Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This study's aim is to deepen and enhance the linguistic dimension in Pier Paolo Pasolini's work, in the hope of restoring to his figure all the fullness of his intense and visceral relationship with the entire universe of languages. In the first part of the work we will investigate the various moments of Pasolini's reflection on different expressive codes, from dialect to the language of cinema, from the 'Language of Reality' to the technological neo-Italian, promptly counterposed by the author's linguistic experimentation. From here a broad lexical investigation starts - this study being the subject of the second part of this volume - with the aim of highlighting the author's contribution to contemporary Italian (as to this day many 'keywords' from Pasolini's universe still echo in Italian language, from «nuovo Potere» to «Palazzo», from «omologazione» to «mutazione antropologica»), thus confirming, once again, the inseparable relationship between reflection and language creativity, giving birth to a new, unique portrait of Pasolini as a 'linguist' and at the same time as an 'onomaturgist'.

Linguistics.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This study's aim is to deepen and enhance the linguistic dimension in Pier Paolo Pasolini's work, in the hope of restoring to his figure all the fullness of his intense and visceral relationship with the entire universe of languages. In the first part of the work we will investigate the various moments of Pasolini's reflection on different expressive codes, from dialect to the language of cinema, from the 'Language of Reality' to the technological neo-Italian, promptly counterposed by the author's linguistic experimentation. From here a broad lexical investigation starts - this study being the subject of the second part of this volume - with the aim of highlighting the author's contribution to contemporary Italian (as to this day many 'keywords' from Pasolini's universe still echo in Italian language, from «nuovo Potere» to «Palazzo», from «omologazione» to «mutazione antropologica»), thus confirming, once again, the inseparable relationship between reflection and language creativity, giving birth to a new, unique portrait of Pasolini as a 'linguist' and at the same time as an 'onomaturgist'.

Linguistics.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Il volume intende approfondire e valorizzare la dimensione linguistica nell'opera di Pier Paolo Pasolini, nella speranza di restituire alla sua figura tutta la pienezza del suo intenso e viscerale rapporto con l'universo dei linguaggi. Nella prima parte si indagano i vari momenti della riflessione pasoliniana sui diversi codici espressivi, dal dialetto alla lingua del cinema, dal 'linguaggio della realtà' fino al neo-italiano tecnologico, cui fa da puntuale controcanto la personale sperimentazione linguistica dell'autore. Di qui prende avvio l'ampia indagine lessicale cui è dedicata la seconda parte del volume, e che intende mettere in luce il peculiare apporto dell'autore al vocabolario dell'italiano contemporaneo (ancora oggi riecheggiano infatti nella nostra lingua molte 'parole-chiave' dell'universo pasoliniano, da "nuovo Potere" a "Palazzo", da "omologazione" a "mutazione antropologica"), confermando così quell'inscindibile rapporto tra riflessione e creatività linguistica che dà vita all'inedito profilo di un Pasolini al tempo stesso 'linguista' e 'onomaturgo'.

Pasolini, Pier Paolo, --- Pasolini, Pier Paolo, --- Language.