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Andrea, d' --- Dean Max --- Dean Raffaelo --- Mueck, Ron --- Odermatt, Arnold --- Sandison, Charles --- Sierra, Santiago --- Tan, Fiona
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Condon, Wanda --- Achtemichuk, Robert --- McMillan, David --- Dean, Max --- Umholtz, David --- Lebredt, Gordon
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Bentham, Doug --- Bigger, Michael --- Cohlmeyer, Stephen --- Dean, Max --- Dufour, Gary --- Evans, Dennis --- Gallie, Tommie --- Hays, Terry --- Gomez, Ric --- Higgins, Steve --- May, Walter --- Nugent, John --- Proch, Don --- Reynolds, Alan --- Truelove, Michael
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Baden, Mowry ; Baxter, Iain ; Boogaerts, Pierre ; Brener, Roland ; Cruise, Stephen ; Dean, Max ; Fafard, Joe ; General Idea ; Goodwin, Betty ; Kennedy, Garry Neill ; McEwen, John ; Mongrain, Claude ; Poulin, Roland ; Proch, Don ; Racine, Rober ; Thauberger, David ; Wall, Jeff ; Westerlund, Mia ; Wyse, Alex
History --- Painting --- photography [process] --- Photography --- Art --- art history --- installations [visual works] --- Iconography --- painting [image-making] --- assemblages [sculpture] --- scripts [writing] --- Racine, Rober --- Cruise, Stephen --- Proch, Don --- Boogaerts, Pierre --- Mongrain, Claude --- Poulin, Roland --- Baxter, Ian --- Fafard, Joe --- McEwen, John --- Kennedy, Garry Neill --- Thauberger, David --- Goodwin, Betty --- Dean, Max --- Baden, Mowry --- Brener, Roland --- Thing C°. LTD., N.E. --- Wall, Jeff --- Wyse, Alex --- Westerlund Roosen, Mia --- General Idea --- anno 1900-1999 --- anno 1980-1989 --- Canada --- Baxter, Iain --- Roosen, Mia Westerlund
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“Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology : algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
machines [general equipment] --- algorithmic art --- sculpture [visual works] --- installations [visual works] --- robots --- art [fine art] --- ecology --- body arts [discipline] --- Art --- Art and technology. --- Art, Modern --- Themes, motives --- Themes, motives. --- 1900-1999. --- Machine (thème) --- Image --- Technique --- Dadaïsme --- Installation-art --- Cybernétique --- Art vidéo --- Moholy-Nagy, László, --- Albers, Josef --- Tatline, Vladimir Evgrafovitch --- Rokeby, David --- Munari, Bruno --- Duchamp, Marcel --- Tinguely, Jean --- Schöffer, Nicolas, --- Dean, Max --- Farocki, Harun --- Mikami, Seiko --- Campbell, Jim --- Weiser, Herwig --- Moholy-Nagy, László, 1895-1946 --- Schöffer, Nicolas, 1912-1992 --- art [discipline]
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Barber, Bruce ; Buchloh, Benjamin H.D. ; Celant, Germano ; Charles, Daniel ; Cornwell, Regina ; Crimp, Douglas ; De Duve, Thierry ; Durand, Régis ; Finter, Helga ; Gale, Peggy ; Lyotard, Jean-François ; Monk, Philip ; Owens, Craig ; Payant, René ; Pelzer, Birgit ; Pontbriand, Chantal ; etc.
