising. Public relations --- reclamevormgeving --- Graphic arts --- visualisatie (informatica) --- visualization [computer] --- wetenschappelijke illustraties --- grafische vormgeving --- graphic design --- advertising --- Design. --- Diagramm. --- Gebrauchsgraphik. --- Visual communication. --- Communication in design. --- Information visualization. --- Arts graphiques --- Communication visuelle --- Communication en design --- Visualisation de l'information --- History --- Histoire --- 766.022 --- diagrammen --- eenentwintigste eeuw --- grafieken --- grafisch design --- informatie --- informatiedesign --- 766 --- grafisch ontwerpen --- 007 --- 655 --- 31 --- 766:659.2 --- Architecturale communicatiemethoden ; portfolio's ; diagrammen --- toegepaste grafische kunsten --- Visuele communicatie --- Grafische vormgeving --- Toegepaste grafische kunst --- Grafische industrie --- Gebruiksgrafiek --- Statistieken --- Statistiek --- Gebruiksgrafiek ; voorlichting ; adviezen --- Communication in design --- Information visualization --- Visual communication --- 754.46 --- signalisatie (bewegwijzering) --- tabellen --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Data visualization --- Visualization of information --- Information science --- Visual analytics --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Design --- grafische vormgeving, volgens thema, info/bewegwijzering --- Information systems --- departement Beeldende Kunst 09 --- diagram --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics --- communication design