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Mediating Misogyny is a collection of original academic essays that foregrounds the intersection of gender, technology, and media. Framed and informed by feminist theory, the book offers empirical research and nuanced theoretical analysis about the gender-based harassment women experience both online and offline. The contributors of this volume provide information on the ways feminist activists are using digital tools to combat harassment, raise awareness, and organize for social and political change across the globe. Lastly, the book provides practical resources and tips to help students, educators, institutions, and researchers stop online harassment.
Misogyny. --- Misogynie. --- Harassment. --- Harcèlement. --- Misogyny --- Communication. --- Culture. --- Gender. --- Journalism. --- Digital media. --- Women. --- Media and Communication. --- Culture and Gender. --- Digital/New Media. --- Women's Studies. --- Harcèlement.
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“This volume is an exuberant account of the ways in which female agencies and subjectivities in visual culture have expanded and multiplied through digital technology and globalization. It is an invaluable contribution to contemporary discussions in film and television studies, as well as feminist theory and practice.” -Süheyla Schroeder, Berlin International University of Applied Sciences, Germany This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television. Diğdem Sezen is a lecturer at Teesside University, School of Computing, Engineering and Digital Technologies, Department of Communications, Media and Arts, UK. She holds a Ph.D. from Istanbul University, Turkey. Feride Çiçekoğlu holds a Ph.D. in architecture from University of Pennsylvania, USA. Her stint in prison during the military junta of 1980 in Turkey was the inspiration for her first novella, which she later adapted to screen and used as a springboard to build a second academic career in film. Aslı Tunç is a professor of media studies and communication in the Department of Media at Istanbul Bilgi University, Turkey. She holds a Ph.D. in media and communications from Temple University, USA. Ebru Thwaites Diken is an assistant professor in the Department of Film and Television at İstanbul Bilgi University, Turkey. She holds a a PhD in Sociology from Lancaster University, UK.
Motion pictures. --- Culture. --- Gender. --- Motion pictures --- Global Cinema and TV. --- Culture and Gender. --- Film and TV Production. --- Production and direction. --- Feminism and motion pictures. --- Motion pictures and feminism
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This definitive handbook is the first reference of its kind bringing together knowledge, scholarship, and debates on themes and issues concerning African women everywhere. It reviews and evaluates African women’s historical, cultural, social, political, economic, religious, private, local, and global lives and activities. Contributors offer a consistent emphasis on debunking erroneous and misleading myths about African women's roles and positions, bringing their previously marginalized stories to relief, and ultimately re-writing their histories. This reference work includes, to the greatest extent possible, the voices of African women themselves as writers of their own stories. The detailed, rigorous and up-to-date analyses in the work represent a variety of theoretical, methodological, and transdisciplinary approaches. This reference work will prove vital in charting new directions for the study of African women, and will reverberate in future studies, generating new debates and engendering further interest.
Women. --- Africa—History. --- Ethnology—Africa. --- Africa—Politics and government. --- Culture. --- Gender. --- Identity politics. --- Women's Studies. --- African History. --- African Culture. --- African Politics. --- Culture and Gender. --- Politics and Gender.
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While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces—such as cars, homes, and city streets—that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
Motion pictures. --- Culture. --- Gender. --- Film Theory. --- Culture and Gender. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Social aspects --- History and criticism --- Film Theory --- Culture and Gender --- Gender and Culture --- Gender --- Affect and Form --- Space --- Affirmative Ethics --- Wilfulness --- Contemporary Cinema --- Open Access --- Film history, theory & criticism --- Cultural studies
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Caring in Times of Precarity draws together two key cultural observations: the increase in those living a single life, and the growing attraction of creative careers. Straddling this historical juncture, the book focuses on one particular group of ‘precariat’: single women in Shanghai in various forms of creative (self-)employment. While negotiating their share of the uncanny creative work ethos, these women also find themselves interpellated as shengnü (‘left-over women’) in a society configured by a mix of Confucian values, heterosexual ideals, and global images of womanhood. Following these women’s professional, social and intimate lives, the book refuses to see their singlehood and creative labour as problematic, and them as victims. It departs from dominant thinking on precarity, which foregrounds and critiques the contemporary need to be flexible, mobile, and spontaneous to the extent of (self-)exploitation, accepting insecurity. The book seeks to understand– empirically and specifically–women’s everyday struggles and pleasures. It highlights the up-close, everyday embodied, affective, and subjective experience in a particular Chinese city, with broader, global resonances well beyond China. Exploring the limits of the politics of precarity, the book proposes an ethics of care.
Culture. --- Gender. --- Ethnology-Asia. --- Industrial sociology. --- Culture and Gender. --- Asian Culture. --- Sociology of Work. --- Sociology of Culture. --- Sociology --- Industrial organization --- Industries --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Ethnology—Asia.
