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"Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including black and white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era"-- "Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black and white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era"--

African American women artists. --- Harlem Renaissance. --- Harlem (New York, N.Y.) --- New York (N.Y.) --- Intellectual life

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"In this book, Marina Magloire draws on the collected archives of distinguished 20th century Black woman artists and writers such as Lucille Clifton, Katherine Dunham, Audre Lorde, Toni Cade Bambara, Lorraine Hansberry, Nina Simone, and Zora Neale Hurston to trace a new history of Black feminist thought in relation to Afro-diaspora religion. She offers an alternative genealogy of Black feminism beginning in the 1930s with the path breaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women"--

African American feminists --- African American women artists --- African American women authors --- Feminist spirituality --- History and criticism. --- History --- United States.

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Over the past two decades, Mickalene Thomas's critically acclaimed and extensive body of work has spanned painting, collage, photography, video, and the immersive installations that have become her signature. With influences ranging from nineteenth-century painting to popular culture, Thomas's art articulates a complex and empowering vision of aspiration and self-image through gender and race while expanding on and subverting common definitions of beauty, sexuality, and celebrity. This book, made in close collaboration with Thomas, is the first to survey the breadth of her extraordinary career. Publication coincides with the opening of Mickalene Thomas's first global exhibition, Beyond the Pleasure Principle, at Levy Gorvy galleries in New York, London, Paris, Hong Kong, and Galerie Nathalie Obadia, Paris

Sequin craft --- Installations (Art) --- African American women artists --- Painting, American --- African American artists --- Installations (art) --- Femmes artistes noires américaines --- Peinture --- Artistes noirs américains --- In art --- Thomas, Mickalene, --- Criticism and interpretation. --- Critique et interprétation.

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"Carrie Mae Weems is celebrated for her exploration of identity, power, desire and social justice through work that challenges representations of race, gender, and class. The largest presentation of the artist's multi-disciplinary work in the UK to date, this exhibition brings together photographs, films and installations spanning over three decades. Weems came to prominence in the early 1980s through photographic work that questioned how the representation of the Black subject, particularly within the US, has historically reproduced systemic racism and inequality. The exhibition captures the performative and cinematic nature of her practice, from the iconic Kitchen Table Series (1990) to the epic film installation The Shape of Things (2021) focusing on the history of violence in the United States" -- "POWER, DESIRE, SOCIAL JUSTICE, REPRESENTATION, BEAUTY, AND COMPASSION Widely considered to be one of the most influential American living artists, Carrie Mae Weems has developed a practice celebrated for her exploration of cultural identity, power dynamics, desire, intimacy and social justice through a body of work that challenges the prevailing representations of race, gender, and class. Defined by the use of photography, installation, film, performance and textile, her remarkably diverse and radical practice questions dominant ideologies and historical narratives created and disseminated within science, architecture, and mass media. Published in the context of her solo exhibitions at Barbican Art Gallery London and Kunstmuseum Basel, this book brings together a selection of Weems' own writings, lectures, and conversations for the first time, providing personal insights into themes such as the consequences of power, artistic appropriation, music as inspiration, history-making, and the normative role of architecture"--

Art --- histories [literary works] --- science [modern discipline] --- racial discrimination --- mass media --- video art --- performance art --- fiber art --- political art --- architecture [object genre] --- photography [discipline] --- gender --- narrative art --- Weems, Carrie Mae --- African American women artists --- African American women photographers --- African American women authors --- Photography, Artistic --- African Americans in art --- Power (Social sciences) in art --- Weems, Carrie Mae,

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"This is the first extensive monograph on the work of British artist and Turner Prize winner, Lubaina Himid. Including the artist's own writing from the 1990s to the present day, alongside archival images, and documentation from recent exhibitions and projects." One of the pioneers of the British Black Arts Movement, Lubaina Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, whom she felt were under-represented in the contemporary art scene. Himid's work challenges the stereotypical depictions of black figures in art history, foregrounding the contribution of the African diaspora to Western culture. 'Invisible Strategies' brings together a wide range of Himid's paintings from the 1980s to the present day, as well as sculptures, ceramics, and works on paper. The exhibition opens with Himid's monumental Freedom and Change, 1984, which appropriates and transforms the female figures from Picasso's 'Two Women Running on the Beach' ('The Race'), 1922, into black women, powerfully and humorously subverting one of the most canonical paintings in Western art history.

Art --- painting [image-making] --- #breakthecanon --- Himid, Lubaina --- Art, Black --- Women artists, Black --- Women, Black, in art --- Black people in art --- Racism in art --- African American women artists --- 75.071 --- kunst --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- installaties --- keramiek --- zwarte identiteit --- kolonialisme --- postkolonialisme --- 7.071 --- Groot-Brittannië --- Tanzania --- Black Art Group --- Turner Prize --- Afro-American women artists --- Women artists, African American --- Women artists --- Black women artists --- Black art --- Negro art --- Himid, Lubaina,