Theatrical science --- Performance-art --- Installation-art --- Happening --- Artiste --- Performance art --- Postmodernism --- Congresses --- Sherman, Tom --- Rainer, Yvonne --- La Barbara, Joan --- Haimsohn, Jana --- Graham, Dan --- Foreman, Richard --- Dean, Max --- Chaimowicz, Marc C. --- Campbell, Colin --- Buren, Daniel --- Brisley, Stuart --- Asher, Michael --- Anderson, Laurie --- 20e siècle --- -Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Happenings (Art) --- Performing arts --- Congresses. --- -Congresses. --- Performance --- 705.8 --- 700.6 --- performance --- postmodernisme --- kunst --- beeldende kunst --- installaties --- film --- fotografie --- Wilson, Robert --- kunstgeschiedenis --- 20e eeuw (twintigste eeuw) --- kunstgeschiedenis, 20e eeuw --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Performance art - Congresses --- Postmodernism - Congresses
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Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Memory in art. --- Photography, Artistic. --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- fotografie --- kunst --- fotografietheorie --- eenentwintigste eeuw --- Canada --- herinnering --- Denniston Stan --- Buchanan Hamish --- Bubas Karin --- Cumming Donigan --- Cadieux Geneviève --- Pelkey Brenda --- Snow Michael --- Mackenzie Robin --- Holownia Thaddeus --- Wall Jeff --- Jin-me Yoon --- Condé Carole --- Beveridge Karl --- Houle Robert --- Beam Carl --- Maggs Arnaud --- Evergon --- Penner Bancroft Marian --- Dean Max --- Semchuck Sandra --- April Raymonde --- Robideau Henri --- Clark June --- Carrière Bertrand --- Lambeth Michael --- Baillargeon Richard --- Steeves George --- Thorneycroft Diana --- Lamothe Michel --- Staats Greg --- MacKenzie Robin --- Readman Sylvie --- Yoon Jin-me --- 77.01 --- Mémoire dans l'art. --- Photographie artistique. --- Photographie
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Art --- assemblages [sculpture] --- installations [visual works] --- art [discipline] --- video art --- Goulet, Michel --- Carr-Harris, Ian --- Snow, Michael --- Wieland, Joyce --- Scott, John --- Alexander, Shelagh --- Alloucherie, Jocelyne --- Arden, Roy --- Belmore, Rebecca --- Bond, Eleanor --- Brown, Tony --- Cameron, Eric --- Campbell, Kati --- Charney, Melvin --- Collyer, Robin --- Dean, Max --- Fleming, Martha --- Fones, Robert --- Frenkel, Vera --- Geleynse, Wyn --- Gorlitz, Will --- Gurney, Janice --- Hassan, Jamelie --- Jolicoeur, Nicole --- Lukacs, Attila Richard --- Magor, Liz --- Mars, Tanya --- Meigs, Sandra --- Miller, Bernie --- Morgan, Joey --- Paiement, Alain --- Peacock, Jan --- Pellegrinuzzi, Roberto --- Poitras, Edward --- Proch, Don --- Racine, Rober --- Scott, Mary --- Steinman, Barbara --- Tod, Joanne --- Halm, van, Renée --- Wainio, Carol --- Whiten, Colette --- Wiens, Robert --- Wall, Jeff --- Douglas, Stan --- Cadieux, Geneviève --- Adams, Kim --- Goodwin, Betty --- Sterbak, Jana --- Wiitasalo, Shirley --- Ken Lum --- General Idea --- anno 1980-1989 --- Canada
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Official catalogue for the exhibition entitled PROSPECT 96 : Photography in Contemporary Art, at the Frankfuter Kunstverein and the Schirn Kunsthalle Frankfurt.