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This book focuses on a representative group of contemporary Chinese female celebrities including actors, directors, writers and reporters, notably personalities such as Liu Xiaoqing, Hong Huang, Chai Jing and the most sought after young generation actors, Yang Mi and Guan Xiaotong. It analyses the on- and off- screen roles of these famous Chinese women, and the cultural, gender and social impact and significance embedded in them, whilst highlighting controversial social and cultural concerns and debates in contemporary China. The book furthers the understanding of the role played by contemporary female celebrities who are considered as social, cultural and feminist icons in present-day China, as reflected in their work, careers and private lives, and whose experiences help to understand Chinese women’s attitudes towards key issues such as career trajectories, marriage and family, gender identity, social changes, civil debates and political transformations, all of which are at the center of societal transformation in China. .
Women --- Women. --- Motion pictures-Asia. --- Culture. --- Gender. --- Women's Studies. --- Asian Cinema and TV. --- Culture and Gender. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Social aspects
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In the course of the twentieth century, Italy succeeded in establishing itself as one of the world's preeminent fashion capitals, despite the centuries-old predominance of Paris and London. This book traces the story of how this came to be, guiding readers through the major cultural and economic revolutions of twentieth-century Italy and how they shaped the consumption practices and material lives of everyday Italians. In order to understand the specific character of the “Italian model,” Emanuela Scarpellini considers not only aspects of craftsmanship, industrial production and the evolution of styles, but also the economic and cultural changes that have radically transformed Italy and the international scene within a few decades: the post-war economic miracle, the youth revolution, the consumerism of the 1980s, globalization, the environmentalism of the 2000s and the Italy of today. Written in a lively style, full of references to cinema, literature, art and the world of media, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history.
Italy-History. --- Civilization-History. --- Culture. --- Gender. --- Economic history. --- History of Italy. --- Cultural History. --- Culture and Gender. --- Economic History. --- Economic conditions --- History, Economic --- Economics --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Italy—History. --- Civilization—History.
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'This short and accessible study will appeal to all students of Victorian literature seeking to integrate the literary theory of ‘performativity’ within their close reading practice.' — Elisabeth Jay, Emerita Professor of English at Oxford Brookes University, UK.
Literature, Modern-19th century. --- Sociology. --- Culture. --- Gender. --- Literature-Philosophy. --- Nineteenth-Century Literature. --- Gender Studies. --- Culture and Gender. --- Literary Theory. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social theory --- Social sciences --- Social aspects --- Literature, Modern—19th century. --- Literature—Philosophy.
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This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history. .
Culture—Study and teaching. --- Fine arts. --- Culture. --- Gender. --- Crime—Sociological aspects. --- Popular Science in Cultural and Media Studies. --- Fine Arts. --- Culture and Gender. --- Crime and Society. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects
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"In this compelling account of the aftermath of the #GamerGate controversies the authors trace how misogynistic discourses and feelings were expressed and contested. The book tells an important story of how gendered harassment and hate speech against women can be both intensified and challenged via these kinds of online engagements." -Deborah Lupton, University of New South Wales, Australia "Recognising the genuine desire to see positive social change within the industry and the wider gaming community, alongside the limitations to progress so far, this important book should inform thinking on how gender inequality is further eroded moving forward." -Mark McCormack, University of Roehampton, UK "A timely and much needed text: well written, and theoretically and empirically informed. This is an important source for any scholar or student interested in gamers, game communities, and how these are changing." -Garry Crawford, University of Salford, UK This book examines gender attitudes in Reddit's popular video gaming community subreddit, r/gaming. Video gaming has long been understood as a masculinised social space and, while increasing numbers of girls and women now engage in the pastime, boys and men remain the predominant social actors. Furthermore, the gaming community has been widely identified as a prime case study in broader concerns around 'toxic' masculinity and gendered online harassment. However, there is also underexamined evidence of a growing movement in the community coming forward to voice its collective opposition. Utilising an innovative combination of computational and qualitative methods, the research undertaken here exposes this fuller picture, revealing significant contestation and a spectrum of attitudes that mark out this popular gaming community as a battleground for gender (in)equality. Students and scholars across a range of disciplines, including gender studies, media studies, cultural studies, sociology,games studies and computer sciences, will find this book of interest. Marcus Maloney is Lecturer in Sociology, Coventry University, UK. Steven Roberts is Associate Professor in Sociology, Monash University, Australia. Timothy Graham is Senior Lecturer in Sociology and Communication, Queensland University of Technology, Australia.
Video games --- Masculinity. --- Sex role. --- Social aspects. --- Culture. --- Gender. --- Sociology. --- Culture and Gender. --- Gender Studies. --- Sociology, general. --- Social theory --- Social sciences --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Sex.
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