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Andres Bello, el poema del Cid y la literatura medieval
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ISBN: 9802140163 Year: 1986 Publisher: Caracas La Casa de Bello

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En torno al poema del Cid
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Year: 1963 Publisher: Barcelona : E.D.H.A.S.A.,

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Tiempo y formas temporales en el "Poema del Cid"
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Year: 1961 Publisher: Madrid : Gredos,

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"Mio Cid" studies
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ISBN: 0729300234 Year: 1977 Publisher: London

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El "Poema del Cid" en España, 1779-1936 : recepción, mediación, historia de la fililogia
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ISBN: 8431318872 Year: 2001 Volume: *1 Publisher: Pamplona EUNSA

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El Cid en la historia y sus inventores
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ISBN: 8489934061 Year: 2002 Publisher: Madrid : Fundación Ramón Menéndez Pidal,

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Cantar de mío Cid = Chanson de mon Cid
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ISBN: 9064393036 9064393044 9789064393044 9789064393037 Year: 1982 Volume: 6-7 Publisher: Gand: Story-Scientia,

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Die erzählenden Vergangenheitstempora im Altfranzösischen ('Chanson de Roland') und im Altspanischen ('Poema de mio Cid') : ein Vergleich
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ISBN: 3260038345 Year: 1974 Publisher: Zürich : Juris,

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Medieval Spanish epic : mythic roots and ritual language
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ISBN: 0271017384 Year: 1998 Publisher: University Park (Pa.) : Pennsylvania state university press,

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Structures from the Trivium in the Cantar de Mio Cid
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ISBN: 0802059473 1282039857 9786612039850 1442680245 9781442680241 9780802059475 9781282039858 Year: 1991 Volume: vol 66 Publisher: Toronto Buffalo London University of Toronto Press

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The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period.Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries.Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism,' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar.This volume sheds new light on a central work in Spanish literature and on medieval poetry in general.

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