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Synthesis and Nullification is the first retrospective covering the career of Stefan Sonvilla-Weiss as a visual artist, graphic designer, multimedia developer, writer, researcher, educator and visionary conceptualist. Synthesis and Nullification is used here metaphorically, as it stands for a complex and wide ranging theoretical and practical exploration in visual culture. The book is divided into four main chapters, which bundle in chronological order artwork, concept visualizations, installations, photographs and multimedia work. It contains numerous previously unpublished texts and artwork
Graphic designer. --- Visual Arts --- Art, Architecture & Applied Arts --- Fine Arts - General --- Visual Arts - General --- Sonvilla-Weiss, Stefan, --- Weiss, Stefan Sonvilla-, --- Art --- Computer art
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This volume brings together cutting-edge thinkers and scholars together with young researchers and students, proposing a colourful spectrum of media-theoretical, -practical and -educational approaches to current creative practices and techniques of production and consumption on and off the web. Along with the exploration of some of the emerging social media concepts, the book unveils some of the key drivers leading to participatory engagement of the User. Mashup Cultures presents a broader view of the effects and consequences of current remix practices and the recombination of existing digital
Popular music --- Music and technology. --- Mashups (Music) --- Remixes --- Social aspects. --- History and criticism. --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Bastard pop --- Mash-ups (Music) --- Technology and music --- Technology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Remixing
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In times of resurgence of ultra-nationalistic and xenophobic tendencies across Europe, education and awareness-raising for all age groups about the history of the Holocaust are of paramount importance for agency and civil engagement. Stefan Sonvilla-Weiss examines commemorative culture and its transformation towards interactive and participatory experiences through a novel form of visitor engagement at the Mauthausen memorial visiting center. This unique space from an arts-based and media research project builds on human-centered design, as well as individual and collective experiences of contributing to a living memory culture.
Memory (Philosophy) --- Gedenkstätte Konzentrationslager Mauthausen. --- Art Education. --- Art. --- Emotional Design. --- Holocaust Education. --- Living Memory. --- Memorial Education. --- Museum Education. --- Museum. --- Participatory Museums. --- Practical Museography.
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Appropriation (Art) --- Interactive art --- Mashups (World Wide Web) --- New media art --- Social media --- Web 2.0
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Now that humans seem to have arrived at the end of their campaigns of discovery, conquest and exploitation, the virtual, infinite, digital spaces are being conquered. It was only a matter of time before the technical possibilities permitted people to construct parallel worlds in the digital universe. A 'Second Life' as virtual existence (Avatar) in the virtual spaces of data exerts a seductive pull on ever more people. By taking possession of the internet as a creative medium, an entirely new, globally networked culture of participation has come into being. Multiple person-computer interfaces
Shared virtual environments --- Virtual reality --- Social aspects.
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