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In Communal Creativity in the Making of the ‘Beowulf’ Manuscript , Simon Thomson analyses details of scribal activity to tell a story about the project that preserved Beowulf as one of a collective, if error-strewn, endeavour and arguing for a date in Cnut’s reign. He presents evidence for the use of more than three exemplars and at least two artists as well as two scribes, making this an intentional and creative re-presentation uniting literature religious and heroic, in poetry and in prose. He goes on to set it in the broader context of manuscript production in late Anglo-Saxon England as one example among many of communities using old literature in new ways, and of scribes working together, making mistakes, and learning.
091 =20 --- 091.14 --- 820 "06/10" BEOWULF --- 091:028 --- 820 "06/10" BEOWULF Engelse literatuur--?"06/10"--BEOWULF --- Engelse literatuur--?"06/10"--BEOWULF --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- Handschriftenkunde. Handschriftencatalogi--Engels --- 091:028 Handschriftenkunde. Handschriftencatalogi-:-Lezen. Lectuur --- Handschriftenkunde. Handschriftencatalogi-:-Lezen. Lectuur --- Book history --- manuscripts [documents] --- book history --- Beowulf --- Epic poetry, English (Old) --- Manuscripts, Medieval --- Manuscripts, English (Old) --- Anglo-Saxon manuscripts --- English manuscripts, Old --- Manuscripts, Anglo-Saxon --- Manuscripts, Old English --- Old English manuscripts --- Anglo-Saxon epic poetry --- English epic poetry, Old --- Epic poetry, Anglo-Saxon --- Old English epic poetry --- English poetry --- Criticism, Textual. --- Editing. --- British Library. --- British Museum. --- Nowell codex. --- Beowulf. --- Nowell codex --- Beowulf manuscript (Nowell codex) --- Códice Nowell --- Codex Nowell --- Vita Sancti Christophori. --- De rebus in Oriente mirabilibus. --- Epistola Alexandri ad Aristotelem de miraculis Indiae. --- Judith (Anglo-Saxon poem). --- Bjowulf --- British Library --- British Museum
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An interdisciplinary exploration of how medieval stories were shaped, transformed, and transmitted by interactions between tellers, media, and audiences. The shaping and sharing of narrative has always been key to the negotiation and recreation of reality for individuals and cultural groups. Some stories, indeed, seem to possess a life of their own: claiming a peculiar agency and taking on distinct voices which speak across time and space. How, for example, do objects, manuscripts, and other artefacts communicate alternative or complementary narratives that transcend textual and linguistic boundaries? How are stories created, reshaped, and re-experienced, and how do these shifting contexts and media change meaning? This volume of essays explores these questions about meaning and identity in a range of ways. As a collection, it demonstrates the importance of interdisciplinary and context-focused enquiry when approaching key issues of activity and identity in the medieval period. Ultimately, the process of making meaning through shaping narrative is shown to be as vital and varied in the medieval world as it is today. With a wide range of different disciplinary approaches from leading scholars in their respective fields, chapters include considerations of art, architecture, metalwork, linguistics, and literature. Alongside examinations of medieval cultural productions are explorations of the representation and adaptation of medieval storytelling in graphic novels, classroom teaching, and computer gaming. This volume thus offers an interdisciplinary exploration of how stories from across the medieval world were shaped, transformed, and transmitted.
E-books --- Literature, Medieval --- Storytelling. --- Digital storytelling. --- Narration (Rhetoric) --- Transmission of texts. --- Multimedia communications --- Adaptations --- History and criticism. --- Social aspects.
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"This volume showcases a range of different approaches to strangers and strangeness across medieval western Europe. It focuses on how communities responded to the arrival of strangers and to different ways in which individuals and groups were constructed as estranged. Further, it reflects on different forms of border-crossing, from lived experience to literary imagination and from specific journeys in precise contexts to the conceptualisation of the shift from life to death. In the range of its contributions - applying linguistic, historical, archaeological, architectural, archival, literary, and theological analyses - it seeks to bring together disciplines and geographical areas of study that are too often strangers to one another in medieval studies. Contributors are Sherif Abdelkarim, Anna Adamska, Adrien Carbonnet, Wim De Clercq, Florian Dolberg, Joshua S. Easterling, Susan Irvine, Marco Mostert, Richard North, James Plumtree, Euan McCartney Robson, Beatrice Saletti, Simon C. Thomson and Gerben Verbrugghe"--
Civilization, Medieval --- Immigrants --- Middle Ages --- Other (Philosophy) --- Strangers --- History --- Europe --- Europe, Western --- Emigration and immigration --- Civilization. --- Persons --- Alterity (Philosophy) --- Otherness (Philosophy) --- Philosophy --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Medievalism --- Renaissance --- Emigrants --- Foreign-born population --- Foreign population --- Foreigners --- Migrants --- Medieval civilization --- Civilization --- Chivalry --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Civilization, Medieval. --- Middle Ages. --- History. --- Immigranten --- Alteriteit (Filosofie) --- Civilization [Medieval ] --- Middle Ages, 500-1500 --- Europa --- Europa [West-] --- 15e eeuw --- Emigratie en immigratie --- Geschiedenis --- Beschaving
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Senses and sensation --- Perception --- Civilization, Medieval --- English philology --- Sens et sensation --- Civilisation médiévale --- Philologie anglaise --- History --- Congresses --- Histoire --- Congrès --- Civilisation médiévale --- Congrès --- Europe --- To 1500 --- Senses and sensation in literature --- Senses and sensation in art --- Sense (Philosophy) --- Civilization [Medieval ]
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