Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Iconography --- Art --- installations [visual works] --- scripts [writing] --- Hamilton, Ann --- anno 1900-1999 --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Iconography --- human figures [visual works] --- Bourgeois, Louise --- LoCurto, Lilla --- Outcault, William --- Messager, Annette --- Smith, Kiki --- Gober, Robert --- Pondick, Rona --- Wojnarowicz, David --- anno 1900-1999

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The authors of After the Revolution return with an incisive study of the work of contemporary women artists.In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and racial difference. "History Lessons" offers reflections on the self in the context of history and globalization. "Spellbound" focuses on womens embrace of the irrational, subjective, and surreal, while "Domestic Disturbances" takes on women's conflicted relationship to home, family, and security. Written in lively prose and fully illustrated throughout, this book gives an informed account of the wonderful diversity of recent contemporary art by women.

Art --- video recordings --- installations [visual works] --- painting [image-making] --- photography [process] --- sculpting --- Brown, Cecily --- Bartana, Yael --- Antoni, Janine --- Kozyra, Katarzyna --- Wilson, Jane --- Bruguera, Tania --- Cao Fei --- Hayes, Sharon --- Lidén, Klara --- Lou, Liza --- Margolles, Teresa --- Mutu, Wangechi --- Rottenberg, Mika --- Yuskavage, Lisa --- Gilmore, Kate --- Kurland, Justine --- Emin, Tracey --- Rist, Pipilotti --- Walker, Kara --- Amer, Ghada --- Opie, Catherine --- Zittel, Andrea --- Mehretu, Julie --- Djurberg, Nathalie --- anno 2000-2099 --- Kunsten --- Vrouwen --- Kunst --- Vrouw --- Ondernemerschap --- Poëzie --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Mehretu, Julie °1970 (° Addis Abeba, Ethiopië; woont en werkt in New York) --- Zittel, Andrea °1965 (°Escondido, Ca., Verenigde Staten) --- Rist, Pipilotti (volledige naam Elisabeth Charlotte Rist) (Grabs, 21 juni 1962) --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- Emin, Tracey °1963 (°Londen, Groot-Brittannië) --- Brown, Cecily °1969 (°Londen, Groot-Brittannië) --- Beeldende kunst ; vrouwelijke kunstenaars ; 21ste eeuw --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- video recordings [physical artifacts] --- vrouwelijke kunstenaar

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Iconography --- art history --- vrouwelijke kunstenaar --- Murray, Elisabeth --- Bourgeois, Louise --- Spero, Nancy --- Abramovic, Marina --- Pfaff, Judy --- Schutz, Dana --- Sherman, Cindy --- Holzer, Jenny --- Smith, Kiki --- Neshat, Shirin --- Hamilton, Ann --- Gallagher, Ellen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The practice of deconstructivism, a term describing artwork that examines the imagery of the popular media, was significantly shaped by dozens of important female artists during a critical era in late twentieth-century visual culture. These artists subverted their source material, often by appropriating it, to expose the ways that commercial images express imbalances of power. The mechanisms of power in mainstream art institutions were also subject to these artists' critique. This exhibition catalogue features a diverse group of North American women whose transformative and often provocative work deals with gender, sexual, racial, ethnic, and class-based inequities. Among the artists included in the book are Dara Birnbaum, Sarah Charlesworth, The Guerrilla Girls, Susan Hiller, Jenny Holzer, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, Cindy Sherman, Laurie Simmons, Lorna Simpson, Carrie Mae Weems, and others. Essays by leading critics discuss such topics as the importance of critical theory and sexual politics in the art world of the 1980s; how domesticity is represented in commercial media and the art that addresses it; the importance of psychoanalytic theory as a critical framework; and the sexualization of inanimate objects.

Art, Modern --- Deconstruction --- Women artists