conc. Peter Weiermair ; ed. Nina Koidl --- fotografie --- kunst --- fotografie en kunst --- Ajamu --- Agut Pep --- Appelt Dieter --- Araki Nobuyoshi --- Auerbach Dominique --- Aziz + Cucher --- Aziz Anthony --- Cucher Sammy --- Baldessari John --- Baltz Lewis --- Bamgboyé Oladélé Ajiboyé --- Ajiboyé Oladélé Bamgboyé --- Brooks Ellen --- Bucklow Christopher --- Cibulka Heinz --- Collins Hannah --- Cooper Thomas Joshua --- Coplans John --- Cosci Gianluca --- Crewdson Gregory --- Danuser Hans --- Davis Lynn --- Dean Max --- Demand Thomas --- Denniston Stan --- Dijkstra Rineke --- Dugdale John Patrick --- Einsele Lukas --- Eisemann Jane --- Eliasson Olafur --- Ess Barbara --- Fleischer Alain --- François Michel --- Fuss Adam --- Garnell Jean-Louis --- Gilbert & George --- Gomi Akira --- Graham Paul --- Grauerholz Angela --- Gursky Andreas --- Hammerstiel Robert F. --- Herrmann Matthias --- Hilliard John --- Ishiuchi Miyako --- Jacobson Bill --- James Geoffrey --- Jouve Valérie --- Kandl Leo --- Konrad Aglaia --- Levinthal David --- Liberman Tatyana --- Ligon Glenn --- Liu Anping --- Lockhart Sharon --- Mandelbaum Ann --- McDermott & McGough --- McDermott David --- McGough Peter --- Moffatt Tracey --- Morimura Yasumasa --- Newton Roger --- Niedermayr Walter --- Padgett Laura --- Priola J. John --- Rambow Inge --- Renno Rosangela --- Rio Branco Miguel --- Samuels Chuck --- Schuster Michael --- Selichar Günther --- Sherman Cindy --- Silvis John H. --- Strba Annelies --- Streuli Beat --- Struth Thomas --- Sugimoto Hiroshi --- Taylor-Wood Sam --- Tesi Alessandra --- Thormann Otmar --- Tillmans Wolfgang --- Vallhonrat Valentin --- Wall Jeff --- Wang You Shen --- Webb Boyd --- Welling James --- Yanagi Miwa --- Zahalka Anne --- Zhao Shaoruo --- 77.038 --- Photography, Artistic --- Art and photography. --- Photography --- History --- Hammerstiel Robert F --- Silvis John H --- Exhibitions
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Art --- audiovisual materials --- video recordings [physical artifacts] --- multimedia works --- community art --- computer art [visual works] --- new media art --- kunst en technologie --- Davies, Char --- Horn, Rebecca --- Paterson, Nancy --- Ascott, Roy --- Boyle, Mark --- Oppenheim, Dennis --- Paik, Nam June --- Gabo, Naum --- Hiller, Susan --- Flanagan, Mary --- Takis --- Adrian X --- Allen, Rebecca --- Back, Douglas --- Batchen, Geoffrey --- Béar, Liza --- Benayoun, Maurice --- Haacke, Hans --- Bookchin, Natalie --- Braey, Shawn --- Bunting, Heath --- Burnham, Jack --- Chu-Yin Chen --- Claus, Jürgen --- Munari, Bruno --- Fontana, Lucio --- Couchot, Edmond --- Courchesne, Luc --- Cox, Donna --- Crandall, Jordan --- Csuri, Charles --- Agostino, d', Peter --- Davis, Douglas --- Dean, Max --- Deck, Andy --- Demarins, Paul --- Dietz, Steve --- Dove, Toni --- Dunning, Alan --- Dupuy, Jean --- Edmondson, Bill --- Fleischmann, Monika --- Franke, Herbert W. --- Fujihata, Masaki --- Gabriel, Ulrike --- Gees, Johannes --- Gillette, Frank --- Granular=Synthesis --- Grey, Michael Joaquin --- Hansen, Mark --- Harmon, Leon D. --- Harris, Jonathan --- Hills, Joan --- Ikeda, Ryoji --- Lucier, Mary --- Miller, Paul D. --- Woodrow, Paul --- Cage, John --- Artaud, Antonin --- Brecht, Bertolt --- Merz, Mario --- Viola, Bill --- Rauschenberg, Robert --- Pevsner, Antoine --- Piene, Otto --- Sonnier, Keith --- Schöffer, Nicolas --- Cohen, Harold --- Graham, Dan --- Holzer, Jenny --- Eliasson, Olafur --- Turrell, James --- Flavin, Dan --- Mori, Mariko --- Mullican, Matt --- Nauman, Bruce --- Huyghe, Pierre --- Burden, Chris --- Burson, Nancy --- Campbell, Jim --- Levine, Les --- Oursler, Tony --- Gordon, Douglas --- Vostell, Wolf --- Weibel, Peter --- Stelarc --- Anderson, Laurie --- Campus, Peter --- ART+COM --- c a l c --- Groupe de recherche d'art visuel [Paris] --- Architecture Machine Group --- Arterial Group --- Asociacion Arte Concreto Invención --- Barbie Liberation Organization --- Blast Theory [Brighton] --- Chaos Computer Club --- Critical Art Ensemble --- Diller Scofidio + Renfro [New York, N.Y.] --- Dumb Type [Kyoto] --- EAT --- Chen, Chu-Yin
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