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"German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike."--Bloomsbury Publishing.
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Oberfläche’ ist in der Ästhetik der Moderne mehrdeutig und ambivalent codiert. Die Untersuchung verfolgt die theoriegeschichtliche Karriere des umstrittenen Begriffs zwischen Archi-tektur und Literatur in der Goethezeit und im Historismus. Durch den Materialisierungsschub im industriellen Zeitalter werden Oberflä-chen zunächst in den technischen Künsten zum theoretischen Traktan-dum. Die Lösungen, die namentlich die Architekturtheorie für das Problem ‚Oberfläche’ findet, inspirieren dann auch die Theorie der schönen Künste. Die Studie untersucht diese komplexen Austauschprozesse zwischen Literatur und Architektur in exemplarischen Detailanalysen am Werk von K. F. Schinkel, Goethe, G. Semper und F. Th. Vischer.
Facades. --- Architecture --- Aesthetics, German --- Aesthetics, German --- Philosophy.
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Diotima's Children is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late seventeenth and eighteenth century. It is partly an historical survey of the central figures and themes of this tradition But it is also a philosophical defense of some of its leading ideas, viz., that beauty plays an integral role in life, that aesthetic pleasure is the perception of perfection, that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.
Aesthetics, German --- Rationalism. --- Aesthetics, German. --- 1600-1799. --- Rationalism --- Aesthetics, German - 17th century --- Aesthetics, German - 18th century
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Aesthetics, German --- Arts --- Philosophy
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Aesthetics, German --- Art --- Philosophy
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This study explores Heinrich Böll's 'aesthetic thinking', as it is expressed in the author's disparate and voluminous writings on literature. Böll's work in this field is situated in the multi-faceted context of social, political, and cultural developments in post-war Germany, and is shown to be an important adjunct to the novels and stories which were honoured with the Nobel Prize for Literature. An understanding of Heinrich Böll's 'aesthetic thinking' can illuminate the writer's fiction in an intriguing way. In particular, Böll's defence of the 'rationality of poetry' raises issues which reverberate in continuing debates on the social validity of literature.
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