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Ce livre étudie comment l'idée de l'espace du grand Ouest américain conçu par Jefferson a influencé l'espace public intérieur des grands équipements commerciaux (mall, hall de siège sociaux) ou de transport (gares, aéroport..) américains et comment ces espaces publics qui ont maitrisé de façon magistrale les idées européennes et américaines sur l'espace public ont déferlé en Europe et au-delà, au risque de voir disparaître les cultures originelles.
Architecture --- architecture [discipline] --- interior design --- architectural theory --- binnenhuisinrichting --- architectuurtheorie --- territorium (mensen) --- architectuur --- 71.03 --- Noord-Amerika --- 711.6 --- 711.61 --- 725.1 --- 725.2 --- 747 --- 72.01 --- 747.5 --- Stedenbouw (geschiedenis) --- Stedelijke verkaveling --- Openbare ruimte --- Publieke ruimte --- Openbare gebouwen --- Commerciële gebouwen --- Interieurarchitectuur --- Architectuur (theorie) --- Architectuurtheorie --- Publieke interieurs --- Représentation de l'espace --- Espace public --- Analyse urbaine --- Etats-Unis
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Architecture --- architectuurtheorie --- architectuur --- architecture [discipline] --- interior spaces [spaces by location] --- public spaces --- interior architecture [object genre]
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The publications shows haw its projects are articulated around three fundamental types of intervention. The first consists of taking some datum or other of the surroundings, in particular the city of Munich, its history and building tradition, as a point of departure. The resonance of the context enables their constructed buildings to have an evocative power that goes beyond the formal. In fact, theirs is a way of doing things that is deliberately at odds with the notion of form as a starting point. Secondly, they tackle the issue of ornamentation as a basic part of their project designs by linking it to the artisanal decorative traditions of the region. Lastly, and without losing a proximity to the simplicity of traditional buildings and their decoration, they incorporate a tremendous sensitivity towards materials and contemporary technical conditions. In the last analysis, HildundK hope their architecture is understood by its users, that its cultural contents communicate and connect the public with the discipline of architecture by providing a response to their requirements. To quote Mechthild Stuhlmacher, author of one of the introductory texts: ¡¥Andreas Hild and Dionys Ottl regard it as imperative to escape from an architectural discourse that is purely internal. In their view architecture must also be comprehensible to the layman if it is to survive as a discipline.
Hild, Andreas --- Ottl, Dionys --- HildundK --- Hild und K [Munich] --- Architecture --- Agence d'architecte --- Munich --- Berlin --- Allemagne
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Edges of the Experiment' investigates the idyllic notion of the American landscape, showing which elements contribute to the iconic landscape, and at what cost they can be maintained. It describes the thin line between nature and civilisation. How did the landscape evolve, and where are the interfaces between the organic and the artificial world, and do they fail or succeed? 'Edges of the Experiment' is a two-volume publication. Volume one shows over 60 photographs made over a period of ten years by Jongerius. Volume two is a collection of essays about the making of the American Landscape, with texts by Matthew Coolidge, William L. Fox, Hans Gremmen, Taco Hidde Bakker, Mark Pimlott, Warren Techentin, Raymond Frenken and others.
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