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Keep/Delete encourages you to generate new keepsakes like this one, turning digital messages that are on the verge of being forgotten, deleted, outdated or even lost into something tangible; an artifact. Grab your old mobile phone and scroll through your current messages. Typically tied to specific people or particular moments in our lives, some messages want to be kept. Perhaps the last message from a friend who passed away, the first message from a grandparent still trying to figure out how to use predictive text, a cryptic love note or simply a well-timed message that was so appreciated at the time; these are the messages of Keep/Delete. As designers we have the ability to turn these sentences into visual substance; typographic structure that can exist as both digital and tangible form. As physical objects, these fragments of communication become personal artifact. In 2012, the project was gathered together in book form, highlighting the transformation of digital text-message into physical artefact. Designers submitted artifacts of a messages that were ‘wanting to be kept’, either from their own personal repository of messages or from their circle of friends and family. Along with these artifacts (across various types of media: eg. prints on paper, fabric, hand-lettered typography…) the book includes essays by designers that look critically at the ability for the graphic medium to archive the personal. -

MAD-faculty 13 --- grafisch design --- 705.9 --- typografie --- Wilkinson, Andrea --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw

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kunstfilosofie --- wetenschap --- psychologie --- Social psychology --- Art and science. --- Mathematics in art. --- Mathematics --- 705.9 --- conceptuele kunst --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Art and science --- Mathematics in art --- Math --- Science --- Science and art

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"In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers-including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others-hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration."

Emigration and immigration in art --- Art, Modern --- Art and society --- 705.9 --- kunst --- Beeldende kunst --- hedendaagse kunst --- conceptuele kunst --- migratie --- Migranten --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Exhibitions

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A major figure in contemporary art, John Baldessari is widely considered one of the most influential artists to emerge since the mid-1960s. From his text-and-image paintings of the 1960s to his more recent photo collages and installations, Baldessari has continued to make art that addresses the social and cultural impact of mass culture, often playfully through strategies of appropriation and deconstruction. Baldessari's lifelong interest in language, written and visual, and the interaction between the two, raises questions about the nature of communication and perception. More than 150 of Baldessari's works are presented in full colour in this monograph published in conjunction with a major exhibition at Tate Modern and the Los Angeles County Museum of Art. Eleven essays by critics, curators, art historians and former students round off this volume. Few contemporary artists have achieved the range and relevance of Baldessari's oeuvre, which is finally given its due in this beautiful and elegant limited edition, including a fold-out poster designed specially for this hardback volume by John Baldessari.

Baldessari, John --- Baldessari, John, --- (069) --- 7.07 --- Baldessari, John °1931 (National City, California, Verenigde Staten) --- Beeld en woord ; beeld en tekst --- Beeldende kunst ; fotografie ; 1962-2008 ; J. Baldessari --- Conceptuele kunst --- Narratieve kunst --- Tentoonstellingscatalogi ; Los Angeles County Museum of Art (LACMA) --- 7.071 BALDESSARI --- Baldessari John --- Verenigde Staten --- concept art --- conceptuele kunst --- film --- fotografie --- kunst --- schilderkunst --- twintigste eeuw --- 705.9 --- (Musea. Collecties) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Exhibitions --- Baldesari, G'on, --- בלדסארי, ג׳ון --- departement Beeldende Kunst 10 --- hedendaagse kunstenaars --- Baldessari, John, - 1931 --- -705.9 --- -Baldessari, John, - 1931 --- -Baldessari, John, --- -Baldessari, John --- -Baldessari, John, - 1931-

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Ai Weiwei ist der bekannteste chinesische Künstler, regimekritische Dissident der Gegenwart und ein Multitalent: Seine evident politischen Botschaften vermittelt er in Plastiken, Installationen, Fotos, Filmen, Büchern und seit dem er nicht mehr ins Ausland reisen darf verstärkt über Twitter. Der Berliner Martin-Gropius-Bau zeigt in der bisher größten Einzelausstellung des Künstlers Arbeiten, die noch nie in Deutschland zu sehen waren. Ai Weiwei bespielt mit seinen Werken das gesamte, ca. 3000 Quadratmeter umfassende Erdgeschoss des Ausstellungsgebäudes. Für jeden der 20 Räume sowie den Lichthof entwickelt er eine eigene Komposition, mehr als die Hälfte der Werke entsteht direkt für die Berliner Schau. In kurzen Einführungen zum Tafelteil vermittelt der Künstler seine persönliche Sicht auf die Kunstwerke. Für den vorliegenden Band werden diese Werke eigens aufgenommen und präsentieren zusammen mit den fundierten Texten der wichtigsten Kenner des _uvres von Ai Weiwei einen umfassenden Überblick über das ebenso faszinierende wie berührende Schaffen des "chinesischsten aller Künstler, die wir aus China kennen", wie ihn Gereon Sievernich, Direktor des Martin-Gropius-Baus, charakterisiert.

politics --- sculpting --- installations [visual works] --- kunst --- art [fine art] --- photography [process] --- video recordings --- Ai Weiwei --- Art, Chinese --- 705.9 --- Weiwei, Ai --- conceptuele kunst --- performance --- China --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Ai, Weiwei --- Ai, Wei Wei --- 艾未未 --- Weiwei, Ai, --- Wei Wei, Ai --- ai, wei wei --- video recordings [physical artifacts] --- art [discipline] --- social criticism