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Om het met de woorden van Anne Wagner zelf te zeggen: dit boek heeft het over drie kunstenaars, over hun inspiratie, hun carrière en de manier waarop deze beïnvloed werd door een gemeenschappelijk feit m.n. dat de drie kunstenaars vrouw waren. Het werk van Georgia O'Keeffe, Lee Krasner en Eva Hesse is verbonden met de geschiedenis van het modernisme in de Verenigde Staten. Ieder van hen geloofde dat dit postmodernisme hen de gelegenheid gaf om via hun werk uiting te geven aan hun ervaringen, hun gevoelens en hun intelectuele ambities. Modernisme betekende vooral de mogelijkheid om te werken tussen het figuatieve en het abstracte in, een territorium waar alles radicaal kon hertekend worden.

Art, American --- Women artists --- Art américain --- Femmes artistes --- Biography --- History and criticism --- Biographie --- Histoire et critique --- O'Keeffe, Georgia, --- Krasner, Lee, --- Hesse, Eva --- Eva Hesse 1936-1970 (°V.S.) Lee Krasner 1908-1984 (°V.S.) --- Georgia O'Keeffe 1887-1986 (°V.S.) --- Kunst ; van vrouwen ; G. O'Keeffe ; Lee Krasner ; Eva Hesse --- Kunst ; schilderkunst ; Verenigde Staten ; 20ste eeuw --- 7.038 --- Kunstgeschiedenis ; 1950 - 2000 --- History and criticism. --- Art américain --- Philosophy and psychology of culture --- Art --- Krasner, Lee --- O'Keeffe, Georgia --- United States --- Artists, Women --- Women as artists --- Artists --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Biography&delete& --- Hesse, Eva, --- Stieglitz, Georgia O'Keeffe, --- O'Keefe, Georgia, --- O'Keeffe, Georgia Totto, --- Stieglitz, Alfred, --- Chase, William Merritt, --- Cox, Kenyon, --- Mora, F. Luis --- Krasner, Lenore, --- Pollock, Lee Krasner, --- United States of America --- Visual arts --- Book --- Cultural movements

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Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.

Art, American. --- Art, Modern --- Women artists --- Art, American --- Artists, Women --- Women as artists --- Artists --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- History and criticism. --- Biography --- O'Keeffe, Georgia, --- Krasner, Lee, --- Hesse, Eva, --- Krasner, Lenore, --- Pollock, Lee Krasner, --- Stieglitz, Georgia O'Keeffe, --- O'Keefe, Georgia, --- O'Keeffe, Georgia Totto, --- Stieglitz, Alfred, --- Chase, William Merritt, --- Cox, Kenyon, --- Mora, F. Luis

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sculptuur. --- moeder (eerste graad familierelaties). --- Moore, Henry. --- Hepworth, Barbara. --- Epstein, Jacob. --- 20ste eeuw. --- Groot-Brittannië.

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sculptuur. --- Moore, Henry.

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Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art. Although best known for his bronze and marble sculptures, Rodin's genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster. Unlike his predecessors, his works include traces of their creation, challenging traditional conceptions of beauty. In line with new thinking on Rodin, this beautifully illustrated book focuses on the artist's use of plaster, a material which enabled him to create sculptures that are never finished, always becoming. United by their whiteness, fragile and experimental pieces will be explored alongside alternative aspects of some of Rodin's signature works. Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodin's way of working, the importance of modelling, his use of materiality and sexuality, and the role of photography in his work. For the first time, Rodin will be presented as the father of modern. Exhibition: Tate Modern, London, UK (21.10.2020 - 21.02.2021).

73.07 --- Rodin, Auguste 1840-1917 (°Parijs, Frankrijk) --- Beeldhouwkunst ; 19de eeuw ; 1ste helft 20ste eeuw ; A. Rodin --- Beeldhouwkunst ; materialen ; gips --- Beeldhouwkunst--beeldhouwers A - Z --- Rodin, Auguste, --- Rodin, François Auguste, --- Roden, Ogi︠u︡st, --- Rodin, --- Lo-tan, --- Rodan, --- רודן, אוגוסט --- Exhibitions --- Sculpture --- sculpture [visual works] --- drawing [image-making] --- clay --- human figures [visual works] --- sculpture groups --- plaster --- Rodin, Auguste --- beeldhouwkunst --- menselijk lichaam --- sculptuur. --- menselijk lichaam. --- Rodin, Auguste. --- plaster [composite coating] --- sculptuur --- Boulenger, Hippolyte.