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Film --- United States --- film --- experimentele film --- Verenigde Staten --- Deren Maya --- Hammid Alexander --- Peterson Sidney --- Broughton James --- Anger Kenneth --- Markopoulos Gregory --- Brakhage Stan --- animatie --- Menken Marie --- Smith Harry --- Belson Jordan --- Breer Robert --- Kubelka Peter --- Lye Len --- Maclaine Christopher --- Rice Ron --- Conner Bruce --- Nelson Robert --- Jacobs Ken --- Smith Kack --- Cornell Joseph --- Snow Michael --- Sharits Paul --- 791.43 --- Experimental films --- History and criticism --- United States of America
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Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.
Experimental films --- Poetry in motion pictures --- Motion pictures --- Films expérimentaux --- Poésie au cinéma --- Cinéma --- History and criticism. --- Aesthetics --- Histoire et critique --- Esthétique --- Poetry in motion pictures. --- Aesthetics. --- Films expérimentaux --- Poésie au cinéma --- Cinéma --- Esthétique --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism --- E-books
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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
Films expérimentaux --- Cinéma --- cinéma américain (Etats-Unis) --- Cinéma expérimental --- Histoire et critique --- Histoire --- 2000 --- Film --- filmgeschiedenis --- anno 1900-1999 --- anno 2000-2009 --- United States --- Experimental films --- History and criticism. --- United States of America
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Avantgarde. --- Experimentalfilm. --- Film. --- Geschichte. --- USA.
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Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12.
Experimental films --- History and criticism. --- Emerson, Ralph Waldo, --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא, --- Influence. --- Films expérimentaux --- Histoire et critique
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First published in 1995, P. Adams Sitney's Vital Crises in Italian Cinema has become a work of enduring importance in the study of Italian films produced from 1945 to 196. Examining over twenty key works of the period, Sitney identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. The debate over regional dialects and a unified national language find reflection in Visconti's La terra trema and its source, the novel I Malavoglia. The father-son relationship serves as an
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- Political aspects --- History and criticism
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Experimental films --- Motion pictures --- Films expérimentaux --- Cinéma --- History and criticism --- History --- Histoire et critique --- Histoire
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